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The Translucent Revolution

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The Translucent Revolution - cover 

 
The Translucent Revolution: How People Just Like You Are Waking Up and Changing the World
Arjuna Ardagh - external linkwebsite
 
 
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Translucence is a concept presented by Arjuna Ardagh in his book The Translucent Revolution: How People Just Like You Are Waking Up and Changing the World. The book is the product of more than 170 in-depth interviews, including many New Paradigm/New Age/Global Mindshift/Integral movement "thought leaders" and spiritual teachers (e.g. Andrew Cohen, Jean Houston, Byron Katie, Eckhart Tolle, and Neale Donald Walsch), and a survey of more than 13,000 people.
From the external linkwebsite (via this page):
For more than a decade, author Arjuna Ardagh has studied this worldwide advance in human consciousness marked by what he calls "translucents" - individuals who have undergone a spiritual awakening deeply enough that it has permanently transformed their relationship to themselves and to reality while allowing them to remain involved in ordinary life. According to conservative estimates, millions have shifted in this way, and while the breakthrough moments themselves don’t guarantee sustained transformation, their increased frequency is remarkable.

The Translucent Revolution draws on the author’s dialogues with thousands of writers, teachers, and workshop participants around the world who have been touched by a radical awakening, and whose lives emanate translucence. He blends observation, anecdote, and research, including commentaries from leading pioneers in the field of human consciousness like , to offer simple, concrete strategies for cultivating a translucent way of life. The Translucent Revolution offers a blueprint for positive change and an optimistic perspective on these uncertain times.

"Radical Awakening ... the moment when you taste reality outside the limiting confines of the mind, when you know yourself to be limitless, much bigger than, yet containing the body, beyond birth and death, eternally free. Despite the activity of thought and feeling, you know yourself to be the silence experiencing that movement. It is the moment when you can intuit the real potential of life, free from the incessant mental machinery of complaint and ambition. A radical awakening often releases a tidal wave of creativity and generosity of spirit, a natural impulse to serve and contribute. In these moments, we know that love is who we are, not something we sometimes feel."


A confusing quality of the book is the definition of Translucents, as the experiences seem to range from those who have had quite profound and permanent awakenings - certainly way beyond anything I've experienced! - down to others who are basically very ordinary and conservative people, but just with a little bit of awakening and insight (your base level New Age / Cultural Creative / Integral community person in other words). And as I read more I realised that what he is describing falls into the latter category, not the former (which is what I am interested in). This is indicated by Ardagh's rather pointless "Spiritual Myths List" which is central to his book, but is basically a Wikipedia linkstraw man argument that says nothing.
  1. After a spiritual awakening, there is no more ego and personality traits disappear completely. What remains is just a homogenous oneness with everything.
  2. Awake people are not identified with the personality and therefore have no interest in changing it.
  3. Awake people have no sense of a separate doer. Therefore they do not initiate action, but sit quietly doing nothing and wait for things to happen by themselves.
  4. People who are awake do not have feelings, particularly "negative" ones like anger, fear, jealousy or greed. Instead, they are always calm, in an unchanging state, feeling an unbroken oneness with everything.
  5. You have to choose between feelings and presence. When you have feelings, you have lost who you are.
  6. Awakened people do not need anything from anyone. They do not have relationships, since they feel oneness with everything.
  7. It does not matter what you say or do. Once you are enlightened, every action, even lying or manipulating is spontaneously for the good of all beings.
  8. After an awakening there is only peace and harmony with everyone, with no need to do anything. Translucent relationships are always harmonious.
  9. Sex is an event of the lower chakras. Awakened people have transcended sex. Sexual energy completely disappears with awakening.
  10. Awake people automatically have open and flowing sex, without the need for any practice.
  11. Having children is a distraction to spiritual life. Like Buddha, Jesus and all the great masters, you must choose between family life and spiritual freedom.
  12. After an awakening, all the negative influences from your family will dissolve through divine grace. You will spontaneously know how to be a perfect partner.
  13. Awakened people are naturally creative. Great art flows through them spontaneously, without any need for formal training or skills.
  14. Spiritually awake people would have no need to paint, write poetry, or make music; those are all just activities of the restless mind.
  15. After a spiritual awakening there is no need to learn anything; you already are everything.
  16. Business and spirituality are two separate arenas of life; it's inappropriate and embarrassing to mix the two.
  17. After any kind of spiritual awakening, money will flow easily and effortlessly into your life, with little or no effort.
  18. Money corrupts. Anyone with real spiritual integrity should not be concerned with money, success or the world.
  19. Awakened people are always in perfect health; they never get sick.
  20. Those awake to their real nature have spontaneous healing powers. Like Jesus, they can cause the sick to rise up and walk.
  21. After an awakening, no-one needs psychotherapy; there is no ego and no personal life remaining.
  22. Awakened people are beyond attachment to the body. They have no care if it lives or dies.
  23. After a spiritual awakening, there is no more need for religion. All churches are just for sheep to blindly follow rules.
  24. Only very few people in all history have ever known real spiritual experience. The rest of us must be content with a contact high.
  25. There is a specific state, in the future, that you can aspire to, where evolution is complete. Then you will flatline and nothing will ever happen again. Till then, you know nothing.
  26. Spiritual people are beyond the mundane activities of the world; they re just one with what is. Politics and activism are dirty and ignorant.
  27. Everything is happening on its own. There is nothing you can do, and no doer anyway. Nostradamus said there would be a big war, followed by two thousand years of peace. The Mayans support this, and so did the tea leaves in my cup this morning. Involvement in the ways of the world is just interfering with the divine plan.
  28. We are entering a golden age; all we have to do is to mediatate and to love each other and chant Om and the world's problems will evaporate automatically.
  29. Capitalists and big corporations are evil. We need an armed insurrection; we can overthrow the oppressors, and the enlightened ones will rule supreme. The world can only be changed through militant political insurrection.
I would ask, is there anyone, anywhere, who really believes or teaches that "spiritual awakening...(w)hat remains is just a homogenous oneness with everything"? And so on with the whole list except for the last which seems to be a straw man directed at a cartoon version of old style leftism. But mixed in with straw man charicatures is the element of dualistic and hedonistic thinking - e.g. Osho lifestyle tantra and Esalen feel-good Californian pop spirituality. For example, he lists among the myths "Money corrupts"; implying that money doesn't corrupt. Well, tell that to the victims of abusive gurus! Only an authentic Realizer like Ramana or Anandamaya Ma is at the level where money no longer corrupts.
To be fair to Ardagh, a lot of his book clearly seems to grow from the sort of disillusionment we all have with the New Age/Eastern Guru/Spiritual Teacher movements to "deliver the goods". People who expect enlightenment remain just as screwed up and limited as before. That's because, obviously, none of these so-called spiritual teachers are in any way Enlightened. They aren't even at the level of the Intermediate Zone. They aren't even at the level of gnosis. Because of this, the author incorrectly assumes that there is such a thing as Supreme Enlightenment (in other words, because he hasn't met an Enlightened Being in person, assuming he would even recognise one if he did), and instead adopts a well-meaning but at the same time muddled definition that comes from a place of exoteric consciousness. i.e. anyone and everyone who has any awakening or opening at all beyond ordinary ego-shadow consciousness, from the most banal to the most awesome, is a "translucent"
At the same time, although not providing any information at all regarding what authentic Realization means, this is still, from a social (and social evolution) point of view , an important book in that it provides a very detailed look at the postmaterialistic spirituality of the American holistic / Cultural Creative demographic. There is certainly a strong overlap between Ardagh's "Translucents" and Paul Ray's "Cultural Creatives" .
Of interest here is the idea of a collective shift in consciousness. According to Ardagh there really is a huge shift in consciousness occuring. This fits with what people in the Integral Movement like Ken Wilber, Link to Amazon comSteve McIntosh, and Andrew Cohen and the staff at EnlightenNext are saying, although Wilber and McIntosh would distinguish between "Cultural Creatives" and "Integralists". However there are blog linka number of other possible factors that could explain this, without a global evolutionary shift. At the moment, I honestly don't know which of these two explanations are correct. (Here's external linka discussion of the book on the Integral Institute (Wilberian) book club)
I did find Ardagh's book very useful in helping to explain features of many gurus, which I previously classified as "Intermediate Zone". Most of these are simply "Translucents" (see classification here) who arrogantly or deludely believe that they can present themselves as "Enlightened" Spiritual Teachers or Gurus, when they are no more evolved - in fact may often be less evolved - then many of their students, devotees, and disciples.
An alternative term, instead of "Translucent", could be Transpersonal. These are individuals who have a Transpersonal opening, who have developed some measure of Transpersonal consciousness; an awareness beyond their ordinary state. Speaking simplistically, one can assume a spectrum of Ego-Shadow (what Ardagh calls "Iago" after a sinister character in Shakespeare's play Othello) - Transpersonal/Translucent - Gnosis - Intermediate Zone - Enlightenment. This can be represented as follows


Ego-ShadowTranslucentGnosisThe "Intermediate Zone"RealizationDivinization
The Intermediate Zone might be defined as a powerful state in which - as with authentic Enlightened beings - the devotee can aquire experiences through "contagion". With a "Translucent", there would be much less likelihood of this, or none at all, because they are closer to ordinary consciousness. But the fact remains that many devotees of merely transpersonal/translucent (and common gnostic) gurus do have such experiences. In this case the explanation provided by external linkDavid Lane ("neural surfer") (Wikipedia linkWikipedia page) is probably much better, that it is the devotee him or herself that creates the feelings ( he calls it the Kirpal Statistic external link (link) (link). Of course this does not mean we should make simplistic generalisations of this; there is no real way to tell where Transpersonal ends and Intermediate Zone begins






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Postmaterialism

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New Civilization - collage by M.Alan Kazlev


Terms like "Postmaterialism", "cultural creatives", "participatory approach", "integral consciousness", "planetary consciousness", "new age", "new paradigm", "holistic", "sustainable", and "transluscent revolution" are among the many convenient labels that can be applied to the current social, cultural, and/or spiritual, individual and/or collective, evolutionary development of consciousness and society beyond, or rejecting, both reductionistic materialism (and its counterpart, exoteric, literalist religion), and materialism in the sense of soul-destroying and ecologically unsustainable consumerism, superficiality, and monolithic capitalism.
Individually, postmaterialistic consciousness can be defined physically, emotionally, and mentally, although these are three interrelated perspectives on the same thing, not three separate things.
Physically it corresponds to conscious evolution or evolutionary or secular spirituality, which means taking progress into our own hands, rather than follwing narcissistic greed, hierarchically authoritarianism, and the destructive pattern of naked ape politics and competiveness.
Emotionally, psychologically, and spiritually, it means is moving beyond ego-shadow (I-It) duality to empathic (I-Thou) wholeness.
And as far as mental worldviews and understanding goes, it equally reiects both the consensus paradigm of secular materialism, agnosticism, reductionism, and relativism (modernity) and institutionalized religion. At the same time it is not yet at the level of gnosis. So on the one hand it is no longer really exoteric and yet it isn't quite esoteric; although on the other hand if esoteric is equated with gnosis, and exoteric with lack of gnosis, then it is still very much exoteric. Indeed my feelings when encountering this material and these subcultures is that they are exoteric, but a wholesome and socially and ecologically sustainable exoteric.
Socially, culturally, and collectively, the challenge at present is to attain a post-materialistic society (sometimes called integral society, rising culture, etc). I do not believe it is possible for humanity as a whole to attain gnosis or a gnostic society at this stage; indeed there has never been a collectively gnostic or esoteric society on Earth, even in ancient Egyptians and traditional Tibetan society most of society would have been on a self-serving and surface consciousness level, and gnosis mixed up with mythological thinking, politics, ignorance, duality, etc.
I find it significant that even the majority of the "new consciousness" New Age / Cultural Creative / Alternative movements today (obviously there are exceptions!) seems to have been barely penetraded by sentientist awareness, and instead buy into the meat, dairy, poultry, etc industries, thus helping to perpetuate the torture of countless innocent beings. Without consideration for all sentient beings on Earth, how can the collective karma be addressed and a new world created? This is the great taboo in the New Age/Integral/etc movement. One of the things I would like to do is create a new esoteric system based on sentientist insights. Of course I'm not the first, Mahatma Gandhihas already done so. This is a work for true visionaries, and the most radical moral challenge of our age.
Also, in contrast to the standard idea of gradual evolutionary progress (Theosophy, Spiral dynamics, Wilberian Integralism, etc), I do not consider that higher consciousness and a truely spiritual and gnostic society will evolve or appear through a simple, gradual, and linear progression. Those worldviews are still caught up in the 19th and early 20th century "myth of progress" idea. Instead I like to believe in a series of transitions centered around locii of radical individual and collective Divinization, and this will have a backward effect of gnosticising a proportion of the population. This seems to be what Sri Aurobindo is describing when he refers to a ladder of degrees of consciousness from ordinary consciousness to the Supramental (in The Life Divine, pp.968-9) that develops aftersupramentalisation (i.e. among those beings and nature that has not yet been supramentalised).












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The Transcendent Absolute and Phenomena

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  1. The Absolute and the Relative Reality
  2. Three Grades of Knowledge
  3. The Way of Form and the Way of Formlessness

1. The Absolute and the Relative Reality

The Unmanifest Absolute Reality in Itself - Shunyata, Paramatman, Tao, Buddha-nature, etc - is the Supreme Ground of all Reality.  Its attainment is experienced as Nirvana or Liberation or or Self-Realization.  The opposite of this state is the world of phenomena, Maya, the relative truth,  Illusion, Samsara, "the wheel of rebirth", subject to Ignorance (avidya) of one's True Nature, craving, unhappiness, and so on.
It is generally considered that between these two extremes there is no continuum, unlike the other dimension/parameters we have considered.  The lower, relative reality, is a juxtoposition on the higher, the Absolute Reality.  That's why the various Indian philosophies (Vedanta, Mahayana, etc) speak of the "Two Truths", the Relative and the Absolute Truth.  Hence Enlightenment (realisation of the Absolute) is not something to be attained, because one always was and is the Absolute.  Enlightenment is simply the realisation that you are the Absolute right now, and that there is no birth or death, future or past, self or other, but only the eternal present, the one universal "I" (this is putting it very simply, but space does not allow an analysis of the subtlties of the doctrine, or the differences between Mahayana Buddhist and Advaita Vedantin conceptions of Enlightenment).

2. Three Grades of Knowledge

Yet from another point of view one can suggest a continuum, in the area of Advaitin and Mahayanist epistemology (science of knowledge).  Whereas Western academic epistemology is divided between the Rationalists, who say we know things because our minds contain pre-existent ideas, and the Empiricists, who say that the mind is a blank slate, and everything we know and learn is through the senses, the Indian mystical epistemology is concerned with spiritual knowledge, rather than knowledge about (general or mundane) knowledge.
Basically, this monistic philosophy (both Advaita and Mahayana affirm a single Absolute Reality) refers to three grades of knowing, each lower of which is false in relation to the next.
The lowest grade is illusion, or hallucination, such as things in a dream, which appear real while dreaming, but then are seen to be false upon awakening; or tricks of the eye, such a rope which in the distance or in the dark appears to be a snake, or mother-of-pearl which appears to be silver.
The next level is "empirical" knowledge; knowledge as it ap-pears to the senses (and, one may add, to the instruments of modern science), and which reveals the world as it "objectively" is.
The highest level is transcendental knowledge; knowledge of Reality as it actually is, revealed through the superconscious or enlightenment experience.  Relative to this absolute knowledge, everyday empirical knowledge stands in the same relation as hallucination or misperception stands to the latter.  That is, the objective world itself is realised to be a "dream", an "illusion", a "rope-snake", or whatever.  Realisation of absolute knowledge is the same as realisation of the Absolute (or Godhead) itself, because in these spiritual traditions the Absolute is itself considered as a - or rather the - faculty of knowing or experience; or in other words of the nature of pure Consciousness.
The terms of the three grades of knowledge vary according to the particular school of thought.  To give three examples
 Nagarjuna
2nd C Buddhist
Vasubandha
3rd C Buddhist
Shankara
8th C Vedanta
3. AbsoluteParamartha Paramarthika Paramarthika 
2. EmpiricalSamvriti Paratantra Vyavaharika
1. IllusionSamvriti ParikalpitaPratibhasika
An interesting twist to this is given in Tibetan Buddhism, where there is the distinction between the lower Enlightenment of the Dharmakaya (Truth-dimension) and the greater Enlightenment of the Swabhavakaya (Self-nature dimension).  This theme is adapted by Da Free John, who distinguishes between subjective Enlightenment (realisation of the Self or Absolute Within), and objective Enlightement (realisation of the Absolute - the Radiant Transcendental Being - in all things.  Hence we could say that the Paramartha or Absolute Truth is divided into a lesser and a greater.
Higher Paramartha:        =   Absolute Realised in all things
Lower Paramartha:        =   Absolute Realised within; Liberation
Paratantra/Vyavaharika: =   Relative Knowledge
Parikalpta/Pratibhasika:  =   Illusion


3. The Way of Form and the Way of Formlessness

All this is explaining things from a pure "Knowledge Yoga" perspective, but there are also other teachings - Tibetan Buddhism and Taoist Yoga to name just two - which strive for realisation of the Absolute through other dimensions of being, such as the Inner or etheric-psychic-occult.  It all depends whether one prefers the austere approach or the way of form.
A good example of the way of form is shown by Tibetan Buddhism, in which painstakingly elaborate visualisation (Mental body), including visualisation of chakras (Etheric body), deities, mandalas, etc, is combined with focused meditation (inner mental being) to contact and identify with particular deities (expanded/shuddhashuddha being) and activate the subtle "winds" (vayu = prana = ch'i) (inner etheric body).  This finally generates first an "impure illusory body" (Inner Etheric and Inner Astral; Lower Paramartha) and finally a "pure illusory body" (Higher Paramartha), which latter represents the attainment of full Buddhahood.
In contrast to all this is the austere but much simpler and presumably easier to follow techniques of Advaita Vedanta, which attempts to realise the Absolute through a continual intuitive-mental approach of focusing on awareness (see for example the teachings of Ramana Maharshi, and to a lesser extent (because he has a somewhat broader approach) Da Free John).  The Rinzai Zen attempt to break down the mental structure through the constant pondering on a paradoxical utteance or koan is somewhat similiar, although employing a novel approach.



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The Grand Synthesis - The Nature of God, The World, and Everything

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As long as human beings have been putting ideas together and trying to figure out how the world works, we have also been adapting the ideas put together by those who have preceded us in this task. And not just adapting, but giving new interpretations, new slants on things, and incorporating the ideas of others, to create new combinations of thought and understanding. For not to question and not to create and envisage anew is to become stuck in the literalism, fundamentalism, and intellectual totalitarianism and infantile following of and obedience to the views of others that characterises the mindset of those who are unable and unwilling to question or to think for themselves. Now, more than ever, in a world of specialisation that is technologically rich but metaphysically poor, there is a need for a new and grand synthesis of the ideas that have come before.

Eclecticism and Synthesis

Eclecticism is often depreciated. It might be said about someone following their own way that they are a "mere eclectic", taking and choosing what suits them from the diversity of opinions around them, or from the spiritual supermarket of New Age beliefs.
This attitude is promulgated by conservative people who, while perhaps well-meaning, are nevertheless threatened by those who think for themselves. For the fact is that eclecticism is the first step in the path of true creative thought. It means that one is not satisfied to merely swallow whole the worldview or ideology that is dished out to them. And I say this with no judgment on the quality of that worldview. It may indeed be a very sublime one, but to accept by rote the teachings of, say, Sri Aurobindo is just as bad as to accept by rote a literalist-fundamentalist interpretation of Bible, Koran or Gita. First one should look and think for oneself. Then one can return to Bible, Koran or Gita, if one wishes, with a new and broader understanding; or reject them in favour of another perspective if one is so guided.
But while eclecticism is the first stage, it is by no means the last, although for many it is all that is required. But those who wish to explore and envisage further may develop their own unique synthesis, not just an assemblage of facts, but those facts welded into a new cosmology or understanding from their own insight; or rather, from the descent of the higher light working through their mental being and coming to new combinations and new partial truths. These truths may often be the equal of those of the worldview they left, or they may be the superior of them (or the inferior of them, it can go any way, but even if "objectively" inferior these new truths are still right for the person in question, which is why he or she was guided to formulate them)
A synthesis may be loosely or poorly constructed, it may simply be a patchwork with a weak central theme, and different subtruths uncomfortably joined together, or it may be a magnificent and harmonious whole, a new integral truth that does not negate or ignore the parts of which it is composed

Grand Synthesis through the Ages

The following is an extremely brief and incomplete review, more a glance or short and partial synopsis than anything else. At the end I provide a statement of my own goals here.
For tens of thousands of years, since the emergence of Homo sapiens sapiens, human consciousness and knowledge did not change. The only knowledge was tribal lore, carried down by word of mouth, taught by the elders to the young, who in turn in the fullness of time became elders to teach and guide the next generation, and so on. Writing was unknown, and the entire universe was encompassed by the community of one's own tribe, the immediate environment, and the tribes in the next valley
This is a society that is astonishingly static. Before the coming of the white man, Australian Aboriginal society had changed little (if at all) in fifty thousand years, and Amazonian Indians lived as they must have ten thousand years ago. And it's not hard to see the reason why. A prehistoric buddha may arise and be known as a great healer, revered for many generations and placed with the other ancestors in the sky, but their message would soon be lost. A stone age shakespeare may invent some great stories, some of which are added to the tribe's repartee, but he would not further the culture of development of the tribe as a whole.
The development of ideas only began with the discovery of writing, which in turn was only made possible by the agricultural revolution, which provided surplus that freed people from the need to hunt for food every day (although it would also enslave many in much worse conditions, as serfs and labourers toiling in the fields), and resulted in the rise of the first cities and stratified societies. In a word, civilization.
Once you have writing and a literate scribe or priestly caste, it becomes possible for anyone who can read to have access to the thoughts of those who came before them. They are then free to add their own ideas and interpretations, to build upon the earlier ideas. With surplus you have the possibility of trade, and hence the exchange of ideas with other city-states and empires, other peoples and civilizations (You also have a much-loved (as representative of the gods on Earth) but autocratic monarch, a standing army, and invasion and conquest of those neighbours who are weaker than your own city state, but that's another story.)
For three thousand years, societies evolved and developed, empires rose and crumbled. We cannot know who the first great thinkers were, but surely one of the earliest people we know of to develop a "theory of everything", a true synthesis incorporating the spiritual and the material, must have been Pythagoras. Pythagoras had the benefit of Greek philosophy, science, culture, and freedom of thought, had travelled to Egypt and met with the priests there, and even, so the story goes, been as far as India, where he had encountered the teachings of the "naked ascetics" (the Vedantic Yogis one might assume).
Pythagoras explained everything in terms of harmonies, so that the same forces that moved the celestial spheres could be seen in the mathematical ratio between musical notes, and the proportions of geometrical figures. He was both mystic and scientist, taught the virtues of a pure vegetarian diet, the transmigration of souls, the relation of spiritual and sensory reality, and the archetypal attributes of pure number (a concept not very different to ideas in modern physics). He founded the Pythagorean school of the mysteries, and his ideas formed the foundation of the Platonic tradition, and hence of western philosophy as well as of the Western Wisdom Tradition as a whole.
Late antiquity was also a time when profound developments of mystico-philosophical thinking were taking place. The edifice of knowledge and understanding advances by the assimilation of new insights, which are then added onto what has come before, to create new interpretations, visions, and worldviews. But new insights can only come about in two ways: through new and unique experiences of individuals (for example the Enlightenment of the Buddha, or the thought-experiments of Einstein), and through meeting with other cultures, which have had centuries to develop their own unique perspectives. Or preferably, both.
And, equally important, new ideas and new worldviews can only flourish in an environment free of religious oppresion
And this is what happened in the Hellenistic world of Roman civilization. First Alexander, and then the Romans, had conquered many other empires, as well as trading with those in the Far East beyond their borders. At this time, Roman society was secular (with token acknowledgment to the Emperor as God on Earth), so it was a good opportunity to explore new visions of the universe without the stranglehold of conservative authoritarian religion that always tends to retard these things. The abundance of mystery schools and sects of Greece, Egypt, Mesopotamia, and the Near East, a spirit of anxiety and uncertainty (all those barbarians at the borders), and the insatiable human hunger for a spiritual aspect to life, which can never be denied, no matter how hard secularists try (the 20th century's failed Marxist experiment for example, now on it's last legs), all added to the mix. Indeed, the late Roman Empire has been often compared to the modern West in these ways, although these comparisons may be misleading.
In any case, this period saw the development of several attempts at Grand Synthesis of all previous philosophical schools, spiritual and esoteric teachings and religious pantheons. The Middle Platonic and Neopythagorean schools and the inscrutable Chaldean Oracles gave way to the profound summation of all classical thought in Neoplatonism, a tradition that itself became more all-encompassing and elaborate as the earlier founders like Plotinus and his student Porphyry were replaced by the more theurgic Iamblichus and theosphical Proclus. With these latter two Neoplatonism became truly a Grand Synthesis of cosmological and Philosophical thought.
At the same time, new eclectic and syncretic religions like Pauline (which welded Pagan thinking (the suffering god-man) with original Jerusalem-Christianity) , Johanine (mystic revelation), Alexandrian (middle Platonic) and Augustinian (Platonic) Christianity, Gnostic sects with their baroque and pessimistic cosmologies, and Manichaeism which integrated Christian, Greek, Buddhist, Gnostic, and Zervanite and Mazdian Zoroastrian approaches, developed. This period interestingly also saw the rise of Mahayana Buddhism (which incorporated Hellenic elements) and Tantra in the East.
The closing of the last Neoplatonic academies, and the conquest of a long declining Rome by new barbarian leaders, signalled an end to this original age of freedom, and the West entered the dark ages of religious fundamentalism and oppression of those who would think differently to the Church. Meanwhile, civilization flourished in the Islamic world, where **** [need to add text] **** combined exoteric islam with aristotlean thought, and Avicenna
It was in the Islamic world that the precious knowledge of the ancients were preserved (that much of it that had survived the burning of the library of Alexandria that is), and form where it was rediscovered and translated in **** [need to add text] ****ushering in the return of classical learning in the renaissance. This flood of lost knowledge and wisdom into city states in which the Christian Church was reasonably tolerant, triggered a period of incredible syntheses, in the work of ,
This was also the last time that it was possible for a single gifted individual to actually be an authority on everything. **** [need to add text] **** the Encyclopaedists were not synthesisers, they simply collected and compiled information, in the spirit of making knowledge available to all. The age of the Renaissance Man, with his Grand Picture of the workings of the universe, human nature, and God, was over.
In the 18th century, the American and French revolutions and parliamentary reforms in Britain demolished the divine right of kings, literary scholarship showed the Bible to be a work written in stages rather than a monolithic revelation from God, developments in science and philosophy provided rational explanations to the workings of the universe and of economics and human society, and the increasingly comprehensive findings of geology and other areas of science meant it was no longer tenable to believe in a literal 6000 year old universe. All this paved the way for the paradigm shift that was the Darwinian revolution in the mid 19th century, which confronted people at a very deep level by forcing them to question (or not, as the case may be) their long-cherished religious literalism. At the same time, scholars like Schopenhauer looked more sympathetically to the East, and instead of new and very different sects of Christianity like Christian Science, and mysterious occult societies like the Hermetic Brotherhood of Luxor, and the Golden Dawn sprang up, based on empowering human nature rather than man as a helpless little insect before God.
And this brings us to the next great Synthesis, the marriage of East and West, Science and Religion, Secular Learning and Occultism. In a sense, this was the greatest synthesis ever, because never before had so much information been made available, thanks to the widespread and cheap distribution of the printed book, and a secular Western society that encouraged learning and education, and an educated elite hungry for knowledge and understanding of the Big Picture.
H.P. Blavatsky was not in any way a talented writer. Her style is heavy and disjointed, and larger parts of her writing have been plagiarised from other sources. She invented a myth of hidden masters, as a way of justifying her teachings (possibly in part channelled communications?) as revealed through "Mahatma Letters", as well as doing other things like burying tea cups and pretending to find them as apports. But her magnum opus, the Secret Doctrine, set the tone for all occult, esoteric, and New Age thinking since, provding a cyclic-evolutionary, east-west paradigm that was (and in a sens estill is) truely revolutionary.
Were this the classical world, Blavatsky's theosophical synthesis would have lasted a thousand years (just as Pythagoras' did). But the technological West is not the classical world. Science marches on, at an accelerating rate that can surely only culminate in a Singularity and the birth of a new primary Kingdom of evolutionary existence. And so within only a few short decades Blavatsky's Victorian-era pop-science ("the iguana lizard, a diminuative descendent of the giant Iguandon", etc) was looking ridiculously out of date. Her cosmology of rounds and cycles could no more be considered believeable than a literalist take on Genesis. Neveretheless, successive generations of Theosophists and off-shoots like Steiner (by far the most innovative and creative of all the theosophical-occult teachers) continued to hold these views, as did his followers and the Anthroposphical organsiation as a whole.
Because of his conservatism and backward-looking tendency, I do not consider Steiner an innovatiove thinker in the manner of Blavatsky. This is not to say that he did not say some very fascinating things; he most certainly did. But his cosmology - valuable as it is as metaphor, and as a new revisioning o the old medieval pre-/anti-modernist tradition in the mould of Guenon, Schuon and others - cannot serve as a Grand Picture for all age. For that we need a paradigm that does not have to deny or give a forced interpretation to the findings of geology, palaeontology, and so on. (As I suggest in Towards a Foundation of a Universal Esoteric Science, On matters of physical reality, Esotericism should defer to Science.)
A mere few decades to a century or so after Blavatsky, a number of thinkers had proposed various manners of Grand Synthesis. Never had there been so many Theories of Everything proposed. For this was the twentieth century, a period of unprecedented technological, scientific, social, economic, psychological, and philosophical prgress, where academic specialistation, rapid communications and the information revolution saw the amount of new knowledge increase literally exponentially (as indicated the number of new academic journals that are published each year).
It may be argued that this sort of endevaour is simply doomed from the start now. Arvan Harvat says
"It's nonsensical to speak of grand synthesis now, simply because the scope of knowledge has exploded in such a manner that no person can know what's going on even in his limited field (not to speak of other stuff.). Poincare (died 1912.) was the last universal mathematician, and Alonzo Church the last universal logician. No man in the world can know (seriously), say, 10 % of contemporary mathematics. And "grand synthesizers", like German methapysician Nicolai Hartmann (active mainly before WW1 and between wars) are necessarily an oddity, something like fossils and eccentric curiosities...The antiquated synthesizers [of the Classical and Renaissance world] tried to construct a system of "all" when such an effort still possessed some sense (or was on the verge). Now synthesis of "all" is ridiculous from the start. ...[Consider such ] diverse fields like genetics, astrophysics, brain science, information theory, mathematical linguistics,..."
The following very partial and incomplete esoteric-spiritual Grand Synthesisiers are listed here, but many more could be mentioned, especially from areas of learning that I am not conversant in. So if there are no names on this list that should be, please let me know. Note that this list does not include visionaries in only specialised fields, no matter how far reaching those fields may be. These are people who literally incorporate everything (not just provide a theory that might explain it, but include at least the bare basics of just about everything in their systems of correspondences), in a pythagorean vision of a unifying principle behind the diverse multiplicity
  • Teilhard de Chardin's omega theology, which unites evolutionary science (which means the entire physical universe, from atoms to man) and Christianity
  • Sri Aurobindo, the first truely Integral Thinker (more recently this term has been appropriated by Ken Wilber) who showed that this-worldly Materialism and other-worldly Mysticism/Spirituality were just equally one-sided perspectives, and proposed a cosmotheology in which the static transcendent Absolute Reality adopts a dynamic form (Supermind) through which the cosmos and all finite beings come about. His evolutionary philosophy, culminating in the divinisation of matter itself, paralleled Teilhard's in many ways, although neither knew the other (Teilhard's Phenomenon of Man was only published after his death)
  • Buckmister Fuller (synergy, and other ideas)
  • Edward Haskell's Unified Science
  • Oliver Reiser's Cosmic Humanism
  • Arthur M Young's Reflexive Universe
  • Erich Jantsch's Self-Organising Universe
(Note: I haven't included by the Fourth Way of Gurdjieff and Ouspensky as I have recently come to understand that despite its inclusiveness this only refers to certain slice of Reality, as indicated by the "food diagram" with its subtle (but still physical) energies. In addition, there is no formualtion of objectivist science in Gurdjieff's teachings, it is rather an esoteric system of self-development, and we are looking for esoteric plus science and exoteric, i.e. for expalnatiosn of everything)
Now, in the first decade of the 21st Century, where the Internet has enabled a truely amazing dissemination of information, and where there is even more information around than ever before, it is time for a new synthesis, a grand synthesis of grand syntheses. This is what I am proposing here.
Obviously, I am not the first to attempt such a task, as there are many who are undertaking this sort of thing right now. Increased information and data flow encourages increased interpretaion and revisioning of that data flow, in a positive feedback loop that sees us roaring to the Singularity, with many "cells" of the global "noosphere" working in parallel
Perhaps the most ambitious of the current grand synthesisers of grand synthesisers - the meta-grand synthesisers if you will ;-) - would have to be the american philosopher Ken Wilber, whose flawed yet still immensely ambitious Integral Synthesis serves as a current indicator and touchstone of where we are at right now. It is worth pointing out that although Ken Wilber pays homage to Sri Aurobindo (who he completely misunderstands) and Erich Jantsch, among many many others who he has been inspired by and integrated into his grand synethsis (or Integral System) he does not include innovative thinkers like Haskell, or Stan Gooch (who although primarily psychologically-orientated, makes many important contributions)
What I humbly intend to do is to create a larger and grander Integral Worldview, my own version of the Theory of Everything.






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Towards a Foundation of a Universal Esoteric Science

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with additional material by Steven Guth and Arvan Harvat
 
I may have published the following before on this blog, and possibly elsewhere. But it is worth publishing again. The author is a certain Alan Kazlev who has produced an influential site for studies into Mysticism, and the like. It is known as Kheper, and links to it can be found here. Alan also published a number of my articles, or "working papers" on his site including one on Multi-Dimensional Science. However, my link to that subject is a more up-to-date version, and can be found at the respected p2p Foundation. The link is http://www.p2pfoundation.net/Multi-Dimensional_Science
Robert Searle/ Blogger
 
 


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This essay presents the first steps at formulating a universal and unified esoteric science; one which works alongside and with scientific method, rather than belittling or rejecting it. Such a universal system of esotericism would constitute a wider framework into which more specialised aspects of human knowledge, in all its facets, can be placed. It also represents and requires a radical paradigm shift. I have tried to minimise the amount of intellectualising and dogma, keeping it to the minimum, and emphasise instead a diverse range of ideas and suggestions.
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Science and Esotericism

Whilst the physical sciences have continued to progress ever since the time of Galileo, the esoteric sciences have not advanced to the same degree; and some haven't advanced at all (e.g. Astrology - with all the advances in so-called Esoteric, Humanistic, etc - still rests on the foundation of Ptolemaic (Geocentric) physics. Hassidic Kabbalah rehashes and reinterprets material written two centuries and more ago. Theosophy draws on the 19th century writings of Balvatsky, including Victorian science.). In fact esoterica in general does not progress the way science does. This is because esoterica is based on experiences, anecdotes, and dogmas, whereas science uses testable and objective experimental methodology. Science works because other scientists can conform or refute the findings of the original author. e.g. external link special relativity can be external link confirmed by measuring the slightly lower speed of atomic clocks in a moving aircraft, and other means. With esotericism this is not possible.
The problem is that there is no "objective" standard in esotericism. How does one for example prove or disprove something like Blavatsky's Seven Root Races? Or the Kabbalistic world of Atzilut? Or purusha and prakrtiti of the Samkhya philosophy?
Because physical science is to be based on the empirical unit of testable experiment (external link Galileo etc) and external link falsification (Popper), it is possible over the years, decades and centuries to create a vast edifice of knowledge. It is not necessary for every physicist to rediscover Newton's laws, and Einstein's relativity, and the quantum physics of Plank, Bohr, Schroedinger, Heisenberg and the rest. These are already assumed to be valid, they have been tested, confirmed through independent experimental results, and so can serve as the foundation for further explorations.
This is the reason science is so powerful, and has achieved such miracles of knowledge and technology.
In contrast to the wonders of the modern scientific understanding of the workings off the universe, poor old Esotericism cannot get beyond the basic foundations. And what is worse, even those foundations are biased; coloured by the religious or personal idiosyncrasies of the author, and not amenable to confirmation or refutation the way physical science is. Each school follows the Founder, without questioning. The 4th Way people follow Gurdjieff and only use his jargon. The Theosophists ditto Blavatsky. Sometimes schisms occur, like the rival schools of Theosophy (Adya, Point Loma, Alice Bailey, etc), and there is no objective test to see which one is correct.
If an esoteric science is to be truly universal, it must be based on fundamental elements of knowledge that can be confirmed or refuted (as much as possible) and can serve as the foundation for further units.
In one respect this is not as easy as with physical science. Physical science - like exoteric religion - doesn't require one to alter their consciousness. It does however ask that one immerse oneself in a specialised body of knowledge, often for years at a time, of little relevance or interest to humanity as a whole, before one can embark on one's own research. Let us say you want to study, oh, say, prehistoric amphibians (external link labyrinthodonts) of the external link Triassic period. You have to spend several years learning basic external link palaeontology and geology. Then spend more years specialising in vertebrate palaeontology, especially labyrinthodont amphibians, and that means you have to find someone who has already studies and researched and written papers on Triassic labyrinthodont amphibians. That person then becomes your supervisor, who helps you with your work and makes sure you are on the right track. Or if astronomy, you may have an interest in external link protoplanetary nebulae, say. Again, the same pattern; general study, then specialised, and finally your own research (Master's thesis, then Phd), all this taking quite a few years. As you can see, it is very like getting initiated into, say, a Sufi or Tantric sect, and following the teacher or guru, who is there to help you find your own way (and never, as in many fake pop-gurus of the West, to take advantage of you).
And after all this, one's own research, when it is published, can be tested by one's peers. This process of peer-review is a fundamental element of western science. Whilst it leads to the danger of becoming hide-bound and stuck in old paradigms, it also ensures that any new discoveries are authentic; they are not something being churned out by any lunatic.
Now, consider esoteric science. You can, if you wish, join a school, according to your inclination and interests and talents. Say a Hermetic School, or a Tibetan Buddhist lineage. You are given material to learn, and when you feel ready you are initiated into the group. As you progress you are given more advanced material, or meditation practices, to learn and master. You are supervised by the elders of the group, who make sure you don't go astray, and help you if you have problems. You can specialise if you wish, perhaps you prefer a particular meditation, or a particular practice. Eventually, after many years, if you feel comfortable in this group, you become an elder or master or teacher too. And here also there is a sort of review by peers, although not in such a formal sense (although sometimes it may be). If you have wildly eccentric interpretations, your views may not be accepted. Sometimes they may be good views, sometimes ridiculous. There may be a schism, or you may be expelled. Paradigms determine belief-systems and behaviour in esotericist groups just as much as in science - if not more so! And most of all in exoteric religions, which at their worst are hidebound to the most literal interpretations of an old book, which, worthy as it may be in its message, becomes twisted and distorted when every word is taken as "gospel truth" (literally!).
So each branch of human endeavour - science or esotericism - follows a broadly similar path. Novice who joins specialised or specialist or even eccentric group, where he/she can pursue ones interests, is encouraged and guided, and eventually becomes a master or teacher or elder in his/her own right. this is just part of the cycle of human existence and interrelationships.
But science and esotericism also differ. Science is about discovering things - pure knowledge - for their own sake. The joy of learning is reward enough. Esotericism, being more pragmatic, is not only about knowledge, it is also about attainment. Of course, this varies too, with some forms of esotericism, like Theosophy, being almost totally theoretical (and hence like science), while others, like various schools of Buddhist or Yogic practice, being almost completely practical, with only minimal theory (just enough to provide a framework for the practice).
The greatest denial of knowledge however is found in some hidebound exoteric Religions and Cults, where learning of anything other than one's own faith or the teachings of the cult leader is actually depreciated or condemned as a distraction, or the work of the devil.
So an esoteric science, as suggested here, is not about the path to enlightenment or self-realisation, which is the true goal of mystical and esotericist practice, but about understanding the "intermediate realities" between the objective physical and the transcendent. In no way do I think this a bad thing. In fact, I consider this a worthy extension of human knowledge, and one that may even be necessary, if we are to broaden our understanding of the universe about us, and our own psyches. For me, the practical and theoretical should go together; each is unbalanced without the other.


Laying the Foundations

How then do we begin to lay the foundations for a Universal Esoteric Science? What methodologies do we use?
This is not an easy question. Perhaps a few propositions to begin with?
Let us begin with the Most Fundamental Empirical Datum of all, The Primacy of consciousness. Cartesian/Husserlian method (I remember this was taught by my old lecturer at La Trobe University, Dr Moshe Kroy, and it influenced me greatly) is that one can doubt anything but one's own consciousness, one's own existence, one's own bare awareness. This of course takes us to Advaita Vedanta, as Moshe perceptively realised. Because Shankara's Advaita, following on the "great sayings' of the Upanishads, says that all there is is the Self, the bare datum of Consciousness/Awareness, the Absolute Reality (Atman = Brahman).
So this is the first proposition - all that exists is my (well, your, because you are the one reading this) Awareness
Now, Moshe Kroy used the Cartesian method, but this is potentially debatable. As someone said, Descartes was wrong with his "Cogito, ergo sum". I perceive, therefore I am. The most honest declaration would be: perception exists.
But one could go further than that (because perception is still perception of something) and say "Bare Awareness Is" (Kashmir Shaivism, also Advaitin Atman (Self) = Brahman)). The ratiocination-based Western philosophical methodology is in this regard more limited than Vedantic/Tantric Bare Awareness methodology. It is important to understand what is being referred to here is not an ego or finite conscious self, but a boundless consciousness. It is proposed here that this is all that is.
This can be proved by a simple thought experiment. Try to imagine another bare awareness. You can't, because to do so would mean you include it in your awareness. Other than Being (which in this thought experiment is your being, your consciousness, although technically speaking the limited "I" is a reflection of the infinite awareness - see below) there is not even nothing. There is only That Being.
It is true that dualists, pluralists, physicalists and the like do assume the duality of subject and object, and say that there is an objective or other subjective reality, or non-being, beyond the All-Encompassing Awareness. But of course, to postulate such a reality, they have to imagine /visualise it. So they have still not gone beyond their awareness
Of course, solipsism is absurd too, but only because solipsism makes the mistake of identifying the Absolute Awareness (Parasamvit, Atman-Brahman or nirguna brahman, etc). with the limited sphere of the individual ego-consciousness and its sphere of awareness. So I emphasise, when referring to Absolute Awareness, I mean the Supreme, of which your subjective awareness is simply a reflection (good analogy here is the external link golden lion metaphor in Hua Yen Buddhism (Fa-tsang). The infinite reflections in the mirror are not the actual golden lion)
So we have proposition number one - all that exists, all that is, is Infinite Non-dual Consciousness.
See this page for a more detailed take on this
This is the basic monistic insight, the mystical experience of Unity (see e.g. external link  Mysticism Defined by W.T. Stace), the premise of most (but not all - there are dualists as well) esoteric teachings, from Plotinus to Shankara to Ibn Arabi to Theon. At the beginning, and in essence now, there is only The One.
This of course has a corollary - everything is nothing else but Transformations of that One. Even inanimate matter is Consciousness, is nothing but Consciousness.
But if there is only the Supreme, why are we limited finite beings. Proposition two, there must be a progression from Infinite Absolute to Finite Relative. And hence, Reality has a structure, a gradient, and can be mapped. This is the field of study of esoteric science, mapping this structure, the "Body of God" as the Kabbalists so evocatively say. This also takes us to Emanationism, regarding which I have already provided an overview. See also Professor Huston Smith's book Forgotten Truth : The Common Vision of the World's Religions which presents human knowledge and experience in terms of a gradation of several metaphysical levels, in keeping with the teachings of mystics and spiritual traditions of all times and cultures. (Professor Smith's thesis is that an over-emphasis on experimental science since the time of Galileo has led to the loss of this sacred insight in the Western world)
But the Map of Reality - the Body of God - is not something static. That is where the Theosophists and Kabbalists and others go wrong, in trying to formulate a rigid set of planes, perhaps by analogy with physical characteristics. Rather, it is a dynamic process. Esoteric science is a study of processes, not of "things"
We now have the Ground of Reality, and the Body of the Godhead. But what about the Method to be used?
Since Consciousness is the sole reality, we should not depreciate consciousness in seeking to understand the universe. This gives us a Method, again shown to me by Moshe Kroy almost a quarter of a century ago.
Everything that appears in Consciousness is a valid datum of inquiry
This is the completely opposite approach to physical science, which seeks to screen out the effect of subjectivity (although it cannot deny the reality of the Observer - and hence of Consciousness). This is why science works best with inanimate objects, still adequately with living beings (although there is no conception of ch'i and little of the dynamics of the whole organism), not so good with societies and anthropology, and worst of all with psychology, leading to such absurdities as Behaviourism (which in its extreme form (Watson, Skinner, etc) even denies the existence of subjectivity!!!) and statistics-driven so-called experimental psychology. The more "inward" (the "within" to use Teilhard de Chardin's term) you go, the less that science works.
Science therefore is a methodology that works supremely well on the gross physical plane, when dealing with purely physical; objects, and less well with more subtle things.
Conversely subjectivism becomes absurd when applied to purely physical processes, this is where "magic" becomes "superstition", and the reason that the physically advanced but metaphysically impoverished Western and Western-inspired nations were able to conquer and enslave the technologically more primitive but metaphysically more advanced Asian, Tribal, etc societies (everything from the 16th to 19th century European colonisation of the rest of the world to the 20th century Chinese conquest of and on-going genocide in Tibet)
Therefore Objective Physical Science and Subjective Esoteric Science thus complement each other perfectly. Which brings us to the next proposition.
On matters of physical reality, Esotericism should defer to Science.
Why? Because this way we can avoid absurdities like Steiner's cosmological cycles, in which the whole Solar System comes into and moves out of manifestation within the time of a single Procession of the Equinoxes. Examined in the hard light of scientific analysis, the Anthroposophical science of Steiner and his followers has all the persuasiveness of the Young Earth theory of fundamentalist Christian Creationism
Which brings us to our next point.
If we are to use as a foundation of inquiry the basic framework already established by the various esoteric teachings, we have to be very careful of one thing. Fixed opinions, which freeze the original fleeting inspiration or process into something stultifying. We need to get away from dogmas. Dogmas in esotericism are as bad as dogmas in science. In science, dogmas become old paradigms that obstruct new ideas, and have to be overthrown, and are only with difficulty. In esotericism, dogmas are far worse, they become fundamentalist and literalist fixations, and blind one to other truths and other possibilities, and destroy even the original truth that was in that teaching in the beginning. This is why dogmatism in esotericism, in religion, and everywhere else, should be completely avoided. Even the ideas presented here should only be taken as hypotheses and suggestions, never as dogmas, and only accepted if one feels in one's own heart that they have value.
Finally, we need to ask what teachings and experiences we will use and take as authoritative, in formulating our new Esoteric Science. Let us say (for sake of example) you like Osho and I like Aurobindo. Now, if Osho says the Absolute Reality and the Self (Atman) are the same, and if Aurobindo says that too, well, that is fine, there is no problem. But if Osho says once you attain Enlightenment that is the highest state, but Aurobindo says, no, there is a higher state beyond Enlightenment, you have to draw the Divine Consciousness down and transform your body and matter, there is a problem. (I am mentioning this because I once many years ago had a discussion/argument with a friend who was a devotee of Osho; I took (and still take) the Aurobindoan position, and he did not feel comfortable with that, because it referred to states beyond what Osho taught. One could say the same using Adi Da instead of Osho as an example). So, where there is a conflict, we need to decide which teacher is the most authoritative.
Everyone will have different ways of doing this, but my method regarding this is simple. The most Inclusive Teaching is the one that should be chosen. This is something the Buddha said once, his teaching is like the footprint of the elephant which can hold the other teachings in itself. So the more all encompassing the teaching, the more preferable it is.
Simple real world example (from religion rather than esotericism, but only to make a point): The fundamentalist Christian, or fundamentalist Muslim, who says "all non-believers go to hell", does not seem as persuasive as an ecumenical Muslim or ecumenical Christian who says "to every people God has sent a prophet" (or Teacher, or whatever). This is because the bigot excludes all others, and so their teaching is extremely arbitrary: why should the fundamentalist of sect x be right, but the fundamentalist of sect y wrong? Or vice versa for that matter? The ecumenicist includes all others, seeing them as part of a greater whole, therefore, devotee of sect x has part of the truth, devotee of sect y also has part. Both are partly correct, (but also partly limited) no favouritism. Seems a lot more reasonable to me.
Regarding this, see also the tale of the Blind Men and the Elephant
So we have, so far
  1. All that exists is Infinite Non-dual Consciousness. (The Absolute Reality)
  2. Reality has a gradient and can be mapped (the Body of the Godhead).
  3. Everything that appears in Consciousness is a valid datum of inquiry (Phenomenology)
  4. On matters of physical reality, Esotericism should defer to Science (Critical Thinking)
  5. All dogmatism is to be avoided (receptivity to new Possibilities).
  6. Where there is a conflict between two teachings, the more inclusive Teaching is preferable.
Note that this is still a provisional list; as this essay is a work in progress, not a finished manifesto.


Why have Metaphysics?

A pragmatist may point out that the first two Propositions sound more like dogmas, and imply an unnecessary philosophisation. One can still construct an esoteric science or sciences using modern esoteric philosophies that differ (e.g. evolutionary-Gurdjieffian like that of John Lilly versus the American Zen of Ken Wilber) - or with no underlying "grand philosophy" at all. All that is required, from a pragmatic point of view, is to state that this physical universe is not all that is (as indicated by evidence of phenomena such as precognition, OBEs, NDEs, I Ching,..), and that various fields now subsumed under esoterica umbrella will be investigated according to their respective nature (e.g. the bioplasmatic body "needs" only some kind of energy body or "fluid", but not complete revolution in worldview that will annihilate old space-time 4-dimensional physics).
My reply to the purely pragmatic position is as follows. Without a unified framework, esoteric science becomes just one more version of scientistic agnosticism. Traditionally, aristotlean-medieval knowledge was tied to God/Prime Mover, the whole thing cohered because of that. Is is the foundation of all "sacred cosmologies". In most esoteric cosmologies (with only a few exceptions like Classical Samkhya and Manicahean Dualism) everything goes back to the original One.
What I am interested in is a universal system of knowledge, such as the Unified Science of Edward Haskell and co-workers, the Cosmic Humanism of Oliver Reiser, the Sacred Soviety of William Irwin Thompson, the Primordial Tradition of Professor Huston Smith.


Objective/Hard versus Subjective/Soft, and Levels of Reality

In some cases using terms like "Objective" for Physical Science and "Subjective" for Esoteric Science is too simplistic, abstract, or meaningless. And how do we know that physical reality is more "objective" (if, as the Kashmir Shaivites assert, everything is just a condensation of consciousness, it isn't). So whilst as a methodology these terms are useful, they should not be given any metaphysical authenticity. A better analogy here might be physics and chemistry ("hard" or "objective") versus psychology and sociology ("soft" or "subjective").
Or, "hard sciences" and "soft sciences" and "objective" and "subjective" may simply be some of a number of levels on the gradient of reality
More than that, Esoteric Science itself spans the spectrum from "hard" to "soft", and hence becomes a more inclusive paradigm that includes the hard/physical sciences as special cases within itself, (just as Newtonian Physics is a "special case" of Einsteinian physics), and adds a radical dimension of depth to - or even completely reinterprets, the soft/social sciences. Hence some parts of this research program can be subsumed under (hard/experimental/objective) "science" (acupuncture, etc), others under metaphysics and "art".
Arvan Harvat suggests we might divide human creativity into these areas:
  1. arts (music, painting, imaginative literature,...) (Fine Arts)
  2. philosophy, theology, historiography, criticism (social, literary,..) (Humanities?)
  3. social sciences (sociology, linguistics, psychology, economics ?,..)
  4. exact sciences (math, chemistry, ..)
  5. applied sciences and technology (electrical engineering,..)
Looking at this sequence, which runs from "subjective/soft" to "objective/hard" (or "lunar/yin" to "solar/yang" consciousness; see for example Stan Gooch's map of the mind - Ststem B and System A) traditional esoteric sciences could be considered a hybrid of humanities and arts; its "precision" or "exactitude" measured not by exact sciences standards, but by, say, those of humanities or social sciences. In fact. some of what is defined as esotericism - astrology especially, or Buddhism, or Gurdjieff or even Hermeticism in part - can be interpreted as (alternative) psychology, with psychoanalysis, behaviorism, functionalism, and neuropsychology, say, being the more exact sciences side of the spectrum. Conversely some forms of psychoanalysis, Jung especially, might belong under traditional Estericism. So might Maslow, or Assagioli
Again, ch'i and bioplasmatic body would belong in the exact sciences realm, occult planes in the humanities, and Ching and Tarot divination (as opposed to Tarot psychology) to speculative physical theories that are still emergent (multidimensional universe etc.).
But there can be even more to it than just this. I have already referred to Professor Huston Smith's book Forgotten Truth : The Common Vision of the World's Religions which presents human knowledge in terms of four basic metaphysical levels.  If we apply this here, in terms of exoteric (conventional knowledge, as indicated in Arvan's list) and esoteric fields of inquiry and practice, we have the following (note, this correlation differs from the original table which remains more faithful to Prof Smith):


Realitymy cosmologyHuston Smith (Forgotten Truth) Established fieldsSuggested esoteric areas and possible of research
Unmanifest Godhead or AbsoluteAbsolute RealitySpirit/InfiniteAs revealed ("finger pointing at the moon") through Monistic mysticismEnlightenment experiences of transcendence; Moksha, Kaivalya, Nirvana
Absolute in ManifestationDynamic Absolute--Aurobindoan Supramentalisation and equivalents (Lurianic concepts etc)
Spiritual- DivineNoetic
Noeric
Soul/CelestialTheistic mysticismTheosophic esotericism and metaphysics (Sufism, Kabbalah, Tantra, etc), higher yogic experiences, Adi Da's 5th and 6th Stages in part
Psychic- IntermediatePsychicMind/IntermediateFine Arts, philosophy, religion, social sciencesPsychology, etc,..) psi, OBE, NDE, various aspects of occultism
EthericPhysical-Psychic Interface(Life)holistic and alternative healing, some elements of biology, emergent evolution, self-organising phenomenamorphogenetic fields (Sheldrake) and holistic physics (Bohm),
chakras, acupuncture medians, Kirlian photography, bioplasma, orgone energy, ley lines, geomancy, feng shui, etc
PhysicalPhysicalBody/Physicalexact sciences
applied sciences and technology
questions on causality/synchronicity, time-travel, superluminal phenomena, multiverse,
The above gives us a foundation, but what about the bricks to build the edifice? We will find there are different approaches and methodologies, depending on the aspect of reality we are inquiring into. For the physical, this is There are two broad approaches we can take here - experimental/empirical method science, and the experiential/phenomenology of mysticism. Many areas of esotericism however - for example practical occultism, represent an overlap of these two.


The Experimental/Empirical Approach of Science

Arvan Harvat
The Experimental Approach is non-Metaphysical. Newton didn't care for Descartes or any philosophy of that kind. Real scientists (Newton, Huyghens, Euler,..) only needed that there is a world "outside there" with immutable laws and no whimsical divine interventions. For physical-experimental esoteric science all that is required is that this 4-dimensional world described in Einsteinian space-time 4-dim physics and with 4 forces (some are united in Salam-Weinberg Standard model) are not complete reality.
From this perspective the only starting point might be:
  1. contemporary mainstream fundamental (quantum, relativity) physics is only partially true. Therefore I Ching, planes, parallel universus, precognition, NDEs,..
  2. the 4 forces world of fundamental physics are similarly just a part of the larger picture. Therefore ch'i, telepathy, plants, auras,..
(for auras there is probably a conceptual effort that combines a) and b)- which is reality, because the Standard model is a quantum model)
Here we have two stages:
  • experiment, in exact sciences manner, with everything that can be subjected to good, old fashioned ways (bioplasm, plants, dowsing,..) and compile a corpus of verifiable data-without some strong theory. Just incontrovertible facts.
  • other, more metaphysical matters (I Ching, planes, evolution,..) will have to wait for breakthrough in speculative physics etc. For instance, when Relativity goes down and physicists' general concept of universe collapses (no velocity greater than speed of light, causality,...)- then, and only then will be possible to seriously ask questions like this: how can tossing I Ching coins predict something that will happen in next 6 months ? How this works ? What's the "mechanism"?



The Experiential/Phenomenological Approach of Mysticism

M.Alan Kazlev
Science uses experiment and confirmation (or falsification). In esotericism however this is not easily possible. Sri Aurobindo may have experienced the Overmind (Noetic Reality), and Adi Da the Radiant Transcendental Being, and Max and AlmaTheon explored the byways of the psychic planes, but it is not easy for the average person to attain such heights (understatement of the month).
Of course, it is not easy to confirm or refute external link the existence of the Higgs Boson either, but assuming a suitably large particle accelerator can be built, it can be done, by physicists with the required training. Whereas the realisation of the Noetic Reality or of Shunyata or psychic planes can be done very cheaply (in terms of material cost) but only with great personal skill and very rare attainment (in terms of individual training and realisation). Once again, Physical Science and Esoteric Science are polar opposites and complementary (like Yin and Yang)
A Universal Esoteric Science deals with experiences as authentic data (phenomenology, proposition 3 in the provisional list). But not all experiences, not all phenomena of consciousness, are accessible, as just explained. Pragmatic Esotericism (Spiritual Practice) takes experiences gained by those who have trailblazed before and above us, and uses them as guideposts on the spiritual path. Applying this to Esoteric Science, and not "just" Esoteric Practice, we should have the option to take these experiences and descriptions and use them to piece together an account of other planes of existence.
There are a number of obviously overlapping sources of experiences (for example a single individual may present both a teaching and an autobiography).
In the accounts of traditional (ancient or recent, include channelling) spiritual literature. This is often highly stylised and mythologised, and hence hard to decipher. e.g. the Vision of Ezekiel in the Bible, which some people like to interpret as a UFO. [e.g. external link link, linklink]. Sometimes the symbolism may be so dense as to render the whole thing incomprehensible - e.g. the Sefer Zohar of Kabbalah - or tied in with folklore and myth - e.g. the Mahabarata. Or the narrative may be deliberately stylised or obtuse (Gnosticism, Blavatsky's Stanzas of Dyzan), or seek to conceal or confuse (Gurdjieff's Beelzebub's Tales). Often there is a quality of channelled material, and indeed many of these works are channelled (e.g. the prophets who heard voices etc). For these reasons, even though these accounts were all written by human beings (although the pious may interpret them as literal revelation by God/Deity in which the human author played no part other than to inscribe the words) they are not much, or any, use for formulating a Universal Esoteric Science
Then there are teachers who are presenting their own vision of Reality. They may be intelligent and have read widely, hence they are not likely to be so limited to one tradition, although they may have a preference for a particular tradition. Examples might include Adi Da, Sri Aurobindo, Meher Baba, Rudolph Steiner, and many many others. However, the immediacy of the autobiographical account is lost, and the whole thing has a didactic tone. Sometimes this also moves into the field of channelling, which will often tend to deteriorate the quality of the material (the Alice Bailey material, turgid, verbose, and unreadable, essentially Theosophy with a Christian slant, is a good example here). Even so there are a few rare individuals like Edgar Cayce, Jane Roberts, and David Spangler that retain a sense of purity not found in most channelled material
Of great value are the autobiographical accounts of both historical and recent mystics and psychonauts. Even with those who have drawn upon the traditional literature, which is very often (especially in Medieval material) all they know, and hence their experiences are coloured and biased by it, and the genuine insights have to be extracted, but at least they recorded their experiences faithfully. The Christian Mystical tradition is a good illustration of this. Even better are recent autobiographies like Swami Muktananda's Play of Consciousness; perhaps one of the best works of its kind, and one I found far more inspiring than Yogananda's cloying Autobiography of a Yogi. Hagiographies obviously are less useful, since there is the tendency to worship and hence gloss over things that the author did not like. Even so, in some cases the saint's words may be described and record his or her experiences. Also of use are the accounts of modern educated westerners, such as John Lilly's.
Also of great use are modern individuals who may or may not come from a tradition, but are simply describing their experiences, without pompousness or unnecessary symbolism, and without any agenda other than: well, this is what happened to me. Even though their experience may be colored by the symbolism of their culture, background, or religious upbringing - e.g. a Hindu might have a vision of Krishna, a Christian of Christ, one can still take away the superficial form, and look at the quality of the experience in itself.
In some cases the various descriptions referred to in some or all of the preceding categories may be collated by others, for example Aldous Huxley (The Perennial Philosophy) on mysticism, Masters and Huston's, or Stan Grof's account of psychedelic experiences, Jung's work on the Collective Unconscious, or Ken Wilber's mapping of states of consciousness. Such systematic coverage can be extremely useful, because the editor will have noticed certain common themes, and draw the reader's attention to them. Often both traditional and modern accounts are placed side by side, showing that these sort of experiences really are universal.
Of course, you yourself, the reader, may also have experiences, these are just as valid as those in any of the above categories.


"Type Experiences"

In biology, geology, and palaeontology, reference is made to the "type specimen". A type specimen is the specimen - perhaps a new species of insect, that a scientist refers to when describing it in a scientific journal. That way, if someone else finds a similar specimen, they can check and see if it is the same as the original, or warrants its own name and description.
I would suggest here that certain esoteric experiences which are described by mystics, sages, adepts, occultists, psychonauts, and the rest, be taken as Type Experiences, and hence referred to, in the same way that a biological or geological sample might be.
One must however be careful in selecting an experience, so as to avoid unnecessary bias. A contemporary educated person may be preferable to a medieval monastic ascetic, but if the ascetic has progressed further, they would have experienced things the modern person would not. If a person has a modern education, can think and write clearly, is aware of the pitfalls and delusions of the spiritual path, and has progressed to great heights, their experiences will obviously be very useful in the mapping out of the nature of reality.
The worst thing in all this are subjective distortions. e.g. a person may have a pure and profound experience, but straight away distort it into their own mental formulation. A lot of Rudolph Steiner's material reads like this. One senses amazing insight, a great and pure soul, but then reads the most ridiculous medieval nonsense, that would have been fine a thousand years ago, but just seems absurd today.
Also not too good, but not as bad as the above, is egotism and self-delusion. An individual may attain a very elevated state, and then claim to be the only one to have attained it, or to have attained it in its fullness. Now, in some cases, they may very well be the only one! In other cases, they are simply caught up in an Intermediate Zone delusion of grandeur, or overpowered by the great down-rush of light.
The only way to tell if an adept is sincere and has attained the highest state, or is just caught in the intermediate zone, is to compare their experiences with others. If others have had the same experience, then to claim uniqueness is a sign either of simple ignorance (which is forgivable, especially if the individual in question has not read much, perhaps coming from a culture or society where books or learning is limited) or self-delusion (which may or may not be forgivable, depending on how you view these things, and which in itself does not negate the rest of the experience), or seeking to delude others to further his or her career as guru or cult leader (which is a sure sign that this person should be avoided, unless you are an anthropologist or sociologist and want to study the phenomenon of cultish behaviour).


Suggestions for Areas of Research and Study

An incomplete list of suggestions and ideas:
  • Physical Reality
    • Pragmatic experimentation, using the methodology of the exact sciences, on those topics of paranormal, etc that can be subjected to traditional scientific method (morphogenetic fields, kirlian photography, bioplasm, plants, dowsing,..) and compile a corpus of verifiable data.
    • In those cases with poor or no results from hard scientific approach to psi and paranormal, is it because there is no phenomenon, or because the nature of the experimental method adversely affects the subjects consciousness (a sort of esoteric exclusivity law?).
  • Etheric Reality
    • Understanding energy levels in the subtle body (acupuncture, ch'i, microcosmic orbit, reiki, and other phenomena - note, these are close enough to the physical with sufficient "objectivity" to also be amenable to standard scientific methodology (but the paradigm-resistance would be huge)
    • Understanding Homodynamics and other alternative means of treatment that cannot be explained in reductionist terms
    • Mapping out of Chakras, aura, yogic anatomy, etc - understanding the subtle body
    • Application/reinterpretation of transpersonal psychology, meditative states, etc in terms of esoteric map of the nature if reality; alternatives to the standard monistic (usually Zen or Sufi based) or old Wilberian paradigms of TP Psychology
  • Paranormal
    • Sympathetic but non-gullible re-evaluation of psi and similar phenomena, what is the mechanism?
    • Thanatology, Near-Death experiences etc interpreted as authentic psychic bardo states (rather than as "hallucinations of an oxygen-starved brain"); looking at both historical and recent accounts
    • UFOs, bigfoot, nessie, etc as etheric / parallel physical dimensions rather than materialistic explanations of little green men, surviving neanderthals, plesiosaurs, etc
    • Providing plausible theory for crop circles and other anomalous phenomena
  • Psychic Reality
    • What is the influence of esotericism upon social sciences and humanities; e.g. , painters (Boticelli, Mondrian, Kandinsky,..), writers and poets (Goethe, Blake, Balzac, Rimbaud, Yeats, Henry Miller,..) had been attracted to various parts of esotericism: hermeticism, theosophy, kabbalah; how does art relate to esoteric realities, and vice versa?.
    • Magick and Occultism (applied hermetics, shamanism, etc) as valid techniques for interacting with the psychic realities, and manipulating psychic or physical events.
    • Reinterpretation of Jung's archetypes, synchronicity, etc as valid phenomena ("gods") on the supra-physical planes, and their expression and qualities as understood in that light (getting away from Jung's sloppy half-heated attempt at Kantean dualism and biological reductionism ("collective unconscious" as inherited or racial memory)
    • Reinterpretation of psychology and study of psyche to take into account experiential, phenomenological, and supra-physical factors as well standard physical elements; Steven Guth's "Theory of the Double" (work in progress)
  • Mystic Reality
    • Empirical and phenomenological study of meditative, enlightenment, and other such states, free of preconceived religious or metaphysical biases. What does the "bare experience" in itself tell?
    • Application/reinterpretation of transpersonal psychology, meditative states, etc in terms of esoteric map of the nature if reality; what sort of map emerges? Look at alternatives to the standard monistic (usually Zen or Sufi based) or old Wilberian paradigms of TP Psychology
  • Causality
    • Consider I Ching as a mathematical/"syncronistic" map of fundamental archetypes (ref DNA codons, other similarities? Particle physics in quantum mechanics perhaps?)
    • Synchronicity/meaningful coincidence - how can tossing I Ching coins predict something that will happen in the next 6 months? What about prophetic dreams? Classic Jungian synchronicity? What is the "mechanism"?
    • Explore thesis of Astrological causation in terms of subtle etheric spheres (Steiner), dumping of old humanistic-materialistic explanations of the "moon's tides" etc (works fine for the moon but what about Pluto?)
  • Evolution
    • Exploration of interactions of "cosmic devic forces" with the terrestrial evolution; hypotheses of planetary and biological evolution, human society, etc [see e.g. Steven Guth and my work on "Astrognosis"Considering Islam, Cosmogenic Evolution, as well as Eco-Gnosis in general - see also Adendndum A for more (below))
    • What effect will future technologies have upon the body and psyche - cyborgization, nanotechnology, colonization of space, etc?
    • Possibility of new (different? higher?) kingdoms and/or grades of sentience emerging? e.g. AI and Vingean-Transhumanist Posthuman Singularity through technological evolution or augmentation, or Aurobindoan "Superman" through spiritual-divine transformation
  • Cosmology
No doubt many more fields of exploration could be added.
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Addendum 1 - Old and New Style Esotericism

Steven Guth
The history of modern esotericism really comes out of an attempt to formalise the spiritual medium situation that existed in the 1800's. Groups gathered in the 1840's so that "scientific" evidence about the afterlife could be collected.
People like Theon fit in here.
And later came the attempts by people like Blavaskey, Steiner, etc to present the old esoteric truths and the new discoveries in a scientific frame work, using terms like rounds, and tables and hierarchies. They felt a need to adapt their visions into the social thought patterns (including the science) of the time ... which quickly became dated and so their descriptions have became absurd - e.g. the history of the planet c/o Steiner (he combined astrology with what Science at the time understood).
An example is the chemistry table of elements which unlocked the wonders of alchemy. The discovery of coal tar colours revolutionised the world. So of course attempts were made to classify in this way.
Part of the burden that the modern esoteric movement carries is the concept of evolution. At the time Blavatsky and others were writing Darwin's evolutionary concept let people keep the idea of a prime creator and abandon religion. You see, evolution suggests that everything things has been created to end up somewhere ... the end point of Newton's clock work universe - and we are moving towards the resolution of the creator architects great plan. Alas I suspect that rogue influences play into the world's spiritual ecology at random times creating a situation which is far from clockwork. See my somewhat discomforting meditative insight ... into the energy behind Islam [see Considering Islam] and then Alan's further development of this idea [see Cosmogenic Evolution]...
Before that earlier attempts to make sense of the formlessness of the Spiritual worlds gave us stuff like the Abramelin with its divisions into, Kings, Dukes etc - following the sociological thought patterns of the 14th Century. So it is not surprising that in our current attempts to forge a bit of "scientific" logic into the huge complexity of what surrounds us that we should be using the sociological thought patterns of our time - which come from the benefits that science has placed into our lives.
But, and it's a big but, many of the premises that modern science rests on are weak if not faulty. One of my favourite criticisms is our intrinsic belief that there is a "cause" for everything. I have come to the conclusion that "Causation is just a special case of association". Adopt my idea that association is the rule and "causation" is just a special case and you end up with the involvement of the spiritual world in everything in some form or another. What we do in the physical effects the Spiritual worlds and vice versa - and it is an ongoing interaction slightly out of time and place ... incidentally this is what the Australian Aboriginal concept of the "Dreaming" is all about.
And that's just one of the premises.
Now, the largest revolution in modern science has been the discovery of deep space, deep time and the huge complexity of the out there. As one astronomer said in a lecture I attended as she showed us the image of the radio energy coming out of a galaxy, "It is better not to think about such things". I wonder if Kepler had similar qualms?
And another major revolution in the making is the concept of randomness and variability. All our scientific modelling to date still runs on the concept of averaging - its part of our sociological democratic thought pattern. But it is a very poor premise to work from. So much cannot be usefully explored by averaging ... from the weather to the effectiveness of medicines ... and how do you average spiritual phenomena? (What is the average ghost or crop circle? ... randomness is inherent in the systems around us).
Now, both deep space and variability/randomness have not been added to our thinking patterns. New patterns are necessary to accommodate the new base line insights science has presented to us.
We need to add our new insights to our understandings of esoteric experiences. And that is what astrognosis is trying to do. Which places this developing concept [Cosmogenic Evolution] into a potentially revolutionary position.
It is interesting that in our new formulations about the development of life forms on our planet we end up with Devas as the link between our new ideas and concepts of the past. You see, Devas are just consciousness in a place. Remove the idea of place and leave consciousness and you have a "God or Goddess" ... And of course that is what we are too ... the "prima medica" is consciousness.
As an afterthought ...
I am working on a lecture series on the Doppleganger, the Double, at the moment and am exploring the multiple facets of human consciousness and the very nature of consciousness itself. Interestingly it is leading me to the conclusion that "consciousness" intrusions from deep space play an important part in our need to go to war. Yes, perhaps our leaders and the people that surround them are schizophrenic. Their minds and decisions being influenced by other consciousnesses "out there" which like to playing games with events on this planet ... So if we can stop the games we could have peace and if we don't, or can't, we will never have peace ... this is an interesting thought but only possible if one accepts some of the new premises suggested in this essay. It also makes one wonder if the images presented by Science Fiction and the beliefs of the UFO people are not coming from a consciousness "out there" identical to what is presenting me with these insights!
Material on the Doppleganger and its role in human consciousness will soon be on this web site - stay tuned for further inputs!
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Addendum 2 - From Aristotle to Science to Esotericism

Arvan Harvat (slightly edited and first paragraph added by MAK)
The "Traditionalist" School of Fritjof Schuon, Rene Gueneon, and others (reinterpretation/esotericisation of exoteric religions), tradition-bound esotericism in general, and people like Rudolph Steiner and his Anthroposphy (which through application of Goethean and Steiner's own clairvoyant gives it much to contribute to a Universal Esoteric Science) all seek to tie themselves to the past, rather than explore possibilities of the future. Their dependence on the aristotlean-medieval paradigm with its sacred universe and natural philosophy, means they are relying on failed science, in the same way that the Theosophists still are stuck with the Victorian science that Blavatsky new and write about (and that was, by the way, cutting edge in Blavatsky's time (later 19th century).
The problem is that the Aristotlean approach is not a form of science that gives results. Aristotle was abandoned due to inefficacy. It was simplistic because he did not know "the world", he was freely speculating, using the limited data and information available to him in the ancient Greek world.
Putting under a single umbrella concepts such as ch'i, I Ching, planes, evolution, etc is reminiscent of the times of Aristotle when all sciences (biology, psychology, physics, political sciences,..) were parts of philosophy. But this widely multidisciplinary approach is not the same as a holistic esotericism of science. One thing is "sci infancy" (Aristotle), and completely another modern multidisciplinary approach that is "mature science" (say, quantum chemistry tries to explain genetic processes by using thermodynamics, chaos and complexity, computer science, higher algebraic theories, ...and to connect them to the levels of electrochemisty and biochemistry).
In esoteric science you could imagine experiments (Kirlian, high voltage) combined with other high tech photographs (computer analysis of highly sensitive detectors) and explanation, in the beginning, with some kind fields combined with electrophysiology and biochemical processes monitored and theorized upon.
A true holistic paradigm can emerge only after any science has passed thru various stages of disintegration and integration. The following process or sequence could be suggested:
  1. primitive science (Aristotle)
  2. beginnings of empirical and mathematical science in modern sense (Galileo, Kepler)
  3. new paradigm established (Newton, Laplace,...)
  4. other paradigms appearing (Faraday-Maxwell, fields,...)
  5. fundamental redefinition and new paradigmata (Einstein, Planck, Heisenberg,...)
  6. multidisciplinary approach (chaos theory, complexity, Feigenbaum ...)
  7. emergent holistic approach (external link Sarfatti, Bohm's external link hologram universe, quantum geometrodynamics of John Wheeler,.., also external link synchronicity)
Bohm is a true scientist with a holistic approach.
The crux of the matter as far as superluminality is concerned (see e.g. the external link Stardrive web site) is that the universe obeyed the laws of quantum mechanics at its birth subjecting it to Heisenberg's uncertainty principle when it was smaller than an electron. Hoyle and Sarfatti believe that it was at this primordial moment that consciousness from the future created the universe bringing itself into being.
Einstein's work on relativity provided a starting point for intuitive physicists such as Wheeler, Feynman, Josephson and others. The new physics has also given rise to a new cosmology of which Sir Fred Hoyle is a leading proponent. Hoyle compiled a massive body of evidence in his book The Intelligent Universe that seems to strongly suggest that only a living and intelligent (superluminal) God could have created a universe where life (us) exists. The very conditions of the birth of the universe (the big bang) were specifically tailored to produce life. The final anthropic cosmological principle championed by Hoyle, Sarfatti and others was first discovered in weaker form by Brandon Carter 9external link The God Phone], who in 1968 stated:
"Had the numerical values of certain fundamental constants (the speed of light, the mass of an electron etc.) been only slightly different - the universe would not be able to sustain life as we know it." Experimentalist Alain Aspect proved (at the University of Paris in 1982), the reality of faster-than-light action-at-a-distance in an experiment on the quantum connection between pairs of photons. Delayed choice experiments (by Carol Alley of the University of Maryland ) and gamma photon-proton scattering experiments (by Charles Bennett of Lawrence Livermore Laboratory ) showed that future causes do create past effects.
Recent work by such respected physicists as David Deutsch, Kip Thorne, Yakir Aharanov, Alcubierre and Sarfatti, involving time-travel to the past, future-causality and other mind-boggling vistas, is invigorating superluminal physics as never before. For example, Alcubierre has shown that a Star Trek faster-than-light warp drive is possible within the known laws of physics [but see external link this on-line essay by John Cramer for problems with Alcubierre drive - MAK]. Indeed, Sarfatti, interviewed by Kim Burrafato in UFO Magazine (Vol 9, No. 30 1994), speculates that UFO's, if real, would be time-travelling ships from our future explaining the strange phone call(s) he got in 1952. Sarfatti is no true believer here. He is quite willing to admit that the 1952 call(s) may have been some sort of prank, and all the subsequent synchronicities a random coincidence.
Sarfatti's credibility among other physicists, like the superluminal conjecture, seemed for years to lay dormant in the barren soil of a conservative physics establishment. For many years, talk of faster-than-light communication and time travel has been beyond the pale of good science. It was a suitable subject for comic books and science fiction only, 'strictly kid stuff.'"
Crazy, but...?


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Visual Literacy

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Understanding something about visual literacy could be of some value in the development of Multi-Dimensional Science. Hence, its inclusion here. http://www.p2pfoundation.net/Multi-Dimensional_Science
 
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Visual literacy is the ability to interpret, negotiate, and make meaning from information presented in the form of an image, extending the meaning of literacy, which commonly signifies interpretation of a written or printed text. Visual literacy is based on the idea that pictures can be “read” and that meaning can be through a process of reading.


Background[edit]

The notion of visual literacy has been transforming the age of digital learning and reflecting the transformation of datagogies for quite some time. Classical and Medieval theories of memory and learning, for instance, placed a strong emphases on how the visual format of words and lines affected the ordering of information in the mind. During the Enlightenment new emphasis was placed on training the senses through print and graphic technologies in a way that benefitted the rising middle class.[1] By the nineteenth century visual literacy was a core component of the national educations systems that were emerging in Europe and North America, with educational reformers like Sir John Lubbock arguing for visual tools like diagrams and models to be used in the classroom.
The term “visual literacy” is credited to John Debes, co-founder of the International Visual Literacy Association.[2] In 1969 Debes offered a tentative definition of the concept: “Visual literacy refers to a group of vision-competencies a human being can develop by seeing and at the same time having and integrating other sensory experiences.”[3] A white paper drawn up in January 2004, defines visual literacy as "understanding how people perceive objects, interpret what they see, and what they learn from them."[4] However, because multiple disciplines such as visual literacy in education, art history and criticism, rhetoric, semiotics, philosophy, information design, and graphic design make use of the term visual literacy, arriving at a common definition of visual literacy has been contested since its first appearance in professional publications.
Since technological advances continue to develop at an unprecedented rate, educators are increasingly promoting the learning of visual literacies as indispensable to life in the information age. Similar to linguistic literacy (meaning making derived from written or oral human language) commonly taught in schools, most educators would agree that literacy in the 21st Century has a wider scope.[5] Educators are recognizing the importance of helping students develop visual literacies in order to survive and communicate in a highly complex world.
Many scholars from the New London Group[6] such as Courtney Cazden, James Gee, Gunther Kress, and Allan Luke advocate against the dichotomy of visual literacy versus linguistic literacy. Instead, they stress the necessity of accepting the co-presence[7] of linguistic literacies and visual literacies as interacting and interlacing modalities which complement one another in the meaning making process.
Visual literacy is not limited to modern mass media and new technologies. The graphic novel Understanding Comics by Scott McCloud discusses the history of narrative in visual media. Also, animal drawings in ancient caves, such as the one in Lascaux, France, are early forms of visual literacy. Hence, even though the name visual literacy itself as a label dates to the 1960s, the concept of reading signs and symbols is prehistoric.
Visual literacy is the ability to evaluate, apply, or create conceptual visual representations. Skills include the evaluation of advantages and disadvantages of visual representations, to improve shortcomings, to use them to create and communicate knowledge, or to devise new ways of representing insights. The didactic approach consists of rooting visualization in its application contexts, i.e. giving the necessary critical attitude, principles, tools and feedback to develop their own high-quality visualization formats for specific problems (problem-based learning). The commonalities of good visualization in diverse areas, and exploration of the specificities of visualization in the field of specialization (through real-life case studies).
Visual Literacy Standards for teaching in higher education were adopted by the Association of College & Research Libraries in 2011.[8] They were "developed over a period of 19 months, informed by current literature, shaped by input from multiple communities and organizations, reviewed by individuals from over 50 institutions, and approved by 3 ACRL committees and the ACRL Board of Directors."[9]

See also[edit]

Endnotes[edit]

  1. Jump up ^Eddy, Matthew Daniel (2013). "The Shape of Knowledge: Children and the Visual Culture of Literacy and Numeracy". Science in Context26: 215–245. doi:10.1017/s0269889713000045. 
  2. Jump up ^What is visual literacy?, International Visual Literacy Association
  3. Jump up ^Avgerinou, M. & Ericson, J. (1997). "A review of the concept of visual literacy", British Journal of Educational Technology, 28(4), 280-291.
  4. Jump up ^Elkins, James 2010. The concept of visual literacy, and its limitations, In: Visual Literacy, ed. James Elkins. Routledge, New York. pgs 217.
  5. Jump up ^Riddle, J. (2009). Engaging the Eye Generation: Visual Literacy Strategies for the K-5 Classroom. Stenhouse Publishers page 3. ISBN 978-1-57110-749-7
  6. Jump up ^The New London School, Information Habitat wiki, Michigan State University
  7. Jump up ^Kress, Gunther R. (2003). Literacy in the New Media Age. New York: Routledge. ISBN 0-415-25356-X. 
  8. Jump up ^ACRL Visual Literacy Competency Standards for Higher Education
  9. Jump up ^http://acrlvislitstandards.wordpress.com/

External links[edit]

Illusion

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From Wikipedia, the free encyclopedia/Blogger Ref  http://www.p2pfoundation.net/Multi-Dimensional_Science
 
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Not to be confused with allusion. For other uses, see Illusion (disambiguation)
"Head on a Platter" exhibit at the Regional Science Centre, Bhopal
An illusion is a distortion of the senses, revealing how the brain normally organizes and interprets sensory stimulation. Though illusions distort reality, they are generally shared by most people.[1] Illusions may occur with any of the human senses, but visual illusions (optical illusions), are the most well-known and understood. The emphasis on visual illusions occurs because vision often dominates the other senses. For example, individuals watching a ventriloquist will perceive the voice is coming from the dummy since they are able to see the dummy mouth the words.[2] Some illusions are based on general assumptions the brain makes during perception. These assumptions are made using organizational principles (e.g., Gestalt theory), an individual's capacity for depth perception and motion perception, and perceptual constancy. Other illusions occur because of biological sensory structures within the human body or conditions outside of the body within one’s physical environment.
The term illusion refers to a specific form of sensory distortion. Unlike a hallucination, which is a distortion in the absence of a stimulus, an illusion describes a misinterpretation of a true sensation. For example, hearing voices regardless of the environment would be a hallucination, whereas hearing voices in the sound of running water (or other auditory source) would be an illusion.
Mimes are known for a repertoire of illusions that are created by physical means. The mime artist creates an illusion of acting upon or being acted upon by an unseen object. These illusions exploit the audience's assumptions about the physical world. Well-known examples include "walls", "climbing stairs", "leaning", "descending ladders", and "pulling and pushing".


Optical illusions[edit]

An optical illusion. Square A is exactly the same shade of grey as Square B. (See Checker shadow illusion.)
Main article: Optical illusion
An optical illusion is characterized by visually perceived images that are deceptive or misleading. Therefore, the information gathered by the eye is processed by the brain to give, on the face of it, a percept that does not tally with a physical measurement of the stimulus source. A conventional assumption is that there are physiological illusions that occur naturally and cognitive illusions that can be demonstrated by specific visual tricks that say something more basic about how human perceptual systems work. The human brain constructs a world inside our head based on what it samples from the surrounding environment. However, sometimes it tries to organise this information it thinks best while other times it fills in the gaps.[3][4] This way in which our brain works is the basis of an illusion.

Auditory illusions[edit]

Main article: Auditory illusion
An auditory illusion is an illusion of hearing, the sound equivalent of an optical illusion: the listener hears either sounds which are not present in the stimulus, or "impossible" sounds. In short, audio illusions highlight areas where the human ear and brain, as organic, makeshift tools, differ from perfect audio receptors (for better or for worse). One example of an auditory illusion is a Shepard tone.

Tactile illusions[edit]

Main article: Tactile illusion
Examples of tactile illusions include phantom limb, the thermal grill illusion, the cutaneous rabbit illusion and a curious illusion that occurs when the crossed index and middle fingers are run along the bridge of the nose with one finger on each side, resulting in the perception of two separate noses. Interestingly, the brain areas activated during illusory tactile perception are similar to those activated during actual tactile stimulation.[5] Tactile illusions can also be elicited through haptic technology.[6] These "illusory" tactile objects can be used to create "virtual objects".[7]

Temporal illusions[edit]

Temporal illusions can occur in many ways.

Other senses[edit]

Illusions can occur with the other senses including those involved in food perception. Here both sound[8] and touch[9] have been shown to modulate the perceived staleness and crispness of food products. It was also discovered that even if some portion of the taste receptor on the tongue became damaged that illusory taste could be produced by tactile stimulation.[10] Evidence of olfactory (smell) illusions occurred when positive or negative verbal labels were given prior to olfactory stimulation.[11]

Disorders[edit]

Some illusions occur as result of an illness or a disorder. While these types of illusions are not shared with everyone, they are typical of each condition. For example, migraine sufferers often report fortification illusions.

Neuroscience[edit]

In an experiment with one patient, electrical stimulation at the left temporoparietal junction lead to an illusion of another person close to her.[12][13]

See also[edit]

Not related to senses (cognitive illusions)

References[edit]

  1. Jump up ^Solso, R. L. (2001). Cognitive psychology (6th ed.). Boston: Allyn and Bacon. ISBN 0-205-30937-2
  2. Jump up ^McGurk, Hj.; MacDonald, J. (1976). "Hearing lips and seeing voices". Nature264: 746–748. doi:10.1038/264746a0. 
  3. Jump up ^Yoon Mo Jung and Jackie (Jianhong) Shen (2008), J. Visual Comm. Image Representation, 19(1):42-55, First-order modeling and stability analysis of illusory contours.
  4. Jump up ^Yoon Mo Jung and Jackie (Jianhong) Shen (2014), arXiv:1406.1265, Illusory shapes via phase transition.
  5. Jump up ^Gross, L 2006 THIS REFERENCE IS INCOMPLETE
  6. Jump up ^Robles-De-La-Torre & Hayward 2001
  7. Jump up ^The Cutting Edge of Haptics (MIT Technology Review article)
  8. Jump up ^Zampini M & Spence C (2004) "The role of auditory cues in modulating the perceived crispness and staleness of potato chips" Journal of Sensory Studies 19, 347-363.
  9. Jump up ^Barnett-Cowan M (2010) "An illusion you can sink your teeth into: Haptic cues modulate the perceived freshness and crispness of pretzels" Perception 39, 1684-1686.
  10. Jump up ^Todrank, J & Bartoshuk, L.M., 1991
  11. Jump up ^Herz R. S. & Von Clef J., 2001
  12. Jump up ^Arzy, S; Seeck, M; Ortigue, S; Spinelli, L; Blanke, O (2006). "Induction of an illusory shadow person". Nature443: 287. doi:10.1038/443287a. 
  13. Jump up ^Hopkin, Michael (20 September 2006), "Brain Electrodes Conjure up Ghostly Visions", Nature, doi:10.1038/news060918-4 

External links[edit]



Visions

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vision is something seen in a dream, trance, or religious ecstasy, especially a supernatural appearance that usually conveys a revelation.[1] Visions generally have more clarity than dreams, but traditionally fewer psychological connotations. Visions are known to emerge from spiritual traditions and could provide a lens into human nature and reality.[2]Prophecy is often associated with visions.
In simple words, it is a religious experience in which the experience can be seen and hence it is called a vision.


Examples of visions[edit]

Visions are listed in approximately chronological order whenever possible, although some dates may be in dispute.

See also[edit]

References[edit]

  1. Jump up ^http://www.merriam-webster.com/dictionary/vision
  2. Jump up ^Ferrer, J.N. Toward a participatory vision of human spirituality. ReVision 24(2): 15. 2001.

External links[edit]



Visionary

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Defined broadly, a visionary is one who can envision the future. For some groups this can involve the supernatural.
The visionary state is achieved via meditation, drugs, lucid dreams, daydreams, or art. One example is Hildegard of Bingen, a 12th-century artist and Catholicsaint.[1] Other visionaries in religion are St Bernadette and Joseph Smith, said to have had visions of and communed with the Blessed Virgin and the Angel Moroni, respectively.


Extended meanings[edit]

A vision can be political, religious, environmental, social, or technological in nature. By extension, a visionary can also be a person with a clear, distinctive, and specific (in some details) vision of the future, usually connected with advances in technology or social/political arrangements. For example, Ted Nelson is referred to as a visionary in connection with the Internet.[2]
Other visionaries simply imagine what does not yet exist but might some day, as some forms of "visioning" (or gazing) provide a glimpse into the possible future. Therefore, visioning can mean seeing in a utopian way what does not yet exist on earth—but might exist in another realm—such as the ideal or perfect realm as imagined or thought. Examples are Buckminster Fuller in architecture and design, Malcolm Bricklin in the automobile industry and Ada Lovelace in computing. Some people use mathematics to make visionary discoveries in the nature of the universe. In that sense, a visionary may also function as a secular prophet. Some visionaries emphasize communication, and some assume a figurehead role in organizing a social group. In other words, a visionary means that a person can see what something could be long before it actually happens.

In art[edit]

Main article: visionary art
Artists may produce work loosely categorized as visionary art for its luminous content and/or for its use of artistic techniques that call for the use of extended powers of perception in the viewer: (e.g. Gustave Moreau, Samuel Palmer, Jean Delville, Ernst Fuchs, the French SymbolistOdilon Redon, Brion Gysin, Max Ernst, Stanley Spencer, Edward Burne-Jones, Adolf Wolfli, Fred Sandback, William Blake, Hieronymus Bosch, and Henry Darger).
Visionary art can be incorrectly defined as a category of primitive art (art of those not formally trained) rather than describing people who have used their visions (or dreams) to create their paintings. Salvador Dalí is one artist who would exemplify visionary art that is neither religious nor primitive.

Notes[edit]

References[edit]


Visonary Art

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Visionary art is art that purports to transcend the physical world and portray a wider vision of awareness including spiritual or mysticalthemes, or is based in such experiences.[1]


History[edit]

The Vienna School of Fantastic Realism, first established in 1946, is considered to be an important technical and philosophical catalyst in its strong influence upon contemporary visionary art.[2][3] Its artists included Ernst Fuchs, Rudolf Hausner and Arik Brauer among others. Several artists who would later work in visionary art trained under Fuchs, including Mati Klarwein, Robert Venosa,[4]Philip Rubinov Jacobson and De Es Schwertberger.

Definition[edit]

Visionary artist Laurence Caruana with visionary art paintings.
Visionary art often carries themes of spiritual, mystical or inner awareness.[1] Despite this broad definition, there does seem to be emerging some definition to what constitutes the contemporary visionary art 'scene' and which artists can be considered especially influential. Symbolism, Surrealism and Psychedelic art are also direct precursors to contemporary visionary art. Contemporary visionary artists count Hieronymous Bosch, William Blake, Morris Graves (of the Pacific Northwest School of Visionary Art), Emil Bisttram, and Gustave Moreau amongst their antecedents.

Schools and organizations[edit]

The Vienna School of Fantastic Realism, which includes Ernst Fuchs and Arik Brauer, is also a strong influence on visionary culture. It may also be considered the European version, with the names being interchangeable.
The Society for the Art of Imagination, founded by Brigid Marlin serves as an important portal for visionary art events. More recently, a new wave of visionary artists collaborate to function as modern cooperatives involved in self-publishing and promotion of visionary artists through the internet and via festivals such as Burning Man and Boom Festival, and exhibition/ritual spaces such as Temple of Visions, Tribe 13, Synergenesis and the Interdimensional Art Movement.

Artists[edit]

Historic[edit]

Contemporary[edit]

Organizations[edit]

Gallery[edit]

See also[edit]

References[edit]

Sources[edit]

Bibliography[edit]

External links[edit]


On Mysticism.

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  (Redirected from Mystical)
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This article is about mystical traditions. For mystical experience, see mystical experience.
Votive plaque depicting elements of the Eleusinian Mysteries, discovered in the sanctuary at Eleusis (mid-4th century BC)
Mysticism is "a constellation of distinctive practices, discourses, texts, institutions, traditions, and experiences aimed at human transformation, variously defined in different traditions."[web 1]
The term "mysticism" has Ancient Greek origins with various historically determined meanings.[web 2][web 1] Derived from the Greek word μυω, meaning "to conceal",[web 1] mysticism referred to the biblical liturgical, spiritual, and contemplative dimensions of early and medieval Christianity.[1] During the early modern period, the definition of mysticism grew to include a broad range of beliefs and ideologies related to "extraordinary experiences and states of mind".[2]
In modern times, "mysticism" has acquired a limited definition,[web 2] with broad applications,[web 2] as meaning the aim at the "union with the Absolute, the Infinite, or God".[web 2] This limited definition has been applied to a wide range of religious traditions and practices,[web 2] valuing "mystical experience" as a key element of mysticism.
Since the 1960s scholars have debated the merits of perennial and constructionist approaches in the scientific research of "mystical experiences";[3][4] the perennial position is now "largely dismissed by scholars".[5]


Etymology[edit]

"Mysticism" is derived from the Greekμυω, meaning "I conceal",[web 1] and its derivative μυστικός, mystikos, meaning 'an initiate'.

Definitions[edit]

Parson warns that "what might at times seem to be a straightforward phenomenon exhibiting an unambiguous commonality has become, at least within the academic study of religion, opaque and controversial on multiple levels".[6] The definition, or meaning, of the term "mysticism" has changed through the ages.[web 2]

Spiritual life and re-formation[edit]

Main article: Spirituality
According to Evelyn Underhill, mysticism is "the science or art of the spiritual life."[7] It is
...the expression of the innate tendency of the human spirit towards complete harmony with the transcendental order; whatever be the theological formula under which that order is understood.[8][note 1][note 2]
Parson stresses the importance of distinguishing between
...episodic experience and mysticism as a process that, though surely punctuated by moments of visionary, unitive, and transformative encounters, is ultimately inseparable from its embodied relation to a total religious matrix: liturgy, scripture, worship, virtues, theology, rituals, practice and the arts.[9]
According to Gellmann,
Typically, mystics, theistic or not, see their mystical experience as part of a larger undertaking aimed at human transformation (See, for example, Teresa of Avila, Life, Chapter 19) and not as the terminus of their efforts. Thus, in general, ‘mysticism’ would best be thought of as a constellation of distinctive practices, discourses, texts, institutions, traditions, and experiences aimed at human transformation, variously defined in different traditions.[web 1][note 3]
McGinn argues that "presence" is more accurate than "union", since not all mystics spoke of union with God, and since many visions and miracles were not necessarily related to union. He also argues that we should speak of "consciousness" of God's presence, rather than of "experience", since mystical activity is not simply about the sensation of God as an external object, but more broadly about
...new ways of knowing and loving based on states of awareness in which God becomes present in our inner acts.[12]
D.J. Moores too mentions "love" as a central element:
Mysticism, then, is the perception of the universe and all of its seemingly disparate entities existing in a unified whole bound together by love.[13]
Related to the idea of "presence" instead of "experience" is the transformation that occurs through mystical activity:
This is why the only test that Christianity has known for determining the authenticity of a mystic and her or his message has been that of personal transformation, both on the mystic's part and—especially—on the part of those whom the mystic has affected.[12]
Belzen and Geels also note that mysticism is
...a way of life and a 'direct consciousness of the presence of God' [or] 'the ground of being' or similar expressions.[14]

Enlightenment[edit]

Some authors emphasize that mystical experience involves intuitive understanding and the resolution of life problems. According to Larson,
A mystical experience is an intuitive understanding and realization of the meaning of existence – an intuitive understanding and realization which is intense, integrating, self-authenticating, liberating – i.e., providing a sense of release from ordinary self-awareness – and subsequently determinative – i.e., a primary criterion – for interpreting all other experience whether cognitive, conative, or affective.[15]
And James R. Horne notes:
[M]ystical illumination is interpreted as a central visionary experience in a psychological and behavioural process that results in the resolution of a personal or religious problem. This factual, minimal interpretation depicts mysticism as an extreme and intense form of the insight seeking process that goes in activities such as solving theoretical problems or developing new inventions.[3][note 4][note 5]

Mystical experience and union with the Divine[edit]

William James, who popularized the use of the term "religious experience"[note 6] in his The Varieties of Religious Experience,[19][20][web 1] influenced the understanding of mysticism as a distinctive experience which supplies knowledge of the transcendental.[21][web 1] He considered the "personal religion"[22] to be "more fundamental than either theology or ecclesiasticism",[22] and states:
In mystic states we both become one with the Absolute and we become aware of our oneness. This is the everlasting and triumphant mystical tradition, hardly altered by differences of clime or creed. In Hinduism, in Neoplatonism, in Sufism, in Christian mysticism, in Whitmanism, we find the same recurring note, so that there is about mystical utterances an eternal unanimity which ought to make a critic stop and think, and which bring it about that the mystical classics have, as been said, neither birthday not native land.[23]
According to McClenon, mysticism is
The doctrine that special mental states or events allow an understanding of ultimate truths. Although it is difficult to differentiate which forms of experience allow such understandings, mental episodes supporting belief in "other kinds of reality" are often labeled mystical [...] Mysticism tends to refer to experiences supporting belief in a cosmic unity rather than the advocation of a particular religious ideology.[web 3]
According to Blakemore and Jennett,
Mysticism is frequently defined as an experience of direct communion with God, or union with the Absolute,[note 7] but definitions of mysticism (a relatively modern term) are often imprecise and usually rely on the presuppositions of the modern study of mysticism — namely, that mystical experiences involve a set of intense and usually individual and private psychological states [...] Furthermore, mysticism is a phenomenon said to be found in all major religious traditions.[web 4][note 8]

History[edit]

Early Christianity[edit]

In the Hellenistic world, 'mystical' referred to "secret" religious rituals[web 1] The use of the word lacked any direct references to the transcendental.[25] A "mystikos" was an initiate of a mystery religion.
In early Christianity the term "mystikos" referred to three dimensions, which soon became intertwined, namely the biblical, the liturgical and the spiritual or contemplative.[1] The biblical dimension refers to "hidden" or allegorical interpretations of Scriptures.[web 1][1] The liturgical dimension refers to the liturgical mystery of the Eucharist, the presence of Christ at the Eucharist.[web 1][1] The third dimension is the contemplative or experiential knowledge of God.[1]
The link between mysticism and the vision of the Divine was introduced by the early Church Fathers, who used the term as an adjective, as in mystical theology and mystical contemplation.[25]

Medieval meaning[edit]

See also: Middle Ages
This threefold meaning of "mystical" continued in the Middle Ages.[1] Under the influence of Pseudo-Dionysius the Areopagite the mystical theology came to denote the investigation of the allegorical truth of the Bible.[1] Pseudo-Dionysius'Apophatic theology, or "negative theology", exerted a great influence on medieval monastic religiosity, although it was mostly a male religiosity, since women were not allowed to study.[26] It was influenced by Neo-Platonism, and very influential in Eastern Orthodox Christian theology. In western Christianity it was a counter-current to the prevailing Cataphatic theology or "positive theology". It is best known nowadays in the western world from Meister Eckhart and John of the Cross.

Early modern meaning[edit]

The Appearance of the Holy Spirit before Saint Teresa of Ávila,Peter Paul Rubens
In the sixteenth and seventeenth century mysticism came to be used as a substantive.[25] This shift was linked to a new discourse,[25] in which science and religion were separated.[27]
Luther dismissed the allegorical interpretation of the bible, and condemned Mystical theology, which he saw as more Platonic than Christian.[28]"The mystical", as the search for the hidden meaning of texts, became secularised, and also associated with literature, as opposed to science and prose.[29]
Science was also distinguished from religion. By the middle of the 17th century, "the mystical" is increasingly applied exclusively to the religious realm, separating religion and "natural philosophy" as two distinct approaches to the discovery of the hidden meaning of the universe.[30] The traditional hagiographies and writings of the saints became designated as "mystical", shifting from the virtues and miracles to extraordinary experiences and states of mind, thereby creating a newly coined "mystical tradition".[2] A new understanding developed of the Divine as residing within human, an essence beyond the varieties of religious expressions.[25]

Contemporary meaning[edit]

In the 19th century the meaning of mysticism was considerably narrowed:[web 2]
The competition between the perspectives of theology and science resulted in a compromise in which most varieties of what had traditionally been called mysticism were dismissed as merely psychological phenomena and only one variety, which aimed at union with the Absolute, the Infinite, or God—and thereby the perception of its essential unity or oneness—was claimed to be genuinely mystical. The historical evidence, however, does not support such a narrow conception of mysticism.[web 2]
Under the influence of Perennialism, which was popularised in both the west and the east by Unitarianism, Transcendentalists and Theosophy, mysticism has acquired a broader meaning, in which all sorts of esotericism and religious traditions and practices are joined together.[31][32][20]
The term mysticism has been extended to comparable phenomena in non-Christian religions,[web 2] where it influenced Hindu and Buddhist responses to colonialism, resulting in Neo-Vedanta and Buddhist modernism.[32][33]
In the contemporary usage "mysticism" has become an umbrella term for all sorts of non-rational world views.[34] William Harmless even states that mysticism has become "a catch-all for religious weirdness".[35] Within the academic study of religion the apparent "unambiguous commonality" has become "opaque and controversial".[25] The term "mysticism" is being used in different ways in different traditions.[25] Some call to attention the conflation of mysticism and linked terms, such as spirituality and esotericism, and point at the differences between various traditions.[36]

Mystical experience[edit]

Main article: Mystical experience
Since the 19th century, "mystical experience" has evolved as a distinctive concept. It is closely related to "mysticism," but lays sole emphasis on the experiential aspect, be it spontaneous or induced by human behavior.
Two distinct approaches can be discerned in the study of mystical experience. Perennialists regard those various traditions as pointing to one universal transcendental reality, for which those experiences offer the prove.
The perennial position is "largely dismissed by scholars",[5] but "has lost none of its popularity".[37] Instead, a constructionist approach is favored, which states that mystical experiences are mediated by pre-existing frames of reference. Critics of the term "religious experience" note that the notion of "religious experience" or "mystical experience" as marking insight into religious truth is a modern development,[38] and contemporary researchers of mysticism note that mystical experiences are shaped by the concepts "which the mystic brings to, and which shape, his experience".[39] What is being experienced is being determined by the expectations and the conceptual background of the mystic.[40]

Forms of mysticism within world religions[edit]

Based on various definitions of mysticism, namely mysticism as a way of transformation, mysticism as "enlightenment" or insight, and mysticism as an experience of union, "mysticism" can be found an all major world religions.

Western mysticism[edit]

Mystery religions[edit]

Main article: Greco-Roman mysteries
The Eleusinian Mysteries, (Greek: ἘλευσίνιαΜυστήρια) were annual initiation ceremonies in the cults of the goddesses Demeter and Persephone, held in secret at Eleusis (near Athens) in ancient Greece.[41] The mysteries began in about 1600 B.C. in the Mycenean period and continued for two thousand years, becoming a major festival during the Hellenic era, and later spreading to Rome.[42]

Christian mysticism[edit]

The Apophatic theology, or "negative theology",of Pseudo-Dionysius the Areopagite exerted a great influence on medieval monastic religiosity.[26]
The High Middle Ages saw a flourishing of mystical practice and theorization corresponding to the flourishing of new monastic orders, with such figures as Guigo II, Hildegard of Bingen, Bernard of Clairvaux, the Victorines, all coming from different orders, as well as the first real flowering of popular piety among the laypeople.
The Late Middle Ages saw the clash between the Dominican and Franciscanschools of thought, which was also a conflict between two different mystical theologies: on the one hand that of Dominic de Guzmán and on the other that of Francis of Assisi, Anthony of Padua, Bonaventure, and Angela of Foligno. This period also saw such individuals as John of Ruysbroeck, Catherine of Siena and Catherine of Genoa, the Devotio Moderna, and such books as the Theologia Germanica, The Cloud of Unknowing and The Imitation of Christ.
Moreover, there was the growth of groups of mystics centered around geographic regions: the Beguines, such as Mechthild of Magdeburg and Hadewijch (among others); the Rhineland mysticsMeister Eckhart, Johannes Tauler and Henry Suso; and the English mystics Richard Rolle, Walter Hilton and Julian of Norwich. The Spanish mystics included Teresa of Avila, John of the Cross and Ignatius Loyola.
The later post-reformation period also saw the writings of lay visionaries such as Emanuel Swedenborg and William Blake, and the foundation of mystical movements such as the Quakers. Catholic mysticism continued into the modern period with such figures as Padre Pio and Thomas Merton.
The philokalia, an ancient method of Eastern Orthodox mysticism, was promoted by the twentieth century Traditionalist School. The inspired or "channeled" work A Course in Miracles represents a blending of non-denominational Christian and New Age ideas.

Jewish mysticism[edit]

Main articles: Jewish mysticism and Kabbalah
In the common era, Judaism has had two main kinds of mysticism: Merkabah mysticism and Kabbalah. The former predated the latter, and was focused on visions, particularly those mentioned in the Book of Ezekiel. It gets its name from the Hebrew word meaning "chariot", a reference to Ezekiel's vision of a fiery chariot composed of heavenly beings.
Kabbalah is a set of esoteric teachings meant to explain the relationship between an unchanging, eternal and mysterious Ein Sof (no end) and the mortal and finite universe (his creation). Inside Judaism, it forms the foundations of mystical religious interpretation.
Kabbalah originally developed entirely within the realm of Jewish thought. Kabbalists often use classical Jewish sources to explain and demonstrate its esoteric teachings. These teachings are thus held by followers in Judaism to define the inner meaning of both the Hebrew Bible and traditional Rabbinic literature, their formerly concealed transmitted dimension, as well as to explain the significance of Jewish religious observances.[43]
Kabbalah emerged, after earlier forms of Jewish mysticism, in 12th to 13th century Southern France and Spain, becoming reinterpreted in the Jewish mystical renaissance of 16th-century Ottoman Palestine. It was popularised in the form of Hasidic Judaism from the 18th century forward. 20th-century interest in Kabbalah has inspired cross-denominational Jewish renewal and contributed to wider non-Jewish contemporary spirituality, as well as engaging its flourishing emergence and historical re-emphasis through newly established academic investigation.

Islamic mysticism[edit]

Main article: Sufism
Sufism is said to be Islam's inner and mystical dimension.[44][45][46] Classical Sufi scholars have defined Sufism as
[A] science whose objective is the reparation of the heart and turning it away from all else but God.[47]
A practitioner of this tradition is nowadays known as a ṣūfī (صُوفِيّ), or, in earlier usage, a dervish. The origin of the word "Sufi" is ambiguous. One understanding is that Sufi means wool-wearer- wool wearers during early Islam were pious ascetics who withdrew from urban life. Another explanation of the word "Sufi" is that it means 'purity'.[48]
Sufis generally belong to a khalqa, a circle or group, led by a Sheikh or Murshid. Sufi circles usually belong to a Tariqa which is the Sufi order and each has a Silsila, which is the spiritual lineage, which traces its succession back to notable Sufis of the past, and often ultimately to the prophet Muhammed or one of his close associates. The turuq (plural of tariqa) are not enclosed like Christian monastic orders; rather the members retain an outside life. Membership of a Sufi group often passes down family lines. Meetings may or may not be segregated according to the prevailing custom of the wider society. An existing Muslim faith is not always a requirement for entry, particularly in Western countries.
Mawlānā Rumi's tomb, Konya, Turkey
Sufi practice includes
  • Dhikr, or remembrance (of God), which often takes the form of rhythmic chanting and breathing exercises.
  • Sema, which takes the form of music and dance — the whirling dance of the Mevlevi dervishes is a form well known in the West.
  • Muraqaba or meditation.
  • Visiting holy places, particularly the tombs of Sufi saints, in order to absorb barakah, or spiritual energy.
The aims of Sufism include: the experience of ecstatic states (hal), purification of the heart (qalb), overcoming the lower self (nafs), extinction of the individual personality (fana), communion with God (haqiqa), and higher knowledge (marifat). Some sufic beliefs and practices have been found unorthodox by other Muslims; for instance Mansur al-Hallaj was put to death for blasphemy after uttering the phrase Ana'l Haqq, "I am the Truth" (i.e. God) in a trance.
Notable classical Sufis include Jalaluddin Rumi, Fariduddin Attar, Sultan Bahoo, Saadi Shirazi and Hafez, all major poets in the Persian language. Omar Khayyam, Al-Ghazzali and Ibn Arabi were renowned scholars. Abdul Qadir Jilani, Moinuddin Chishti, and Bahauddin Naqshband founded major orders, as did Rumi. Rabia Basri was the most prominent female Sufi.
Sufism first came into contact with the Judea-Christian world during the Moorish occupation of Spain. An interest in Sufism revived in non-Muslim countries during the modern era, led by such figures as Inayat Khan and Idries Shah (both in the UK), Rene Guenon (France) and Ivan Aguéli (Sweden). Sufism has also long been present in Asian countries that do not have a Muslim majority, such as India and China.[49]

Indian religions[edit]

Buddhism[edit]

Main article: Buddhism
The main aim of Buddhism is liberation from the cycle of rebirth, by enlarging self-awareness and self-control. The Buddhist tradition rejects the notion of a permanent self, but does have a strong tradition of metaphysical essentialism, especially Yogacara and the Buddha-nature doctrine. The Madhyamaka tradition lends itself to both a non-metaphysical interpretation, as exemplified by the rangtong philosophy of Tsongkhapa, but also to a "mystical" interpretation, as exemplified by the shentong philosophy of both the Dzogchen tradition and Dolpopa. The Two truths doctrine reconciles absolute and relative reality, but is likewise differently interpreted. Chinese and Japanese is grounded on the Chinse understanding of the Buddha-nature and the Two truths doctrine.[50][51] It was the Japanese Zen-scholar D.T. Suzuki who noted similarities between Buddhism and Christian mysticism.[52]

Hinduism[edit]

Main article: Hinduism
Hinduism has a number of interlinked ascetic traditions and philosophical schools which aim at moksha[53] and the acquisition of higher powers.[54] With the onset of the British colonisation of India, those traditions came to be interpreted in western terms such as "mysticism", drawing equivalents with western terms and practices.[55]
Yoga is the physical, mental, and spiritual practices or disciplines which aim to attain a state of permanent peace.[56] Various traditions of yoga are found in Hinduism, Buddhism and Jainism.[57][58][59][58] The Yoga Sūtras of Patañjali defines yoga as "the stilling of the changing states of the mind,"[60] which is attained in samadhi.
Classical Vedanta gives philosophical interpretations and commentaries of the Upanishads, a vast collection of ancient hymns. At least ten schools of Vedanta are known,[61] of which Advaita Vedanta, Vishishtadvaita, and Dvaita are the best known.[62] Advaita Vedanta, as expounded by Adi Shankara, states that there is no difference between Atman and Brahman. The best-known subschool is Kevala Vedanta or mayavada as expounded by Adi Shankara. Advaita Vedanta has acquired a broad acceptance in Indian culture and beyond as the paradigmatic example of Hindu spirituality.[63] In contrast Bhedabheda-Vedanta emphasizes that Atamn and Brahman are both the same and not the same,[64] while Dvaita Vedanta states that Atman and God are fundamentally different.[64] In modern times, the Upanishads have been interpreted by Neo-Vedanta as being "mystical".[55]
Various Shaivist traditions are strongly nondualistic, such as Kashmir Shaivism and Shaiva Siddhanta.

Tantra[edit]

Main article: Tantra
Tantra is the name given by scholars to a style of meditation and ritual which arose in India no later than the fifth century AD.[65] Tantra has influenced the Hindu, Bön, Buddhist, and Jain traditions and spread with Buddhism to East and Southeast Asia.[66] Tantric ritual seeks to access the supra-mundane through the mundane, identifying the microcosm with the macrocosm.[67] The Tantric aim is to sublimate (rather than negate) reality.[68] The Tantric practitioner seeks to use prana (energy flowing through the universe, including one's body) to attain goals which may be spiritual, material or both.[69] Tantric practice includes visualisation of deities, mantras and mandalas. It can also include sexual and other (antinomian) practices.[citation needed]

Sikhism[edit]

Mysticism in the Sikhdharm began with its founder, Guru Nanak, who as a child had profound mystical experiences.[70] Guru Nanak stressed that God must be seen with 'the inward eye', or the 'heart', of a human being.[71]Guru Arjan, the fifth Sikh Guru, added religious mystics belonging to other religions into the holy scriptures that would eventually become the Guru Granth Sahib.
The goal of Sikhism is to be one with God.[72] Sikhs meditate as a means to progress towards enlightenment; it is devoted meditationsimran that enables a sort of communication between the Infinite and finite human consciousness.[73] There is no concentration on the breath but chiefly the remembrance of God through the recitation of the name of God[74] and surrender themselves to Gods presence often metaphorized as surrendering themselves to the Lord's feet.[75]

East-Asian mysticsm[edit]

Taoism[edit]

Main article: Taoism
Taoist philosophy is centered on the Tao, usually translated "Way", an ineffable cosmic principle. The contrasting yet interdependent concepts of yin and yang also symbolise harmony, with Taoist scriptures often emphasing the Yin virtues of femininity, passivity and yieldingness.[76] Taoist practice includes exercises and rituals aimed at manipulating the life force Qi, and obtaining health and longevity.[note 9] These have been elaborated into practices such as Tai chi, which are well known in the west.

Western esotericism[edit]

Main article: Western esotericism

The Fourth Way[edit]

The Fourth Way is a term used by George Gurdjieff to describe an approach to self-development he learned over years of travel in the East[77] that combined what he saw as three established traditional "ways," or "schools" into a fourth way,[78] namely the schools of the body, the mind and the emotions. The Fourth Way emphasizes that people live their lives in a state of "waking sleep", but that higher levels of consciousness and various inner abilities are possible.[79] The Fourth Way teaches people how to increase and focus their attention and energy in various ways, and to minimize daydreaming and absentmindedness.[80][81] The Fourth Way is an "in the world" practice, which rejects retreats and other forms of seclusion. Its central concentrative technique, self remembering, is to be practised, as far as possible, under all circumstances. According to fourth way teaching, inner development in oneself is the beginning of a possible further process of change, whose aim is to transform a man into what Gurdjieff taught he ought to be.[82]

Mysticism and morality[edit]

A philosophical issue in the study of mysticism is the relation of mysticism to morality. Albert Schweitzer presented the classic account of mysticism and morality being incompatible.[83] Arthur Danto also argued that morality is at least incompatible with Indian mystical beliefs.[84] Walter Stace, on the other hand, argued not only are mysticism and morality compatible, but that mysticism is the source and justification of morality.[85] Others studying multiple mystical traditions have concluded that the relation of mysticism and morality is not as simple as that.[86]
Richard King also points to disjunction between "mystical experience" and social justice:[87]
The privatisation of mysticism – that is, the increasing tendency to locate the mystical in the psychological realm of personal experiences – serves to exclude it from political issues as social justice. Mysticism thus becomes seen as a personal matter of cultivating inner states of tranquility and equanimity, which, rather than seeking to transform the world, serve to accommodate the individual to the status quo through the alleviation of anxiety and stress.[87]

See also[edit]

Notes[edit]

  1. Jump up ^Original quote in "Evelyn Underhill (1930), Mysticism: A Study in the Nature and Development of Spiritual Consciousness.[7]
  2. Jump up ^Underhill: "One of the most abused words in the English language, it has been used in different and often mutually exclusive senses by religion, poetry, and philosophy: has been claimed as an excuse for every kind of occultism, for dilute transcendentalism, vapid symbolism, religious or aesthetic sentimentality, and bad metaphysics. on the other hand, it has been freely employed as a term of contempt by those who have criticized these things. It is much to be hoped that it may be restored sooner or later to its old meaning, as the science or art of the spiritual life."[7]
  3. Jump up ^According to Waaijman, the traditional meaning of spirituality is a process of re-formation which "aims to recover the original shape of man, the image of God. To accomplish this, the re-formation is oriented at a mold, which represents the original shape: in Judaism the Torah, in ChristianityChrist, in BuddhismBuddha, in the IslamMuhammad."[10] Waaijman uses the word "omvorming",[10]"to change the form". Different translations are possible: transformation, re-formation, trans-mutation. Waaijman points out that "spirituality" is only one term of a range of words which denote the praxis of spirituality.[11] Some other terms are "Hasidism, contemplation, kabbala, asceticism, mysticism, perfection, devotion and piety".[11]
  4. Jump up ^Compare the use of the terms bodhi, kensho and satori in Buddhism, commonly translated as "enlightenment", and vipassana, which all point to cognitive processes of intuition and comprehension, in contrast to the mind-calming techniques of samatha and samadhi.
  5. Jump up ^According to Evelyn Underhill, illumination is a generic English term for the phenomenon of mysticism. The term illumination is derived from the Latin illuminatio, applied to Christian prayer in the 15th century. Translated as enlightenment it is adopted in English translations of Buddhist texts, but used loosely to describe the state of mystical attainment regardless of faith.[16][a]
  6. Jump up ^The term "mystical experience" has become synonymous with the terms "religious experience", spiritual experience and sacred experience.[18]
  7. Jump up ^According to W.F. Cobb, mysticism is the pursuit of communion with, identity with, or conscious awareness of an ultimate reality, divinity, spiritual truth, or God through direct experience, intuition, instinct or insight. Mysticism usually centers on practices intended to nurture those experiences.[24] According to Cobb, mysticism may be dualistic, maintaining a distinction between the self and the divine, or may be nondualistic.[24]
  8. Jump up ^blakemore and Jennett add: "[T]he common assumption that all mystical experiences, whatever their context, are the same cannot, of course, be demonstrated." They also state: "Some have placed a particular emphasis on certain altered states, such as visions, trances, levitations, locutions, raptures, and ecstasies, many of which are altered bodily states. Margery Kempe's tears and Teresa of Avila's ecstasies are famous examples of such mystical phenomena. But many mystics have insisted that while these experiences may be a part of the mystical state, they are not the essence of mystical experience, and some, such as Origen, Meister Eckhart, and John of the Cross, have been hostile to such psycho-physical phenomena. Rather, the essence of the mystical experience is the encounter between God and the human being, the Creator and creature; this is a union which leads the human being to an ‘absorption’ or loss of individual personality. It is a movement of the heart, as the individual seeks to surrender itself to ultimate Reality; it is thus about being rather than knowing. For some mystics, such as Teresa of Avila, phenomena such as visions, locutions, raptures, and so forth are by-products of, or accessories to, the full mystical experience, which the soul may not yet be strong enough to receive. Hence these altered states are seen to occur in those at an early stage in their spiritual lives, although ultimately only those who are called to achieve full union with God will do so."[web 4]
  9. Jump up ^Extending to physical immortality: the Taoist pantheon includes Xian, or immortals.
  1. Jump up ^According to Wright, the use of the western word enlightenment is based on the supposed resemblance of bodhi with Aufklärung, the independent use of reason to gain insight into the true nature of our world. As a matter of fact there are more resemblances with Romanticism than with the Enlightenment: the emphasis on feeling, on intuitive insight, on a true essence beyond the world of appearances.[17] See also Enlightenment (spiritual).

References[edit]

  1. ^ Jump up to: abcdefgKing 2002, p. 15.
  2. ^ Jump up to: abKing 2002, pp. 17–18.
  3. ^ Jump up to: abHorne 1996, p. 9.
  4. Jump up ^Paden 2009, p. 332.
  5. ^ Jump up to: abMcMahan 2008, p. 269, note 9.
  6. Jump up ^Parsoon 2011, p. 3.
  7. ^ Jump up to: abcUnderhill 2012, p. xiv.
  8. Jump up ^Bloom 2010, p. 12.
  9. Jump up ^Parson 2011, pp. 4–5.
  10. ^ Jump up to: abWaaijman 2000, p. 460.
  11. ^ Jump up to: abWaaijman 2002, p. 315.
  12. ^ Jump up to: abMcGinn 2006.
  13. Jump up ^Moores 2005, p. 34.
  14. Jump up ^Belzen 2003, p. 7.
  15. Jump up ^Lidke 2005, p. 144.
  16. Jump up ^Evelyn Underhill. Practical Mysticism. Wilder Publications, new edition 2008. ISBN 978-1-60459-508-6
  17. Jump up ^Wright 2000, pp. 181–183.
  18. Jump up ^Samy 1998, p. 80.
  19. Jump up ^Hori 1999, p. 47.
  20. ^ Jump up to: abSharf 2000.
  21. Jump up ^Harmless 2007, pp. 10–17.
  22. ^ Jump up to: abJames 1982 (1902), p. 30.
  23. Jump up ^Harmless 2007, p. 14.
  24. ^ Jump up to: abCobb 2009.
  25. ^ Jump up to: abcdefgParsons 2011, p. 3.
  26. ^ Jump up to: abKing 2002, p. 195.
  27. Jump up ^King 2002, pp. 16–18.
  28. Jump up ^King 2002, p. 16.
  29. Jump up ^King 2002, pp. 16–17.
  30. Jump up ^King 2002, p. 17.
  31. Jump up ^Hanegraaff 1996.
  32. ^ Jump up to: abKing 2002.
  33. Jump up ^McMahan 2010.
  34. Jump up ^Parson 2011, p. 3-5.
  35. Jump up ^Harmless 2007, p. 3.
  36. Jump up ^Parsons 2011, pp. 3–4.
  37. Jump up ^McMahan 2010, p. 269, note 9.
  38. Jump up ^Sharf 1995-B.
  39. Jump up ^Katz 2000, p. 3.
  40. Jump up ^Katz 2000, pp. 3–4.
  41. Jump up ^Kerényi, Karoly, "Kore," in C.G. Jung and C. Kerényi, Essays on a Science of Mythology: The Myth of the Divine Child and the Mysteries of Eleusis. Princeton: Princeton University Press, 1963: pages 101–55.
  42. Jump up ^Eliade, Mircea, A History of Religious Ideas: From the Stone Age to the Eleusinian Mysteries. Chicago: University of Chicago Press, 1978.
  43. Jump up ^"Imbued with Holiness"– The relationship of the esoteric to the exoteric in the fourfold Pardes interpretation of Torah and existence. From www.kabbalaonline.org
  44. Jump up ^Alan Godlas, University of Georgia, Sufism's Many Paths, 2000, University of Georgia
  45. Jump up ^Nuh Ha Mim Keller, "How would you respond to the claim that Sufism is Bid'a?", 1995. Fatwa accessible at: Masud.co.uk
  46. Jump up ^Zubair Fattani, "The meaning of Tasawwuf", Islamic Academy. Islamicacademy.org
  47. Jump up ^Ahmed Zarruq, Zaineb Istrabadi, Hamza Yusuf Hanson—"The Principles of Sufism". Amal Press. 2008.
  48. Jump up ^Seyyedeh Dr. Nahid Angha. "origin of the Wrod Tasawouf". Ias.org. Retrieved 2013-11-06. 
  49. Jump up ^Xinjiang Sufi Shrines
  50. Jump up ^Dumoulin 2005-A.
  51. Jump up ^Dumoulin 2005-B.
  52. Jump up ^D.T. Suzuki. Mysticism: Christian and Buddhist. Routledge, 2002. ISBN 978-0-415-28586-5
  53. Jump up ^Raju 1992.
  54. Jump up ^White 2012.
  55. ^ Jump up to: abKing 2001.
  56. Jump up ^Bryant 2009, p. 10, 457.
  57. Jump up ^Denise Lardner Carmody, John Carmody, Serene Compassion. Oxford University Press US, 1996, page 68.
  58. ^ Jump up to: abStuart Ray Sarbacker, Samādhi: The Numinous and Cessative in Indo-Tibetan Yoga. SUNY Press, 2005, pp. 1–2.
  59. Jump up ^Tattvarthasutra [6.1], see Manu Doshi (2007) Translation of Tattvarthasutra, Ahmedabad: Shrut Ratnakar p. 102
  60. Jump up ^Bryant 2009, p. 10.
  61. Jump up ^Raju 1992, p. 177.
  62. Jump up ^Sivananda 1993, p. 217.
  63. Jump up ^King 1999.
  64. ^ Jump up to: abNicholson 2010.
  65. Jump up ^Einoo, Shingo (ed.) (2009). Genesis and Development of Tantrism. University of Tokyo. p. 45. 
  66. Jump up ^White 2000, p. 7.
  67. Jump up ^Harper (2002), p. 2.
  68. Jump up ^Nikhilanada (1982), pp. 145–160
  69. Jump up ^Harper (2002), p. 3.
  70. Jump up ^Kalra, Surjit (2004). Stories Of Guru Nanak. Pitambar Publishing. ISBN 9788120912755. 
  71. Jump up ^Lebron, Robyn (2012). Searching for Spiritual Unity...can There be Common Ground?: A Basic Internet Guide to Forty World Religions & Spiritual Practices. CrossBooks. p. 399. ISBN 9781462712618. 
  72. Jump up ^Sri Guru Granth Sahib. p. Ang 12. 
  73. Jump up ^"The Sikh Review"57 (7-12). Sikh Cultural Centre. 2009: 35. 
  74. Jump up ^Sri Guru Granth Sahib. p. Ang 1085. 
  75. Jump up ^Sri Guru Granth Sahib. p. Ang 1237. 
  76. Jump up ^Mysticism: A guide for the Perplexed. Oliver, P.
  77. Jump up ^P.D. Ouspensky (1949), In Search of the Miraculous, Chapter 2
  78. Jump up ^P.D. Ouspensky (1949), In Search of the Miraculous, Chapter 15
  79. Jump up ^G. I. Gurdjieff and His School by Jacob Needleman Professor of Philosophy
  80. Jump up ^G.I. Gurdjieff (first privately printed in 1974). Life is Real Only Then, When 'I Am'
  81. Jump up ^Olga de Hartmann (1973). Views from the Real World, Energy and Sleep
  82. Jump up ^G.I. Gurdjieff (1950). Beelzebub's Tales to His Grandson
  83. Jump up ^Schweitzer 1936
  84. Jump up ^Danto 1987
  85. Jump up ^Stace 1960, pp. 323-343.
  86. Jump up ^Barnard and Kripal 2002; Jones 2004.
  87. ^ Jump up to: abKing 2002, p. 21.

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Web-sources[edit]

Further reading[edit]

  • Baba, Meher (1995). Discourses. Myrtle Beach, S.C.: Sheriar Foundation. 
  • Bailey, Raymond. Thomas Merton On Mysticism. DoubleDay, New York. 1975.
  • Daniels, P., Horan A. Mystic Places. Alexandria, Time-Life Books, 1987.
  • Dasgupta, S. N. Hindu Mysticism. New York: F. Ungar Publishing Co., 1927, "republished 1959". xx, 168 p.
  • Dinzelbacher, Peter. Mystik und Natur. Zur Geschichte ihres Verhältnisses vom Altertum bis zur Gegenwart. (Theophrastus Paracelsus Studien, 1) Berlin, 2009.
  • Elior, Rachel, Jewish Mysticism: The Infinite Expression of Freedom, Oxford. Portland, Oregon: The Littman Library of Jewish Civilization, 2007.
  • Fanning, Steven., Mystics of the Christian Tradition. New York: Routledge Press, 2001.
  • Jacobsen, Knut A. (Editor); Larson, Gerald James (Editor) (2005). Theory And Practice of Yoga: Essays in Honour of Gerald James Larson. Brill Academic Publishers (Studies in the History of Religions, 110). Cite uses deprecated parameter |coauthors= (help)
  • Harmless, William, Mystics. Oxford, 2008.
  • Harvey, Andrew. The Essential Gay Mystic. HarperSanFrancisco-Harper Collins Publishers. 1997.
  • King, Ursula. Christian Mystics: Their Lives and Legacies Throughout the Ages. London: Routledge 2004.
  • Kroll, Jerome, Bernard Bachrach. The Mystic Mind: The Psychology of Medieval Mystics and Ascetics. New York and London: Routledge, 2005.
  • Langer, Otto. Christliche Mystik im Mittelalter. Mystik und Rationalisierung – Stationen eines Konflikts. Darmstadt, 2004.
  • Louth, Andrew., The Origins of the Christian Mystical Tradition. Oxford: Oxford University Press, 2007.
  • Masson, Jeffrey and Terri C. Masson. Buried Memories on the Acropolis. Freud's Relation to Mysticism and Anti-Semitism. International Journal of Psycho-Analysis, Volume 59, 1978, pages 199–208.
  • McColman, Carl. The Big Book of Christian Mysticism. Hampton Roads Publishing Company, Inc. 2010.
  • McKnight, C.J. Mysticism, the Experience of the Divine: Medieval Wisdom. Chronicle Books, 2004.
  • McGinn, Bernard, The Presence of God: A History of Western Christian Mysticism'.' Volumes 1 – 4. (The Foundations of Mysticism; The Growth of Mysticism; The Flowering of Mysticism) New York, Crossroad, 1997–2005.
  • Merton, Thomas, An Introduction to Christian Mysticism: Initiation into the Monastic Tradition, 3. Kalamazoo, 2008.
  • Nelstrop, Louise, Kevin Magill and Bradley B. Onishi, Christian Mysticism: An Introduction to Contemporary Theoretical Approaches. Aldershot, 2009.
  • Otto, Rudolf (author); Bracy, Bertha L. (translator) & Payne, Richenda C. 1932, 1960. Mysticism East and West: A Comparative Analysis of the Nature of Mysticism. New York, N. Y., USA: The Macmillan Company
  • Stace, W. T. Mysticism and Philosophy. 1960.
  • Stace, W. T. The Teachings of the Mystics, 1960.
  • Underhill, Evelyn. Mysticism: A Study in the Nature and Development of Spiritual Consciousness. 1911
  • Stark, Ryan J. "Some Aspects of Christian Mystical Rhetoric, Philosophy, and Poetry," Philosophy and Rhetoric 41 (2008): 260–77.
  • Wilber, Ken (2000), Sex, Ecology, Spirituality, Shambhala Publications 

External links[edit]

Encyclopedias
Specific

'Pataphysics

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From Wikipedia, the free encyclopedia/Blogger Ref  http://www.p2pfoundation.net/Multi-Dimensional_Science
 
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Jarry in Alfortville
'Pataphysics (French: 'pataphysique) is an absurdist, pseudo-scientific literary trope invented by French writer Alfred Jarry (1873–1907), that enigmatically resists being pinned down by a simple definition.[1] One attempt at a definition might be to say that ‘pataphysics is a branch of philosophy or science that examines imaginary phenomena that exist in a world beyond metaphysics; it is the science of imaginary solutions.[2] It is a concept expressed by Jarry in a mock-scientific manner with undertones of spoofing and quackery, in his fictional book Exploits & Opinions of Doctor Faustroll, Pataphysician, in which Jarry riddles and toys with conventional concepts and interpretations of reality.[3] Another attempt at a definition interprets ‘pataphysics as an idea that “the virtual or imaginary nature of things as glimpsed by the heightened vision of poetry or science or love can be seized and lived as real.”[4] Jarry defines 'pataphysics in a number of statements and examples, including that it is "the science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments".[5]
A practitioner of 'pataphysics is a pataphysician or a pataphysicist.


Definitions[edit]

There are over one hundred differing definitions of ‘pataphysics.[6] Some examples are shown below.
"Pataphysics is the science of that which is superinduced upon metaphysics, whether within or beyond the latter’s limitations, extending as far beyond metaphysics as the latter extends beyond physics. … ‘Pataphysics will be, above all, the science of the particular, despite the common opinion that the only science is that of the general. ‘Pataphysics will examine the laws governing exceptions, and will explain the universe supplementary to this one.”[5]
"'Pataphysics is patient; 'Pataphysics is benign; 'Pataphysics envies nothing, is never distracted, never puffed up, it has neither aspirations nor seeks not its own, it is even-tempered, and thinks not evil; it mocks not iniquity: it is enraptured with scientific truth; it supports everything, believes everything, has faith in everything and upholds everything that is.”[7] as cited in[6]
"Pataphysics passes easily from one state of apparent definition to another. Thus it can present itself under the aspect of a gas, a liquid or a solid.”[8] as cited in[6]
"Pataphysics "the science of the particular", does not, therefore, study the rules governing the general recurrence of a periodic incident (the expected case) so much as study the games governing the special occurrence of a sporadic accident (the excepted case). … Jarry performs humorously on behalf of literature what Nietzsche performs seriously on behalf of philosophy. Both thinkers in effect attempt to dream up a “gay science”, whose joie de vivre thrives wherever the tyranny of truth has increased our esteem for the lie and wherever the tyranny of reason has increased our esteem for the mad.”[9]

Etymology[edit]

The word pataphysics is a contracted formation, derived from the Greek, (τὰ ἐπὶ τὰ μεταφυσικά) (tà epì tà metàphusiká);[5] this phrase or expression means "that which is above metaphysics", and is itself a sly variation on the title of Aristotle's Metaphysics, which in Greek is "τὰ μετὰ τὰ φυσικά" (ta meta ta physika).
Jarry mandated the inclusion of the apostrophe in the orthography, 'pataphysique and 'pataphysics, "to avoid a simple pun".[5] The words pataphysician or pataphysicist and the adjective pataphysical should not include the apostrophe. Only when consciously referring to Jarry's science itself should the word pataphysics carry the apostrophe.[10] The term pataphysics is a paronym (considered a kind of pun in French) of metaphysics. Since the apostrophe in no way affects the meaning or pronunciation of pataphysics, this spelling of the term is a sly notation, to the reader, suggesting a variety of puns that listeners may hear, or be aware of. These puns include patte à physique ("physics paw"), as interpreted by Jarry scholars Keith Beaumont and Roger Shattuck, pas ta physique ("not your physics"), and pâte à physique ("physics pastry dough").

History[edit]

The term first appeared in print in the text of Alfred Jarry's play Guignol in the 28 April 1893 issue of L'Écho de Paris littéraire illustré, but it has been suggested that the word has its origins in the same schoolpranks at the lycée in Rennes that led Jarry to write Ubu Roi.[11] Jarry considered Ibicrates and Sophrotatos the Armenian as the fathers of this "science".[12]

The Collège de 'Pataphysique[edit]

The Collège de 'Pataphysique, founded in 1948 in Paris, France,[13] is a "society committed to learned and inutilious research".[14] (The word 'inutilious' is synonymous with 'useless'.) The motto of the college is Latin: Eadem mutata resurgo ("I arise again the same though changed"), and its current Vice-Curator was Her Magnificence Lutembi - a crocodile.[15] However, in 2014 a new Vice-Curatrice was elected, Tanya Peixoto of the London Institute of 'Pataphysics and Bookartbookshop [4].[16] The permanent head of the college is the fictional Dr. Faustroll (Inamovable Curator), with assistance of the equally fictional Bosse-de-Nage (Starosta).[17] The Vice-Curator is as such the "first and most senior living entity" in the college's hierarchy.[18] Publications of the college, generally called Latin: Viridis Candela ("green candle"),[19] include the Cahiers, Dossiers and the Subsidia Pataphysica.[20][21] The college stopped its public activities between 1975 and 2000, referred to as its occultation.[22][23] Notable members have included Noël Arnaud, Luc Étienne, Latis, François Le Lionnais, Jean Lescure, Raymond Queneau, Boris Vian, Eugène Ionesco, Jacques Carelman, Joan Miró, Man Ray, Max Ernst, Julien Torma, Roger Shattuck, Groucho, Chico and Harpo Marx, Baron Jean Mollet, Philippe de Chérisey, Irénée Louis Sandomir, Opach and Marcel Duchamp.[24] The Oulipo began as a subcommittee of the college.[25][26]

Offshoots of the Collège de 'Pataphysique[edit]

Although France had been always the centre of the pataphysical globe, there are followers up in different cities around the world. In 1966 Juan Esteban Fassio was commissioned to draw the map of the Collège de 'Pataphysique and its institutes abroad. In the 1950s, Buenos Aires in the Western Hemisphere and Milan in Europe were the first cities to have pataphysical institutes. London, Edinburgh, Budapest, and Liège, as well as many other European cities, caught up in the sixties. In the 1970s, when the Collège de 'Pataphysique occulted, Germany, Sweden, Switzerland, Canada, The Netherlands, and many other countries showed that the internationalization of ‘pataphysics was irreversible. During the Communist Era, a small group of pataphysicists in Czechoslovakia started a journal called PAKO, or Pataphysical Collegium.[27] Alfred Jarry's plays had a lasting impression on the country's underground philosophical scene. A ‘Pataphysics Institute opened in Vilnius, Lithuania in May 2013: Patafizikos instituto atidarymas Vilniuje.

London Institute of 'Pataphysics[edit]

The London Institute of 'Pataphysics was established in September 2000 to promote ‘pataphysics in the English-speaking world. The institute has various publications, including a journal and has six departments:[28]
  • Bureau for the Investigation of Subliminal Images
  • Committee for Hirsutism and Pogonotrophy
  • Department of Dogma and Theory
  • Department of Potassons
  • Department of Reconstructive Archaeology
  • The Office of Patentry
The institute also contains a pataphysical museum and archive and organised the Anthony Hancock Paintings and Sculptures exhibition in 2002.[29]

Musée Patamécanique[edit]

Musée Patamécanique is a private museum located in Bristol, Rhode Island.[30] Founded in 2006, it is open by appointment only to friends, colleagues, and occasionally to outside observers. The museum is presented as a hybrid between an automaton theater and a cabinet of curiosities and contains works representing the field of Patamechanics, an artistic practice and area of study chiefly inspired by Pataphysics. Examples of exhibits include a troupe of singing animatronic Chipmunks, A Time Machine, which the museum claims to be the world’s largest automated Phenakistoscope, an olfactory Clock, a chandelier of singing animatronic nightingales, an Undigestulator (a device that purportedly reconstitutes digested foods), A Peanuts Enlarger, A Syzygistic Oracle, The Earolin (a 24 inch tall holographic ear that plays the violin), and a machine for capturing the dreams of bumble bees.[31]

Concepts[edit]

Clinamen
A clinamen is the unpredictable swerve of atoms that Bök calls “the smallest possible aberration that can make the greatest possible difference”.[32] An example is Jarry’s merdre, a swerve of French: merde ("shit").[33]
The Grand Gidouille on Ubu's belly is a symbol of ‘pataphysics
Antinomy
An antinomy is the mutually incompatible. It represents the duality of things, the echo or symmetry, the good and the evil at the same time. Hugill mentions various examples including the plus minus, the faust-troll, the haldern-ablou, the yes-but, the ha-ha and the paradox.[34]
Syzygy
The syzygy originally comes from astronomy and denotes the alignment of three celestial bodies in a straight line. In a pataphysical context it is the pun. It usually describes a conjunction of things, something unexpected and surprising. Serendipity is a simple chance encounter but the syzygy has a more scientific purpose. Bök mentions Jarry suggesting that the fall of a body towards a centre might not be preferable to the ascension of a vacuum towards a periphery.[35][36]
Absolute
The absolute is the idea of a transcended reality.[37]
Anomaly
An anomaly represents the exception. Jarry said that "pataphysics will examine the laws governing exceptions, and will explain the universe supplementary to this one".[5] Bök calls it “the repressed part of a rule which ensures that the rule does not work”.[38][39]
Pataphor
A pataphor is an unusually extended metaphor based on 'pataphysics. As Jarry claimed that ‘pataphysics exists "as far from metaphysics as metaphysics extends from regular reality", a pataphor attempts to create a figure of speech that exists as far from metaphor as metaphor exists from non-figurative language.[40]

Pataphysical calendar[edit]

The pataphysical calendar[41] is a variation of the Gregorian calendar. The Collège de 'Pataphysique created the calendar[42] in 1949.[43] The pataphysical era (E.P.) started on 8 September 1873 (Jarry's birthday). When converting pataphysical dates to Gregorian dates, the appendage (vulg.) for vulgate is added.[43]
The week starts on a Sunday. Every 1st, 8th, 15th and 22nd is a Sunday and every 13th day of a month falls on a Friday (see Friday the 13th). Each day is assigned a specific name or saint. For example, the 27 Haha (1 November vulg.) is called French: Occultation d'Alfred Jarry or the 14 Sable (14 December vulg.) is the day of French: Don Quichote, champion du monde.[44]
The year has a total of 13 months each with 29 days. The 29th day of each month is imaginary with two exceptions:[44]
  • the 29 Gidouille (13 July vulg.) is always non-imaginary
  • the 29 Gueules (23 February vulg.) is non-imaginary during leap years
The table below shows the names and order of months in a pataphysical year with their corresponding Gregorian dates and approximate translations or meanings by Hugill.[43]
Pataphysical year
MonthStartsEndsTranslation
Absolu8 September5 OctoberAbsolute
Haha6 October2 NovemberHa Ha
As3 November30 NovemberSkiff
Sable1 December28 DecemberSand or heraldic black
Décervelage29 December25 JanuaryDebraining
Gueules26 January22/23 FebruaryHeraldic red or gob
Pédale23/24 February22 MarchBicycle pedal
Clinamen23 March19 AprilSwerve
Palotin20 April17 MayUbu's henchmen
Merdre18 May14 JunePshit
Gidouille15 June13 JulySpiral
Tatane14 July10 AugustShoe or being worn out
Phalle11 August7 SeptemberPhallus
For example:
  • 8 September 1873 (vulg.) = 1 Absolu 1
  • 1 January 2000 (vulg.) = 4 Décervelage 127
  • 10 November 2012 (vulg.)(Saturday) = 8 As 140 (Sunday)
See also Bob Richmond's comments on the calendar and the French Wikipedia article.

Influences[edit]

In the 1960s 'pataphysics was used as a conceptual principle within various fine art forms, especially pop art and popular culture. Works within the pataphysical tradition tend to focus on the processes of their creation, and elements of chance or arbitrary choices are frequently key in those processes. Select pieces from the artist Marcel Duchamp[45] and the composer John Cage[46] characterize this. At around this time, Asger Jorn, a pataphysician and member of the Situationist International, referred to 'pataphysics as a new religion.[47]Rube Goldberg and Heath Robinson were artists who contrived machines of a pataphysical bent.

In literature[edit]

In music[edit]

  • In the song "Maxwell's Silver Hammer" on the Beatles album, Abbey Road"'Pataphysical science" is mentioned as a course of study for Maxwell Edison's first victim, "Joan".
  • The debut album by Ron 'Pate's Debonairs, featuring Reverend Fred Lane (his first appearance on vinyl), is titled Raudelunas 'Pataphysical Revue (1977), a live theatrical performance. A review in The Wire magazine said, "No other record has ever come as close to realising Alfred Jarry's desire 'to make the soul monstrous'– or even had the vision or invention to try".[49]'Pate (note the 'pataphysical apostrophe) and Lane were central members in the Raudelunas art collective in Tuscaloosa, Alabama.
  • Professor Andrew Hugill, of De Montfort University, is a practitioner of pataphysical music. He curated Pataphysics, for the Sonic Arts Network's CD series,[50] and in 2007 some of his own music was issued by UHRecordings under the title Pataphysical Piano; the sounds and silences of Andrew Hugill.[51]
  • British progressive rock band Soft Machine were self described as "the Official Orchestra of the College of Pataphysics", and featured the two songs "Pataphysical Introduction" parts I and II on their 1969 album Volume Two.
  • Japanese psychedelic rock band Acid Mothers Temple refer to the topic on their 1999 release Pataphisical Freak Out MU!!.
  • Autolux, a Los Angeles based noise pop band, have a song "Science Of Imaginary Solutions" in their second album Transit Transit.

In visual art[edit]

  • American artist Thomas Chimes developed an interest in Jarry's ‘pataphysics, which became a lifelong passion, inspiring much of the painter's creative work.
  • In 2010 American artist Kevin Ferreira began a visual exploration into the imaginary solutions for the constructs of reality (pataphysics=pata art). The exhibit SpektrumMEK that resulted from this endeavor has been put into his book "SpektrumMEK: a pataphysical gestation to the birth of Lil' t"
  • The League of Imaginary Scientists, a Los Angeles-based art collective specializing in ‘pataphysics-based interactive experiments. In 2011 they exhibited a series of projects at Museum of Contemporary Art, Los Angeles.

In architecture[edit]

Pataphor[edit]

The pataphor (Spanish: patáfora, French: pataphore), is a term coined by writer and musician Pablo Lopez, for an unusually extended metaphor based on Alfred Jarry's "science" of 'pataphysics.[52] As Jarry claimed that ‘pataphysics existed "as far from metaphysics as metaphysics extends from regular reality", a pataphor attempts to create a figure of speech that exists as far from metaphor as metaphor exists from non-figurative language. Whereas a metaphor is the comparison of a real object or event with a seemingly unrelated subject in order to emphasize the similarities between the two, the pataphor uses the newly created metaphorical similarity as a reality on which to base itself. In going beyond mere ornamentation of the original idea, the pataphor seeks to describe a new and separate world, in which an idea or aspect has taken on a life of its own.[53][54]
Like ‘pataphysics itself, pataphors essentially describe two degrees of separation from reality (rather than merely one degree of separation, which is the world of metaphors and metaphysics). The pataphor may also be said to function as a critical tool, describing the world of "assumptions based on assumptions", such as belief systems or rhetoric run amok. The following is an example.
"Non-figurative:
Tom and Alice stood side by side in the lunch line.
Metaphor
Tom and Alice stood side by side in the lunch line; two pieces positioned on a chessboard.
Pataphor
Tom took a step closer to Alice and made a date for Friday night, checkmating. Rudy was furious at losing to Margaret so easily and dumped the board on the rose-colored quilt, stomping downstairs."[55]
Thus, the pataphor has created a world where the chessboard exists, including the characters who live in that world, entirely abandoning the original context.[55]
The pataphor has been subject to commercial interpretations,[56] usage in speculative computer applications,[57] applied to highly imaginative problem solving methods[58] and even politics on the international level[59] or theatre The Firesign Theatre (a comedy troupe whose jokes often rely on pataphors). There is a band called Pataphor[60] and an interactive fiction in the Interactive Fiction Database called "PataNoir," based on pataphors.[61][62]
Pataphors have been the subject of art exhibits, as in Tara Strickstein's 2010 "Pataphor" exhibit at Next Art Fair/Art Chicago.[63]
There is also a book of pataphorical art called Pataphor by Dutch artist Hidde van Schie.[64]
It is worth noting that a pataphor is not the traditional metaphorical conceit but rather a set of metaphors built upon an initial metaphor, obscuring its own origin rather than reiterating the same analogy in myriad ways.

See also[edit]

References[edit]

  1. Jump up ^[1] Shattuck, Roger. “Introduction”. Jarry, Alfred. Exploits & Opinions of Doctor Faustroll, Pataphysician. A Neo-Scientific Novel. Exact Change Boston (1996) page ix
  2. Jump up ^American Heritage Dictionary entry at Dictionary.com
  3. Jump up ^[2] Shattuck, Roger. “Introduction”. Jarry, Alfred. Exploits & Opinions of Doctor Faustroll, Pataphysician. A Neo-Scientific Novel. Exact Change Boston (1996) page ix and page 21
  4. Jump up ^[3] Shattuck, Roger. “Introduction”. Jarry, Alfred. Exploits & Opinions of Doctor Faustroll, Pataphysician. A Neo-Scientific Novel. Exact Change Boston (1996) page ix
  5. ^ Jump up to: abcdeJarry 1996, p.21.
  6. ^ Jump up to: abcBrotchie et al. 2003
  7. Jump up ^“Épanorthose sur le Clinamen moral”, Cahiers du Collège de ‘Pataphysique, 21, 22 Sable 83 (29 December 1955 vulg.)
  8. Jump up ^Patafluens 2001, Istituto Patafisico Vitellianese, Viadana, 2002
  9. Jump up ^Bök 2002, p.9.
  10. Jump up ^Hugill 2012, p.8.
  11. Jump up ^Hugill 2012, p.207.
  12. Jump up ^Hugill 2012, p.20.
  13. Jump up ^Brotchie 1995, p.11.
  14. Jump up ^Brotchie 1995, p.77.
  15. Jump up ^Hugill 2012, p.38.
  16. Jump up ^Fifth Magisterium of Her Magnificence Tanya Peixoto | Patakosmos.com
  17. Jump up ^Brotchie 1995, p.39.
  18. Jump up ^Hugill 2012, p.113.
  19. Jump up ^Hugill 2012, p.123.
  20. Jump up ^List of publications by the Collège de 'Pataphysique
  21. Jump up ^Brotchie 1995, p.102-104.
  22. Jump up ^Hugill 2012, p.39.
  23. Jump up ^Brotchie 1995, p.31.
  24. Jump up ^Brotchie 1995, p.10-31.
  25. Jump up ^Motte, Warren (2007). Oulipo: a primer of potential literature. Dalkey Archive Press. p. 1. ISBN 1-56478-187-9. 
  26. Jump up ^Brotchie 1995, p.22.
  27. Jump up ^Hugill 2012, p.48.
  28. Jump up ^Webpage of the London Institute of 'Pataphysics
  29. Jump up ^Anthony Hancock Paintings and Sculptures exhibition
  30. Jump up ^Webpage of Musée Patamécanique
  31. Jump up ^Musée Patamécanique exhibition
  32. Jump up ^Bök 2002, p.43-45.
  33. Jump up ^Hugill 2012, p.15-16.
  34. Jump up ^Hugill 2012, p.9-12.
  35. Jump up ^Bök 2002, p.40-43.
  36. Jump up ^Hugill 2012, p.13-15.
  37. Jump up ^Hugill 2012, p.16-19.
  38. Jump up ^Bök 2002, p.38-40.
  39. Jump up ^Hugill 2012, p.12-13.
  40. Jump up ^"Paul Avion's Pataphor"
  41. Jump up ^(French) Electronic version of the pataphysical calendar
  42. Jump up ^(French) Reference number 1230, published 1954, as listed in the college's catalogue
  43. ^ Jump up to: abcHugill 2012, p.21-22.
  44. ^ Jump up to: abBrotchie 1995, p.45-54.
  45. Jump up ^Hugill 2012, p.55.
  46. Jump up ^Hugill 2012, p.51-52.
  47. Jump up ^"Asger Jorn's "Pataphysics: A Religion in the Making"". 
  48. Jump up ^The Jean Baudrillard Reader. Redhead, Steve, Columbia University Press, 2008, pp. 6–7. 1 March 2008. ISBN 978-0-231-14613-5. Retrieved 6 June 2009. 
  49. Jump up ^Baxter, Ed (September 1998). "100 Records That Set The World On Fire . . . While No One Was Listening". The Wire. pp. 35–36. 
  50. Jump up ^"Music". Andrew Hugill. Retrieved 2014-01-16. 
  51. Jump up ^"Pataphysical Piano – The sounds and silences of Andrew Hugill by various artists". Uhrecordings.co.uk. Retrieved 2014-01-16. 
  52. Jump up ^"10 Supremely Nerdy Language Tidbits - Listverse". Archived from the original on 2015-04-27. Retrieved 2015-04-18. 
  53. Jump up ^(Spanish) Luis Casado, Pataphors And Political Language, El Clarin: Chilean Press, 2007
  54. Jump up ^The Cahiers du Collège de 'Pataphysique, n°22 (December 2005), Collège de 'Pataphysique
  55. ^ Jump up to: ab"Pataphor / Pataphors : Official Site : closet 'pataphysics". Pataphor.com. Retrieved 2014-01-16. 
  56. Jump up ^"Coke… it’s the Real Thing « Not A Real Thing". Notarealthing.com. 2012-01-31. Retrieved 2014-01-16. 
  57. Jump up ^"i l I .P o s e d p hi l . o s o ph y". Illposed.com. 2006-02-23. Retrieved 2014-01-16. 
  58. Jump up ^Findlay, John (2010-07-03). "Wingwams: Playing with pataphors". Wingwams.blogspot.com. Retrieved 2014-01-16. 
  59. Jump up ^"El Clarín de Chile - Patafísica y patáforas". Elclarin.cl. Retrieved 2014-01-16. 
  60. Jump up ^"Pataphor". Pataphor.bandcamp.com. Retrieved 2014-01-16. 
  61. Jump up ^"PataNoir - Details". Ifdb.tads.org. Retrieved 2014-01-16. 
  62. Jump up ^"Parchment". Iplayif.com. Retrieved 2014-01-16. 
  63. Jump up ^ArtTalkGuest. "Tara Strickstein’s "Pataphor" at Next Art Fair/Art Chicago 2010 | Art Talk Chicago". Chicagonow.com. Retrieved 2014-01-16. 
  64. Jump up ^"Pataphor - Hidde van Schie". Tentrotterdam.nl. Retrieved 2014-01-16. 

Bibliography[edit]

  • Jones, Andrew. Plunderphonics,Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle. SAF Publishing Ltd, 1995.
  • Beaumont, Keith (1984). Alfred Jarry: A Critical and Biographical Study. St. Martin's Press. ISBN 0-312-01712-X. 
  • Bök, Christian (2002). 'Pataphysics: The Poetics of an Imaginary Science. Northwestern University Press. ISBN 978-0-8101-1877-5. 
  • Brotchie, Alistair, ed. (1995). A True History of the College of ’Pataphysics. Atlas Press. ISBN 0-947757-78-3. 
  • Alistair Brotchie, Stanley Chapman, Thieri Foulc and Kevin Jackson, ed. (2003). 'Pataphysics: definitions and citations. London: Atlas Press. ISBN 1-900565-08-0. 
  • Brotchie, Alistair (2011). Alfred Jarry: A Pataphysical Life. MIT Press. ISBN 978-0-262-01619-3. 
  • Clements, Cal (2002). Pataphysica. iUnivers, Inc. ISBN 0-595-23604-9. 
  • Hugill, Andrew (2012). 'Pataphysics: A useless guide. MIT Press. ISBN 978-0-262-01779-4. 
  • Jarry, Alfred (1980). Gestes et opinions du Docteur Faustroll, pataphysicien (in French). France: Gallimard. ISBN 2-07-032198-3. 
  • Jarry, Alfred (1996). Exploits and opinions of Dr. Faustroll, pataphysician. Exact Change. ISBN 1-878972-07-3. 
  • Jarry, Alfred (2006). Collected works II - Three early novels. London: Atlas Press. ISBN 1-900565-36-6. 
  • Shattuck, Roger (1980). Roger Shattuck's Selected Works of Alfred Jarry. Grove Press. ISBN 0-8021-5167-1. 
  • Taylor, Michael R. (2007). Thomas Chimes Adventures in 'Pataphysics. Philadelphia Museum of Art. ISBN 978-0-87633-253-5. 
  • Vian, Boris (2006). Stanley Chapman, ed. 'Pataphysics? What's That?. London: Atlas Press. ISBN 1-900565-32-3. 
  • Morton, Donald. "Pataphysics of the Closet."Transformation: Marxist Boundary Work in Theory, Economics, *Politics and Culture (2001): 1-69.
  • Powrie, Phil. "René Daumal and the ‘pataphysics of liberation."Neophilologus 73.4 (1989): 532-540.

External links[edit]

Fantastic Art

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From Wikipedia, the free encyclopedia/Blogger Ref http://www.p2pfoundation.net/Multi-Dimensional_Science
 
Jump to: navigation, search
Mermaid Syndrom by George Grie, (2006).
Fantastic art is a broad and loosely defined artgenre.[1] It is not restricted to a specific school of artists, geographical location or historical period. It can be characterised by subject matter – which portrays non-realistic, mystical, mythical or folkloric subjects or events – and style, which is representational and naturalistic, rather than abstract - or in the case of magazine illustrations and similar, in the style of graphic novel art such as manga.
Fantasy has been an integral part of art since its beginnings,[2] but has been particularly important in mannerism, magic realist painting, romantic art, symbolism, surrealism and lowbrow. In French, the genre is called le fantastique, in English it is sometimes referred to as visionary art, grotesque art or mannerist art. It has had a deep and circular interaction with fantasy literature.
The subject matter of Fantastic Art may resemble the product of hallucinations, and Fantastic artist Richard Dadd spent much of his life in mental institutions. Salvador Dalí famously said: "the only difference between me and a madman is that I am not mad".[3] Some recent Fantastic Art draws on the artist's experience, or purported experience, of hallucinogenic drugs.
The term Fantasy Art is closely related, and is applied primarily to recent art (typically 20th century onwards) inspired by, or illustrating, fantasy literature. The term has acquired some pejorative overtones.
Fantastic art has traditionally been largely confined to painting and illustration, but since the 1970s has increasingly been found also in photography. Fantastic art explores fantasy, "space fantasy" (a subgenre which incorporates subjects of alien mythology and/or alien religion), imagination, the dream state, the grotesque, visions and the uncanny,[2] as well as so-called "Goth" art.


Related genres[edit]

Genres which may also be considered as Fantastic Art include the Symbolism of the Victorian era, and Surrealism. Works based on classical mythology, which have been a staple of European art from the Renaissance period, also arguably meet the definition of Fantastic Art, as art based on modern mythology such as JRR Tolkien's Middle Earth mythos unquestionably does. Religious art also depicts supernatural or miraculous subjects in a naturalistic way, but is not generally regarded as Fantastic Art.

Historic artists and fine artists[edit]

Many artists have produced works which fit the definition of fantastic art. Some, such as Nicholas Roerich, worked almost exclusively in the genre, others such as Hieronymus Bosch, who has been described as the first "fantastic" artist in the Western tradition,[2] produced works both with and without fantastic elements, and for artists such as Francisco de Goya, fantastic works were only a small part of their output. Others again such as René Magritte are usually classed as Surrealists but use fantastic elements in their work. It is therefore impossible to give an exhaustive list of fantastic artists, but a selection of major and influential figures is listed below.[1][4]

20th Century[edit]

The rise of fantasy and science fiction"pulp" magazines demanded artwork to illustrate stories and (via cover art) to promote sales. This led to a movement of science fiction and fantasy artists prior to and during the Great Depression, as anthologised by Vincent Di Fate, himself a prolific SF and space artist.[5]
In the United States in the 1930s, a group of Wisconsin artists inspired by the Surrealist movement of Europe created their own brand of fantastic art. They included Madison, Wisconsin-based artists Marshall Glasier, Dudley Huppler and John Wilde; Karl Priebe of Milwaukee and Gertrude Abercrombie of Chicago. Their art combined macabre humor, mystery and irony [6] which was in direct and pointed contradiction to the American Regionalism then in vogue.
In postwar Chicago, the art movement Chicago Imagism produced many fantastic and grotesque paintings, which were little noted because they did not conform to New York abstract art fashions of the time. Major imagists include Roger Brown, Gladys Nilsson, Jim Nutt, Ed Paschke, and Karl Wirsum.[7]

Contemporary artists[citation needed][edit]

Gustave Doré's fantastic illustration of Orlando Furioso: defeating a sea monster

Non-European Art[edit]

Non-European art may contain fantastic elements, although it is not necessarily easy to separate them from religious elements invlolving supernatural beings and miraculous events.
Sculptor Bunleua Sulilat is a notable contemporary Asian Fantastic artist.

See also[edit]

Notes[edit]

  1. ^ Jump up to: ab"Jahsonic, a vocabulary of culture". Retrieved 4 August 2013. 
  2. ^ Jump up to: abcSchurian, Walter (2005) Beyond Mere Understanding. In: Fantastic Art, Schurian, W. & Grosenick, U. (Ed.), Taschen, p.6-25. ISBN 978-3-8228-2954-7 (English edition)
  3. Jump up ^"thinkexist.com". Retrieved 4 August 2013. 
  4. Jump up ^Larkin, David (ed.) (1973). Fantastic Art. Pan Ballantine. 
  5. Jump up ^Di Fato, Vincent. Infinite Worlds: The Fantastic Visions of Science Fiction Art. 
  6. Jump up ^Sara Krajewski, “Surreal Wisconsin: Surrealism and its Legacy of Wisconsin Art,” Madison Art Center, 1998 http://members.aol.com/MenuBar/surreal/surreal.htm accessed 3/26/2003
  7. Jump up ^Richard Vine, "Where the Wild Things Were", Art in America, May 1997, pp. 98-111.

References[edit]

  • Coleman, A.D. (1977). The Grotesque in Photography. New York: Summit, Ridge Press.
  • Watney, Simon (1977). Fantastic Painters. London: Thames & Hudson.
  • Colombo, Attilio (1979). Fantastic Photographs. London: Gordon Fraser.
  • Johnson, Diana L. (1979). Fantastic illustration and design in Britain, 1850-1930. Rhode Island School of Design.
  • Krichbaum, Jorg & Zondergeld. R.A. (Eds.) (1985). Dictionary of Fantastic Art. Barron's Educational Series.
  • Menton, Seymour (1983). Magic Realism Rediscovered 1918-1981. Philadelphia, The Art Alliance Press.
  • Day, Holliday T. & Sturges, Hollister (1989). Art of the Fantastic: Latin America, 1920-1987. Indianapolis: Indianapolis Museum of Art.
  • Clair, Jean (1995). Lost Paradise: Symbolist Europe. Montreal: Montreal Museum of Fine Arts.
  • Palumbo, Donald (Ed.) (1986). Eros in the Mind's Eye: Sexuality and the Fantastic in Art and Film (Contributions to the Study of Science Fiction and Fantasy). Greenwood Press.
  • Stathatos, John (2001). A Vindication of Tlon: Photography and the Fantastic. Greece: Thessaloniki Museum of Photography
  • Schurian, Prof. Dr. Walter (2005). Fantastic Art. Taschen. ISBN 978-3-8228-2954-7 (English edition)
  • BeinArt collective (2007). Metamorphosis. beinArt. ISBN 978-0-9803231-0-8

The Individual is Immortal: Betty’s Messages from the Afterlife

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Hitler’s blitzkrieg had overrun Poland.  Stewart’s wife Betty, his best friend for so many years of adventure, had died only months before.  He was convinced of her survival.  The sense of her presence, as intimate and unique as the scent of her hair, comforted him daily.  He described the experience in detail in a last minute last chapter added to the book he’d written with her: Across the Unknown.  Other friends reported visits of the same kind, sometimes accompanied by small signs, often at the mention of the name Betty, any Betty.
Of course, their friends wondered why Stewart didn’t try to reach Betty through a medium, or as he preferred to call it, a receiving station.  But Stewart thought that would cheapen the profound beauty of what he was experiencing.  Later he admitted to himself and to his readers that he was also afraid.  What if Betty didn’t communicate?  What if the communication was so obviously inferior it could put doubt into all their work together?  Would he search vainly from medium to medium the rest of his life?

Betty White and Stewart Edward White
Stewart didn’t want to stay home to watch Betty’s garden of rare and exotic plants die without her despite the best care money could buy.  He travelled through America two years before the attack on Pearl Harbor, having been invited to visit his many friends who wanted to console him and enjoy his company.  After all, what an extraordinary life he had lived so far.  He had worked in mining, lumber, ranching, then he became a popular author for decades culminating his success with a series of best sellers co-authored with Betty that became instant classics of spiritualism.
From their yacht trips to Alaska to their introduction of the bird of paradise plant to Santa Barbara the Whites had been a story book marriage, a rare example of true love romping happily through the world.  Teddy Roosevelt said Stewart was the best shot who ever visited his shooting range.  Stewart had been a famous big game hunter, but Betty evolved him until he only hunted animals with a camera.  Stewart was the kind of house guest you hope will tell stories all night long.
Throughout their experimentation with blazing a trail across the border of death, Betty’s sister in adventure was Ruth Finley.  The Finleys were professional people.  Ruth was a successful magazine editor, an author, historian and feminist.  Emmet was a reporter, editor, and an executive in several newspaper printing and supply companies.  Known as “Darby and Joan” to their readers, they were the authors of Our Unseen Guest, a bestseller in the roaring twenties.
1940 Reprint of Our Unseen Guest with an introduction by Stewart Edward White
The unseen guest was the spirit of a soldier who had died in World War One.   Through a ouija board fascinating messages about matter and consciousness were given.  Joan later became a voice medium.  Among the many spiritualist experiments of The Whites were those when Joan and Betty were both put into trance.  For an example of these experiments see Attention is Existence: Instruction of the Invisibles.
Six months passed.  Then Joan had a puzzling experience in New York City.  First she boarded the wrong bus.  Then she indulged herself by deciding to make the mistake a happy accident by shopping in a department store she hadn’t visited for years.  As soon as she entered she fixated on a cart stacked with red Chinese lacquer boxes on sale at a clearance bargain price.  She had to have one, she thought, but they were sold out, she was told.  She insisted on speaking to the manager and demanded they look in their stock rooms and call the warehouse.  They found one for her.  But instead of returning home happy with her purchase she was vexed because she already had Chinese boxes and had nowhere to put this one.  All this behavior, the wrong bus, the impulse buy, was very unlike Joan who prided herself on planning her adventures, whether mystical or mundane.
Soon after all became clear when Stewart arrived to be the seen guest of Joan and Darby.  They were not planning to channel Betty when Joan went into trance but Betty immediately crashed the party.  She began by calling Stewart “Stewt” the name for him she only used in private.  Then she provided all the proof he could want.
“Betty began,” Stewart wrote, “talking to me quietly, fluently, with assured and intimate knowledge of our common experience and living. There was no “fishing” and no fumbling. That part of it became almost ridiculous, it was so easy for her where with usual “psychical research” it has been so difficult.  Here, in this first evening, she literally poured out a succession of these authentications. She mentioned not one, but dozens, of small events out of our past, of trivial facts in our mutual experience or surroundings, none of which could by any possibility be within Joan’s knowledge.”

 Chinese red lacquer box circa 1939 with carved swallows
Then Betty asked Stewart to pay back Joan for the Chinese box.  The box was to be sent as a parting gift from Betty to her little sister.  Betty told Stewart that the important thing was the birds on the lid.  Her little sister was amazed when Stewart delivered the gift.  She explained that Betty and she as children would climb into a tree to watch a nest of swallows, the kind of bird carved on the Chinese box.
Betty explained that all the work she had done during her life helping her learn to adapt her consciousness to the after life, the step by step ladder they had built with the help of the Invisibles, had actually been provided to give her extraordinary training in coming back to communicate with Stewart and their readers.  What followed Stewart described as “forty sessions of communication with Betty; sessions vivid with her unseen presence, from turn of phrase and mode of thought to her own special brand of fun and laughter.”
With the world at war the first part of Betty’s message is that the intent of all this effort is to encourage people to find their own proof of the continuity of consciousness through life and death.  She asks her readers to imagine how different the world would be if we understood we are temporary visitors with other destinations ahead of us instead of desperate creatures struggling for our brief hour in the sun.  She wanted to give more than hope to families losing loved ones as the war killed millions.
Her next important message was that there are not two worlds, one for the living and one for the dead.  Both worlds are the same.  The difference is not in location but frequency.  The frequency of the dead is not visible to the living.  The world of human bodies is a much lower frequency than the intensely vital world of pure conscious energy.  Consciousness is the matrix and sustenance of form.  Electric current, a cloud in the sky, a bug flying by, within every variation of matter, at the heart of the particles that make forms, consciousness exists.

Betty searched through many words to find the right ones to capture the difference between these experiences of the same world.  She uses a color photo versus a black and white photo of the same scene as a metaphor for how one world can be experienced two ways.  The color photo, she says, provides more information.  In the afterlife, outside her physical body, Betty sees much more information about the world than she did when she was living.  For awhile limited versus unlimited was offered, but Betty was never comfortable with that.  She finally settled on the obstructed and the unobstructed.  At our low frequency our bodies which are mostly water and our world which is mostly air have an obstructive density that fills our lives with barriers.
“The obstructed universe,” Betty explains, “is for the purpose of birth, of the individualization of consciousness. All matter is born in your universe. Nothing is lost. Individuality is not lost; though in its lower forms matter can be burned, turned into gas, or what have you. Yet it is all kept. It is the highest form, the soul, that goes on undivided.  Your scientists have accepted the law of the indestructibility of matter; but I say to you that this law is only a corollary of the indestructibility of consciousness.”
Betty wasn’t the only participant on the unobstructed side.  Joan’s original unseen guest reappeared to lend clarification now and then.  An expert on the subject under discussion would step forward to deliver a paragraph of explanation.  And Anne, or Gaelic as Stewart nicknamed her, the spirit who had delivered most of Betty’s channeled material when she was among the living, has the occasional stately summation.  One of them reiterates the love of nature at the heart of American Metaphysical Religion: “You must not forget that we enjoy your earth garden. There is truth in the statement that God walked in the garden in the cool of the evening.  We love your earth and its beauties and grandeurs. It is very pleasing to us, and we see more of it than you, and so we love it that much more. It is a wonderful place, even in its obstructed aspects; and unobstructed, it is heaven to us who developed our quantity there.”
Searching for a vocabulary for concepts too elusive for words made inflexible by well defined connotations Betty reaches back to the language of ancient Greece.  At first Joan’s subconscious mistranslates the word as eros, sparking humor on both sides.  But the word Joan was looking for is more unfortunate than that.  She chose orthos (ancient Greek for truth) to describe the unobstructed universe.  But when most of us these days hear ortho we think of a mattress store, weed killer, braces or special shoes.
Orthos manifests itself in the obstructed universe as time, space and motion.  But time, space and motion are not experienced the same way in the unobstructed part of our universe because they are only the effects of essences experienced directly in the unobstructed.  We’re very near Plato’s cave here, where the world we know is made up only of the shadows of real beings we never see.
TIME

Dali’s Persistence of Time
Time receives the evolution of the acorn to the tree to the worm eaten dead wood and final ashes.  Time is receptivity obstructed.  We can only go one direction in time and we have to keep going.  But time doesn’t work that way for Betty.  It’s the difference between walking down a street between tall buildings seeing only what’s in front of you or hovering overhead with a complete vision of all the streets between all the buildings.
Betty tells us that the way we control our experience of sidereal or clock time by use of what she calls psychological time gives us a glimpse of receptivity.   An hour of boredom or drudgery can pass very slowly, while an hour of fun can seem to pass too quickly.  She also gives the example of dreams, where a dream that seems to encompass a lifetime can occur during a short nap.
Betty explained: “All that you think and do is received and remains in time, though your physical bodies and acts vanish from space.  Research, invention, material catastrophes, like earthquakes uncontrollable by your free-will, or the beneficence of a season producing big harvests–all are received in space as incidents that pass. It is in time that they remain–to condition and influence your present and the present of all coming generations.  Receptivity is the essence of time.”
“The best thing I can do,” Betty said, “to make you understand our apprehension of time is to liken it to a map. It is there. We encompass it. Time, whose essence is receptivity, is experience. It is all the empirical knowledge laid out for us to use. That does not mean that it is static. The future is there too, and if we have the impulse to pick out of it some particular potential, we can do so. The future is to us much as the past is to you. You can go back in history or emotion or research or memory, and pick out any bit of empirical knowledge that you think will serve you.”  This sounds like the akashic record, the complete collection of universal knowledge of every time and place mentioned by Madame Blavatsky, Edgar Cayce and many others.
SPACE
Escher’s Relativity
Space conducts what it contains.  The space in pipes that allows water to flow, the space in our doorways and windows and inside our rooms in which we conduct our lives.  A breeze in the air moving a fluffy white cloud in the sky.  Space is obstructed conductivity.  What appears solid to us, the obstructions that surround and define our lives, don’t exist for the unobstructed.  They can move through any matter.
If psychological time gives us a glimpse at receptivity, can psychological space do the same for conductivity?  Betty uses the examples of memory and imagination.  While you are sitting in the space of your room, you can imagine, remember, or dream a far away place.  In a sense you are in two places at once.
Betty asks us to consider the way we have been able to invent our ways around the realities of space and time.  We can fly over a vast amount of space in an amount of time that in the past would have been associated with walking a short distance.  The radio and the phone, the car and the train, all these inventions are steps up the ladder from space as we know it to conductivity as Betty knows it.  “You can speed up or slow down, not to the same degree as ourselves, but much more than you were able to do even two decades ago.  You are beginning to control the ratio of time and space–sidereal time and geographical space. Don’t you see that in thus discarding properties of the obstructed universe they are actually endowing it with the characteristics of my state of being in the unobstructed universe? They are making it as nearly unobstructed as they can!”
 The unobstructed Goku
 MOTION
Motion is obstructed frequency. The higher the frequency the shorter the wave length, and short wave lengths are more energetic.  In the unobstructed Betty doesn’t travel.  She simply matches her frequency to the place or person she wants to visit.  This allows her to travel quickly as thought.  It’s nothing you haven’t seen on DragonballZ when Goku uses his power of instant transmission.
Stewart compares this to projecting a film.  If you speed the film up the characters cross space in less time.  If you speed it up even faster the images will disappear into a projection of pure motion.  When you slow down the film again you are adding space and time back and voila the characters, places and story reappear.
If there is psychological time and psychological space, is there also then a psychological motion that we can use to get a glimpse of Frequency?  “Thought is psychological motion.”  Ever have a series of illuminating thoughts in a flash only to find it takes you several hours to fully write them down or tell them to a friend?  Or perhaps a depressing thought has occupied you for a time and distance one would not expect a thought to span.  But frequency is much more than thought.  It is the continuity of being, “habitual and persistent…the I-Am is made up of frequency.”
“Thought,” said Anne, “is an attribute of consciousness. Being an attribute of consciousness, it has frequency. It is received in time; and, according to its creative potency, it remains in time.”
This difference between clock time and psychological time, our experiences of psychological space and psychological motion are more real to us, more intimately familiar than the real world operations of our bodily organs.  Reality is often a puzzling and mysterious place for us, where we are strangers in a strange land, profoundly uncomfortable.  Aristotle once described the angst of soul in body as being like the Etruscan pirate torture of tying a victim face to face with a corpse.  Our experience of psychological time, space and motion, our thoughts and our dreams are more comfortable to us than reality.  They are glimpses of the unobstructed self shining through though veiled by matter.  Your consciousness, not your beliefs or feelings, but the core of your awareness, that is the threshold of your own unobstructed self.
CONSCIOUSNESS
Robert Fludd’s diagram of consciousness
So what is consciousness?  “The one and all-inclusive reality, in evolution. I wish,” said Betty, “that you could talk this out with some one of the bright youngsters at any of the electric research laboratories. It would mean something to him when I said that the radio beams, waves, electricity, light, all of which you are beginning to handle, are degree manifestations of only one reality; and that the highest manifestation of that reality, of which you are actually aware, is consciousness.”  Here we are back at the native American reverence for a living universe where even a rock has a spirit.  And so this universe of ours is the “total of all manifestations of consciousness.”
Betty uses the word arrestment to describe “an incidence of frequency, conductivity and receptivity, resulting in manifestation or individuation in the obstructed universe.  Consciousness is in evolution, therefore it is in various degrees.  Each degree has its frequency…the individual rate.  Each degree represents a specific manifestation.”  She uses the example of three slanting lines or light beams converging to intersect.  “You could perhaps illustrate it by algebra. Z plus Y plus Z equals a stone. X plus 2Y plus Z equals a weed. 2X plus Y plus Z equals a flower. And so on. X is a frequency; Y is conductivity; Z is receptivity.”
What is arrestment?  “Call arrestment a suspension of potentiality.”  In other words, you can choose to do anything in the unobstructed, but in the obstructed you can only be what you are, when you are, where you are, like water which can flow anywhere but not when frozen into ice.
This leads to an understanding of the difference between quality and quantity of consciousness.  “For purposes of evolution this universe has been divided into quantitative and qualitative aspects.”
“QUALITY OF CONSCIOUSNESS: That aspect of consciousness resulting in species manifestation, as electricity, gold, tree, antelope, man, etc.  In the unobstructed universe quality is in evolution, and therefore in degrees. In the obstructed universe it is of fixed potential in its given degree.
“QUANTITY OF CONSCIOUSNESS: That aspect of consciousness, in the obstructed universe, capable of, and subject to development by the individual, in evolution and therefore in degrees.”  So what we’re after in life is gaining the most quantity of consciousness that we can get with our degree of quality.
“Consciousness is the only reality,” Betty says.  These concepts of the unity of the universe and the all pervasiveness of consciousness were first taught by the unseen guest in Joan and Darby’s book of the same title where one of the most important messages from the other side was “form is an attribute of consciousness.”
CREATION

 William Blake’s Creation of Eve
But all these forms consciousness creates are made of something.  What is matter then, this stuff of illusion? “In the obstructed universe matter is that arrestment of frequency which manifests itself in a three-dimensional extension.”  Betty talks about learning the skill to cause these convergences of receptivity, conductivity, and frequency that make obstructed experiences of time, space and motion.  These skills are called juxtaposition and intraposition.
“JUXTAPOSITION: The manner in which frequency (motion) variably collides with receptivity (time) and conductivity (space) to result in an arrestment, producing manifestation.
“INTRAPOSITION: As juxtaposition is arrestment resulting in manifestation, so intraposition is the relationship that obtains as long as that arrestment holds.”
In other words, consciousness creates forms by juxtaposition and sustains them by intraposition.  When your consciousness juxtaposed the right essences you got yourself an infant to inhabit.  So long as some part of your consciousness inhabits that creation, even the apparently miniscule amount keeping someone alive in a coma, the experiment is sustained.
The Invisibles share with the great poet and artist William Blake an idea of imagination as something more profound than fantasy.  The true power of imagination  is creation.  In the preceding book, Across the Unknown, the Invisibles said of imagination that it is “the power of juxtaposition.”
The theme of receptivity, conductivity and frequency recalls techniques the Invisibles had given them that the Whites shared in Across the Unknown.  We are to enjoy a relaxed appreciation of life, to stop the flow of thoughts, perhaps with the memory of some natural beauty, to make ourselves receptive to the higher frequency, like a cup to be filled.  We then become a way to conduct a higher quality of life into a world sorely needing it.  Some like Betty literally channel information but everyone has their own unique contribution to make, and all such contributions depend on inspiration.  What is any successful idea in any venture but some idea snatched from the invisible and made visible by labor?
UNOBSTRUCTED ANATOMY AND GEOGRAPHY
Ancient Egyptian afterlife, judging of the dead man’s heart measured against the feather of truth followed by his introduction to Osiris God of the Dead
And what of our ultimate anatomy?  You’ve perhaps heard of the astral body, the body we’re supposed to inhabit after death or during dreams or other travels away from the physical body.  Betty suggests the term beta body defined as “the form attribute of that frequency which is an individual consciousness, an I-Am. It is integral, atomic and non cellular.” What we live in daily Betty calls the alpha body: “The form attribute of a combination of frequencies, constituting the physical housing in the obstructed universe of an individual consciousness. Such as the human body.”
What’s it like then to cross over at death?  “In the first place, when you come here, one of the things that astounds you most is the lack of difference.”  Your beta body is a body of light and color unique to your frequency and evolution.  Your beta voice is sonorous with the music of the spheres (the ultimate auto-tune?).  “Your body is not multi-cellular, not composed of numerous entities; it is integral, and expresses only your individual identity.  Primary entities are indivisible.  Your body, the ‘temple of the body that you–the You, the I-Am, the Being–inhabit for a period of sidereal time, is divisible; for it is made up of innumerable low degree entities of consciousness.”
Stewart wrote down what he had learned about Betty’s new life: “You are able to see and touch our world. You experience the same reactions, subjectively, as you would through your physical senses.  However, you add something to what you have perceived in the flesh; you ‘see also beyond it.’ You understand us when we speak aloud to you. I gather that an unspoken message consciously addressed to you is likewise heard. I understand that you do not read thoughts not addressed you; but also you could do so if necessary or desirable.  The ‘density’ so much talked about as being between your world and our world is a density affecting our receiving function. Its penetration by you is a job. But the idea that it is dulling to you, that it hampers you as a drug might, is incorrect.”
While Betty warns that it’s an oversimplification and misunderstanding to talk about brick houses and cigars on the other side, “I have my landscape. If I wish to sit beside my stream on my bank of flowers I can, by my handling of frequencies, produce an aspect of my matter that will give me a perfectly good support.”  This ability to manipulate the matter of your experience brings to mind lucid dreaming, wherein the dreamer becomes conscious of the dream and can have whatever invention or adventure he or she desires.
After my gourmet uncle died I dreamed of him.  He complained that the food wasn’t good in the afterlife because it wasn’t real.  He just couldn’t get used to imaginary meals  Does Betty miss anything about incarnation?  “The only thing I miss is the use of the five senses in the obstructed universe for the expression of my love for people who are still there; and of course if I had that, I wouldn’t be here. I miss their not recognizing me, not hearing my voice, not feeling and seeing me when I’m there. And of course I am there. I miss your response. And that is all.”
Without all the obstructions of life, which take most of our time, what does Betty occupy herself with?  “”Would it mean anything,” suggested Betty, “if I said we fill up the gap caused by the lifting of obstructions by means of our increased acuteness of perception. Our range of registration is so much wider.” “I think I see it,” Stewart ventured. “If you take a two-hour walk in the country with a dull person totally uninterested in nature, it seems forever; but with a naturalist, say, who knows all about the birds and pretty flowers and things, those two hours–”  “That’s it!” cried Betty.”
But Betty is careful to remind us that all the these concepts merely provide glimpses.  Most are metaphors, not literal descriptions.
GOOD NEWS FOR PETS

Internet memorial graphic for late pets
Most religions exclude animals from heaven since they are not supposed to have souls.  Stewart wants to know what Betty has to say about that.  “How about dogs? Have you got dogs in your world?” Stewart asked.  “Of course I have my dogs; and I love them,” Betty replied.  “Then they continue on individually as you do? As dogs, I mean.” “The individual is immortal.”  But later Betty clarified: “An amoeba does not come back as an individual. It hasn’t the volitional reasoning power, and is absorbed into its degree. The amoeba has its degree here, and it has its purpose, but it does not manifest quite the same here; is not individually immortal, the way I am. For that you have to get closer to the man-degree. Dogs–my dogs are here–they do have fairly high development of volitional reasoning.”
TRUE PROSPERITY
Thinking your way to prosperity is an American obsession and a recurrent theme of American Metaphysical Religion that has transformed also much of American Christianity, but Ann gives the idea a different spin:  “There is a definite frequency that goes out from the minds of men of which they have not taken full cognizance, and that is thought.  As a man thinketh, so is he. But I would go one step further and say: as a man thinketh, so is his surrounding habitation, so is his influence on the other frequencies he comes in contact with. Especially human frequencies.  Especially those of lower degrees than his own.  Nothing that happens to an individual is as important as what that individual thinks about it.”
“You go to your daily work,” Anne continues, “with a glad heart and a free mind, happy in your consciousness, and the day starts with a snap, and you affect everyone. On the other hand, you do not feel so good, and down goes the whole day; and those in contact with you get the reflex. That is a definite application of your frequency, for it’s a thing. A man can have private moods of his own, certainly–like sorrow–but this is true: that every time you overcome, you have strengthened your frequency, and you have gathered unto yourself a bit more of the source material, and the thing that is You.”
TRUE CONSEQUENCES
But what are the consequences of an un-lived life?  What about those who choose to never examine the depths of thought and feeling, who do only what is convenient, or who exploit everyone they can?  What of people who never develop their talents?  Who ignore opportunity and discovery for a sterile and frail security?  “Free will creates its own hell with the widening of the arc of understanding,” said Betty. “No person of any sensitivity at all lives in the obstructed universe without having acquired, by maturity, some regrets, either slight or deep, though generally those regrets come only momentarily, in flashes. However, they should make it perfectly possible for anyone to understand the acme of regret that is the portion of the individual coming to this place of perfect understanding who has either shirked or passed by his earth opportunities.”
TRUE PRAYER
“You pray for us: we pray for you. You can be, in a sense, our guardian angels, as we are yours.”  This is similar to the Tibetan Buddhist belief that the powa meditation can benefit the living, the dead, and even the reincarnated.  But who should our prayers be directed to?  “To consciousness,” replied Betty.  And what is the purpose and best practice of prayer?  How should we pray?  “As though I were drowning in a great sea, and there was a shipful of people, any or all of whom could help me,” replied Betty promptly.”
DREAM YOGA
Betty offers a form of dream yoga simpler than that practiced by Tibetan Buddhists.  “Frequently dreams, stripped of their emotional content, are a direct contact with the unobstructed universe and with an idea being promulgated here. With this knowledge you could become mentally adept at using your dreams, and solving your problems during sleep.  And do not think for one moment that high, low and in-between do not, at times, tap the infinity of our thought.”
A MESSAGE FROM AN UNOBSTRUCTED DOCTOR
Stewart tosses in this interesting interlude near the end of the book.  “This Doctor, dead these many years, and a great friend of Betty’s, spoke to us infrequently, but here is a sample of the sort of thing he had to say:  “All sickness in your obstructed universe existence is nothing but a maladjustment of frequencies. All consciousness in the entire universe has a degree frequency. The individual consciousnesses of the various organs of the body each have their individual frequencies, since all consciousness has its degree-frequency. Now my point is this: In the obstructed universe I employed certain drugs, which were themselves really lower degrees of consciousness–each with its own frequency–to stimulate or retard frequency in higher degrees of consciousness as manifested in the human organism.”  The good doctor goes on to suggest that future medicine will be more concerned with frequency adjustment than scalpels.
THE UNOBSTRUCTED UNIVERSE A BEST SELLER

 Mass market paperback of The Unobstructed Universe published in 1940
The Unobstructed Universe was Stewart’s most successful book, a bestseller and mass market paperback, into its sixteenth printing only a year after its publication. The world was engulfed in War.  Paris had fallen in May.  As the book hit the shelves Luftwaffe bombers began blitzing London.
The last two chapters of the Unobstructed Universe are summaries.  The first by Darby is a detailed restatement of the principle ideas of the book.  The second by Stewart includes this poignant paragraph from Betty: “So many stepladders by which to get back,” she went on. “So many stepladders the human race has accumulated, if only it could recognize them. They are recorded in all languages and in all sorts of ways; in folk tales and the picture writings of the savage tribes; in the various bibles of the various races; in poetry, in music, in sculpture, in painting. In fact, all humanity has been reaching toward the unobstructed ever since humanity was.”
The Unobstructed Universe ends with two appendixes.  The first is Stewart Edward White’s entry for Who’s Who in America 1940.  He’d appeared in Who’s Who every year for four decades.  When the editors intended to list Betty as deceased, they encountered the book Across the Unknown.  The chapter I Bear Witness, they say particularly moved them, where Stewart describes her death and the continuing experience of her presence, and her presence  to others.  They decided not to change her entry.  For the first time in their history a deceased VIP was listed as living.  Criticism was met with the polite suggestion that judgement be withheld until after reading The Betty Book and Across the Unknown.
The second appendix is an introduction to and appreciation of TheSeven Purposes by another friend of The Whites, Margaret Cameron.  The Seven Purposes had been a popular metaphysical book in 1918.  While the world was celebrating the end of the war to end all wars Cameron issued a warning she received by automatic writing from the spirit world that an even more terrible war was just around the corner, one that would decide the ultimate fate of humanity.  “Germany…chose to follow the forces of destruction, and they will surely destroy her. But the forces she followed are uniting for a fiercer fight, more subtle, more deadly, more furious.  The forces of disintegration are gathering for a tremendous fight. The Great War is one of the crises of civilization, but the battle to come still is one of the crises of eternity.”

Another quote from Cameron resonates with our own times: “The forces of disintegration are wily, but fearful. Bullies and cowards. But when they are united in sufficiently strong numbers, fearless and unscrupulous. They fear the reawakening of the forces of progress in your life. This is the reason they gather now, to smite while the world is weary. Disguised as purposes of light they hope for welcome.  Because men have huddled together in fear, destruction threatens them.  Because free speech has been debauched to fell purpose, free men distrust it.  There can be no society that will withstand disintegration that has not labor, capital, and market. When capital oppresses labor, forces of disintegration are freed. When labor dominates capital, forces of disintegration are freed. When the people forget justice, forces of disintegration are freed. And the destruction of one is the destruction of all. The rich man who denies his brother freedom is a destroyer. The poor man who denies his brother freedom is a destroyer in no less degree.”
CARL JUNG’S OPINION OF BETTY’S RETURN FROM THE DEAD
German translation of The Unobstructed Universe with a forward by Carl Jung
That great psychologist and student of myths Carl Jung not only read the books Betty channeled from the invisibles, he recommended them to his friends.  In his forward to the German edition of The Unobstructed Universe, published in Zurich in 1948, Jung takes a skeptical stance, willing to admit the subject worthy of further attention, but as yet without solid proof.  He finds great value in the Unobstructed Universe’s portrayal of the psychology of the unconscious.  He suggests spirits are “exteriorized effects of unconscious complexes” then admits having observed telepathic and other psychic activity of the unconscious but insists that these phenomena provide no proof of spirits.  For Jung’s own experiments with spiritualism read The Other Betty White: A True Story of Love Beyond Death.
But in a letter about The Unobstructed Universe to his friend Fritz Kunkel, Jung wrote: “Betty behaves like a real woman and not like an anima. This seems to indicate that she is herself rather than an anima figure. Perhaps, with the help of such criteria, we shall one day succeed in establishing, at least indirectly, whether it is a question of an anima (which is an archetype never lacking in masculine psychology) or of a spirit… In each individual case I must of necessity be skeptical, but in the long run I have to admit that the spirit hypothesis yields better results in practice than any other.”  Jung added in the same letter: “I must own that with regard to Betty, I am hesitant to deny her reality as a spirit; that is to say I am inclined to assume that she is more probably a spirit than archetype, although she presumably represents both at the same time.”
 HAMLIN GARLAND AND THE MYSTERY OF THE BURIED CROSSES
Hamlin Garland in 1893
White and Garland are as close as California got to Holmes and Watson.  Garland’s name appears in a footnote in The Unobstructed Universe.  His book The Mystery of Buried Crosses is recommended by Stewart as proof of his experience with ghost hunting and other less intellectual aspects of psychical research.   Garland was the author of over forty books, and many poems, essays and short stories, he won the Pulitzer Prize in 1922 for his book A Daughter of the Middle Border, a work of fiction with an autobiographical theme, about the hard life of pioneers in the midwest.  Garland is an interesting character to whom I’ll later devote a blog.  Like Stewart he was a friend of Teddy Roosevelt.
Garland authored Forty Years of Psychic Research where he presented the most interesting episodes from his experiments.  Although Garland admits he witnessed the inexplicable, he wondered if telepathy or some other as yet to be understood human faculty might explain such mysteries, he found no evidence that convinced him the dead survive and can communicate.  His skepticism includes his opinion that if all the humans who had ever lived had all survived death where could they all be?  He doubted that space held enough capacity for them all.  Obviously Garland was not a believer in reincarnation.
Garland was an old man by the time Forty Years was published, he had outlived almost all of his friends.  He lived in the hills of Los Feliz, I’ve been unable to find any evidence that he visited Manly P. Hall at the Philosophical Research Society, though Garland does mention lecturing at a “society” in Los Angeles.  This lecture started him on the greatest psychical adventure of his life.
Garland was approached by a man who wanted to show him the spirit photographs his wife had taken.  They were interesting enough that Garland called on the widower who revealed that his late wife had been an extraordinary medium.  Native Californians of various tribes and the Franciscan fathers who founded the California missions, including Junipero Serra had been sending messages through her which had uncovered buried gold and money that provided just enough income for the medium and her husband to live frugal lives.  But more importantly they had dug up thousands of mysterious primitive metal crosses.  Neighbors had participated on these Sunday outings in search of buried treasure, and had signed affidavits that declared the medium had led them unerringly to some buried artifact always found where she said it would be.
Garland was sufficiently impressed that he promised to return when he’d completed his current book commitment.  The widower pleaded with him to tell this story that he himself could never make anyone believe.  Two years passed before Garland returned, but by then the widower was dead.  Garland located a surviving sister who had been instructed to give the Pulitzer Prize winner all associated papers and the crosses.  Garland found a huge cache of journals, notes, and attempts at writing books that had overwhelmed the poor widower.  Garland inspected the crosses, eventually giving them to a local museum.  He also found some of the former neighbors of the widower who had signed the affidavits (several had died by then).
The adventure that unfolded, including more buried artifacts, and a medium who channeled the late widower’s medium wife, resulted in Garland’s book The Mystery of the Buried Crosses: A Narrative of Psychic Exploration, published in 1939, in which Stewart makes a brief appearance.  Garland’s skepticism had been knocked aside by a series of inexplicable experiences and he was ready to entertain the idea that life might continue after death.  Skeptics dismissed him as a lonely old man seeking solace in sentimental beliefs.  Neither Garland nor his fame survived World War 2.  By 1956 an article was written about him in the Mason City Globe headlined “Osage Has Forgotten Author.”  Sadly nowhere does Garland give us his opinion of the great experiment conducted by his friends The Whites.
This concludes our four part series on the extraordinary but almost forgotten contributions of The Whites to the history and culture of American Metaphysical Religion.
SOURCES:
The Mystery of the Buried Crosses: A Narrative of Psychic Exploration
Garland, Hamlin
E.P. Dutton
1939
Forty Years of Psychic Research
Garland, Hamlin
Macmillan
1936
The Unobstructed Universe
White, Stewart Edward
E.P. Dutton
1940
ARTICLE WRITTEN BY RONNIE PONTIAC

Newtopia staff writer RONNIE PONTIAC is a founding member and primary guitarist of Lucid Nation, executive producer of the documentaries Rap is War, Exile Nation, and the award winning animated short Cohen on the Bridge.  He associate produced The Gits documentary, and was art editor, then poet in residence for Newtopia Magazine in its former incarnation . He’s a published author of works on obscure topics such as ancient Greek religion and the history of alchemy. Follow him on Twitter @AmerMysteries.

Symbolist Art and the French Occult Revival: The Esoteric-aesthetic vision of Sâr Péladan

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Editor’s Note: Paper presented at the 3rd ESSWE Conference, Lux in Tenebris by Sasha Chaitow, founder of the Phoenix Rising Academy
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History has not been kind to Joséphin Péladan. Usually consigned to a footnote or a few lines in scholarly overviews of Rosicrucianism or the French occult revival, as a historical figure his defining characteristic is that of contradiction and paradox. ‘No literary figure of the late nineteenth century had been more ridiculed, lampooned, and caricatured,’[i]we are told by one biographer; and the majority of scholarly references and studies leave an impression of Péladan as an attention-seeking, arrogant and eccentric braggart, whose significance in the worlds of literature, art, or esotericism, was negligible.
Yet, an enormously prolific author, Péladan published over a hundred articles, books, plays and pamphlets within his lifetime, committed to his belief in ‘the Ideal, in Tradition, in Hierarchy.’[ii] He left modern-day Rosicrucianism a rich legacy, and was a key figure in the inception and development of fin-de-siècle French Symbolism, as well as in the overt marriage of art and occult symbolism during the French occult revival. Overall, his work can be clearly placed at the nexus formed by Illuminist, perennialist, and esoteric Christian currents, with strong orientalist and Kabbalist influences.
During his lifetime he collaborated with some of the greatest figures in the modern esoteric canon, Gerard Encausse and Stanislas de Guaita. His first novel, Le Vice Supreme (1884), had been the catalyst for de Guaita’s involvement with occultism. De Guaita became his faithful disciple, but following a quarrel over doctrinal and philosophical matters Péladan broke away (1891) from the Kabbalistic Order of the Rose-Croix (1888) that he had established together with Papus and de Guaita. A very public quarrel (1890-1893) ensued, dubbed the War of the Roses, resulting in permanent damage to Péladan’s reputation, and from this point on he was openly ridiculed in popular and literary journals. Péladan went on to establish his Ordre de la Rose-Croix catholique et esthétique du Temple et du Graal, an order dedicated to his core ideals of Idealism, Tradition and Hierarchy, and strongly focused on his aesthetic vision.
Through his order, he sought to merge his own occult theories, which he perceived through a lens of aestheticism and idealism, with Catholic principles to fulfil his mission of the reinstatement of the Primordial Tradition, the old philosophia perennis of the Renaissance philosophers, through the ritualization of art, which in turn would function as the manifestation of the divine in matter.
All of Péladan’s actions in the public sphere—regardless of their reception—were turned to the one goal of showing the world that:
Art is man’s effort to realize the Ideal, to form and represent the supreme idea, the idea par excellence, the abstract idea, and great artists are religious, because to materialize the idea of God, the idea of an angel, the idea of the Virgin Mother, requires an incomparable psychic effort and procedure. Making the invisible visible: that is the true purpose of art and its only reason for existence.[iii]
Central to Péladan’s vision was his conception of the artist as initiate; select individuals who could bring a small part of the divine into the mundane sphere. Addressing himself to all artists, he wrote: ‘Artist, you know that art descends from heaven… it is a little piece of God within a painting…. if you create a perfect form, a soul will come and inhabit it.’[iv]– a concept that would appear to reflect the Hermetic concept of statue animation – the only difference being that Péladan paid scant attention to Hermetic sources, and his knowledge of Neoplatonism is said to have been limited to reading Philo of Alexandria and some works of Plotinus. We will return to his sources of inspiration later, but suffice it to say that where art and esotericism overlap during this particular period, Péladan’s influence can be seen as a parallel, though more practically oriented current, to the Theosophical Society. Although Péladan himself neither subscribed to nor particularly approved of Theosophical teachings, as they were at odds with his unique brand of French traditionalism, from a broader historical perspective these two currents met in the work of Symbolist artists, and the artists belonging to the Salon d’Art Idéaliste founded in1896 by Jean Delville (1867-1953), the mirror of Péladan’s Salon in neighboring Belgium, drew on the ideas of Blavatsky and Leadbeater (1854-1934), as well as Péladan’s work.
Yet where Blavatsky sought to intellectualize and integrate aspects of esoteric thought with evolutionism and the scientific world-view, Péladan sought revolution against realism and the re-enchantment of what he saw as a disintegrating and decadent society.[v]
Péladan saw his work as a vast, cohesive whole, and the way in which he categorized and organized it testifies to this. He practiced what he preached, using his own literary talent to pen a series of novels which, far from being simple works of literary symbolism, were the main vehicle through which he communicated his esoteric vision to a mainstream audience. His work developed in two parallel series; he would write a novel followed by an accompanying theoretical work – the former aimed at the public, the latter at the intellectual, or initiate. [vi] He wrote a further series of critical and theoretical works on aesthetics and art under the rubric La décadence esthétique, an eight-part series Amphitheatre des Sciences Mortes (1892-1899), exploring the social and political implications of his theories, while Les Idées et les Formes (1900-1913) comprised his most overtly esoteric theoretical texts. What emerges is an image of a man with a very clear vision, who ‘never denied his magical, aesthetic, erotic and religious convictions.’[vii]
This vision manifested in the unique artistic amalgamations produced at the Salon de la Rose et Croix, perhaps one of the most ambitious artistic undertakings the French art world saw at the fin-de-siècle, featuring unique exhibitions and productions seeking to unite the arts into a revival of initiatory drama, with a philosophical underpinning rooted in the Western esoteric traditions, and with the ultimate goal of the spiritual regeneration of society. Péladan termed the salons gestes esthétiques; their form inspired by Wagnerian thought, Rosicrucian universalism in scope, their content rich with esoteric symbolism, and their purpose being a cross between initiatory drama and theurgical rite played out before an unsuspecting public.
The ultimate end of Péladan’s vision was no less than a spiritual revolution with beauty as the supreme weapon and art as the coup de grace against the ‘disenchantment of the world’ so prevalent as first the scientific world-view and then the industrial revolution completed their conquest of the Western mind, in an age he regarded as characterized by rampant materialism and futile decadence.
In his own words, at the opening of the first, massively successful Salon (1892) – which saw some fifty thousand visitors -: ‘Artists who believe in Leonardo and The Victory of Samothrace, you will be the Rose and Croix. Our aim is to tear love out of the western soul and replace it with the love of Beauty, the love of the Idea, the love of Mystery. We will combine in harmonious ecstasy the emotions of literature, the Louvre and Bayreuth.’
Péladan was in earnest about this revolution, and despite his arrogant and eccentric manner, his tireless efforts to disseminate and popularize his ideals belie any charge of narcissistic self-promotion. Against a strongly legitimist political background influenced by Joseph de Maistre, the Synarchy of Charles Fourrier (1772-1837) and Saint-Yves d’Alveydre (1842-1909), and an ideological background comprising influences ranging from Catharism to Fabre d’Olivet to Chateaubriand, his work reveals an imaginary world in which artist-initiates in direct communication with divine inspiration would form the inner circle. These initiates would then raise the souls of the masses to ecstasy through aesthetic bombardment, rather than subduing them by Machiavellian machinations, intoxicants, or soporifics.
The first salon in 1892 featured a total of 250 works selected on the basis of Péladan’s manifesto, which expressly forbade historical or military scenes, pets, “accessories and other exercises that painters usually have the insolence to exhibit.” This went out in the official call for artists published in Le Figaro, and was later elaborated upon to state that “The order favours the Catholic Ideal and mysticism. After that, Legends, Myths, Allegory, Dreams, the paraphrasing of great poets, and finally, all lyricism.” The salons were intended as a direct reaction against the official salons of the day, which Péladan considered repulsive and decadent. The salon was a resounding success despite the disparate nature of some of the works. Not all of them met with Péladan’s approval, yet nevertheless, over 30 thousand Parisians visited the first salon and it was considered one of the greatest events of the year. The second salon was perhaps more in tune with Péladan’s dictates, as was the third. However, he ran into financial problems, and by the fifth salon in 1896, public interest and enthusiasm had begun to wane, and Péladan himself had begun to show signs of wear, not least due to the ongoing War of the Roses as well as the derision he continued to face from many quarters. Despite the unexpected and considerable success of the sixth and final salon, Péladan suspended the order’s activities, declaring that he did not consider the artists’ work to be up to the standard of the Renaissance masters he had encouraged them to emulate.
Péladan’s driving force lay in the desire to achieve reunification with the Divine, both on an individual and on a collective level. He was not particularly fond of ritual practice and disapproved of practical magic, rather considering that the artistic process was a supreme sacerdotal act. The structure of his Rosicrucian order and his theoretical guide for artists reflect this.
Regarding the order itself, Péladan considered there to be three ways to reach God: The first was science, or the quest for God through reality. The second was art, a quest through beauty. The third was Theodicy, or the quest through thought. These are reflected in the tripartite, though equal trajectories offered through his order: following the initiation of neophytes, the second degree offered three directions, whereby one could select the ‘red and black tunic of the Rose-Croix if one believed in nothing but art and science, or the white tunic with the red cross of the Templars, if one believed in the word of Jesus, or the blue tunic of the Grail if one worshipped the presence manifesting during the Eucharist.’ It is also worth noting the protectors, or saints that Péladan designated for his order: Leonardo da Vinci in whose name neophytes took the oath of the first degree, Dante Alighieri, in whose name they swore for the second degree, and Saint John and the Holy Spirit for the final degree of Commander.’[viii] Péladan wrote numerous treatises and monographs analyzing and elaborating on the profound esoteric content of the work of both Dante and da Vinci, and the inspiration he gleaned from his interpretations of their work informed his own theories.
Overall, Péladan viewed occultism through the lens of art, but his understanding of occult traditions and esoteric philosophy was anything but superficial. To the contrary he was both extremely well read, and had gone so far as to develop his own cosmology and to rewrite Genesis according to his own perspectives and teachings, based extensively on the work of Fabre d’Olivet. Péladan had avidly studied both the Zohar and other related texts, and displayed considerable knowledge of angelic lore.[ix] Inspired by his reading of Philo, Péladan conflated angelic entities with the daemons of ancient Greece, and developed a syncretic dualist cosmology, with some Valentinian echoes, incorporating a secondary creative principle and curious perspective on the Enochian legend of Fallen Angels – whom Péladan actually names ‘daemons of light’ in his novel Istar.[x] In his more exegetical and theological works, he drew on lesser known rabbinical literature focusing on questions such as the world’s ‘creation by the angels, serial transformation, the creation of androgynous man, original, and almost fatal sin, and the relationship of spiritual beings to the world, the cataclysmic flood.’[xi]
All of these elements came together in his aesthetic curriculum, based on esoteric principles. In his seminal artistic treatise, L’Art Idealiste et Mystique, he wrote: ‘In these pages Art is presented as a religion, or, if you will, as an intermediary aspect of religion between the physical and the metaphysical.’[xii] He summarised his whole theory in the axiom: ‘Art is the spirituality of forms,’ and lauded Plato and the Promethean potential within Man, saying that ‘Plato magnificently explains the propensity of the human creator, the ravisher of fire; he makes of him a daimon, an intermediary being between the mortal and the immortal.’
Péladan‘s concept of the artist as an intermediary and supreme initiate, as well as his intensive use of Fall mythology, falls directly in line with the earlier work of Illuminist thinkers Fabre d’Olivet, Louis de Saint-Martin and the ideas elaborated by Novalis, Schlegel, and Pierre-Simon Ballanche, whereby the poet is respectively ‘the recipient and transmitter of revelation and a divine universal language,’ ‘a priest who will lead humanity to its eschatological fulfilment by re-linking the world here below and divine transcendence,’ and ‘poetry is the intuitive faculty of penetrating the essence of beings and things.’[xiii]
Péladan’s aesthetic theory was rooted in his complex cosmology and obsession with Fall mythology. He believed that Adam’s sin was ‘to have detached the branch of Malkuth from the Sephirotic tree.’[xiv] leading to ‘the separation of the primitive androgyne,’ and a rupture between mankind and the Divine. As a result, the perfect androgynous being separated into man and woman, and while man came to be composed of ‘an element, a substance and an essence,’ respectively named Nephesh [sic], Ruach, and Neschamah [sic], women contained only Nephesh and Ruach, while ‘Neschamah, the spirit, the only immortal essence, remained entirely within Adam.’[xv] This led Péladan to take a somewhat singular view of women, and he has often been accused of misogyny due to his frequent claims that women had no rational intelligence – because, he thought, it was not built into their makeup after the Fall, but instead they were obliged to develop this faculty through their union with an enlightened male. Likewise, he believed men to lack instinct and a form of spiritual perception, which was the feminine gift, and thus, only perfect union between a man and woman at an equal stage of spiritual development, could allow both members of the couple to become fully developed human beings in contact with their divine selves.
Péladan believed that art played a significant part in this process of unification and redemption. In his treatise on Ideal and Mystical Art, Péladan used the portrait of the Mona Lisa to illustrate what he meant: ‘I know all things, says Mona Lisa, “I am serene and without desire; however my mission is to distribute desire, because my riddle provokes and raises all who gaze at me; I am da Vinci’s gracious pentacle, I manifest his soul, which is never still, for it sees too high and too deep. I am she who does not love, because I am she who thinks – remember that for Péladan women were incapable of this – the only woman in art who, though beautiful, does not attract a kiss, I have nothing to give to passion, but, if intelligence approaches me, she will be mirrored in my expression as if in a multicoloured mirror, and I will help some people become conscious of themselves; and those who receive from me the kiss of the spirit may say that I love them, according to the will of da Vinci, who created me to show that there is a lust of the spirit, that makes me love, but that denies love if it is not from thought.”[xvi]
In other words, through art, Péladan believed that the Ideal could manifest and correct the imperfections in matter, and therefore, as far as he was concerned, the artist who undertook such a creative act, was performing a supreme act of theurgy. He further illustrates his point with reference to the painting of St. John the Baptist, once again in a first-person narrative: “I am the androgyne of forms (…) I am the announcer of the mysticism of Beauty, the mysticism of Art.’
Péladan wrote extensively on the concept and form of the androgyne, which to him was the supreme expression of unity and perfection. He was not the first to do so; in fact the androgyne had taken on something of an emblematic nature in the literature of the early 19th century, and had been taken up as a motif by earlier Symbolist artists. In all likelihood, Péladan was more influenced by his reading of Fabre d’Olivet, Pierre-Simon Ballanche, and Charles Fourier, who ‘viewed the androgyne as a utopian goal of social progress,’ a symbol of equality and unity. Where Ballanche may have seen it as a symbol for equality between classes and genders, Péladan saw it as a symbol for metaphysical union and as the ‘ideal symbol of art.’[xvii] From his earliest writings, many androgynous figures found their way into Péladan’s novels, frequently playing the part of mystagogue or mediator ‘between the real and Ideal worlds.’[xviii] Péladan’s view of the androgyne is in many ways highly derivative of Aristophanes’ speech in Plato’s Symposium, in which Aristophanes speaks of a time when there was a third, androgynous sex, in which male and female were joined. They angered Zeus by being too self-sufficient and powerful, and even going so far as to attack the gods, and so he gave them a lesson in humility by splitting them apart forever. There are many commonalities with Péladan’s cosmology, and for Péladan, as for Plato, it is love that can ‘restore us to our ancient state […] and heal the wounds that humanity has suffered.’ Péladan considered the androgyne to be the ultimate symbol of that metaphysical Love.
Péladan’s teachings were greatly influential on the circle of artists participating in the Salons, although needless to say his work was not the only such influence. The work of Schopenhauer, and his work on aesthetics was particularly influential; and Schopenhauer’s concept that during aesthetic contemplation  “one can thus no longer separate the perceiver from the perception” (The World as Will and Presentation, section 34) reflects Péladan’s Promethean objective of creating a new world through art, yet there is a sharp divergence based on Péladan’s conviction that art is a sublime intermediary able to lead to permanent metaphysical union and effect magical change on the material plane, as opposed to simply providing temporary solace from the pain of reality. It is perhaps here that Péladan’s Neoplatonic influences are most visible; the dualism evident in his work is most certainly not anti-hylic. Yet Péladan’s philosophy certainly reflects Schopenhauer’s view of a dialectic correlation between matter and Ideal, ‘intellect and matter are correlatives, in other words, the one exists only for the other, they stand and fall together […] They are in fact really one and the same thing.’[xix]
Whether influenced by Schopenhauer, Péladan himself, or the overall zeitgeist, the compositions by many artists associated with Péladan’s salons featured symbolic elements reflecting this curious dualistic interplay between Matter and the Ideal, and in many cases, also depicted resolutions of this divide.
Two main motifs stand out; although there are many worth exploring, these are best left for another time. The first is the recurring representation of variations on the androgyne, whether as masculinized feminine forms or feminized masculine forms. Although these have been interpreted from a perspective of gender theory by some, and it has been suggested that there are homosexual overtones to many of these works, certainly in the case of Péladan this is a misconception; there is no such evidence in his work at all. To the contrary, he wrote other treatises on marital relationships, and suggested ways in which women could aspire to the Ideal Feminine, even if – in his view – they could never be equal to men. It was coarseness, vulgarity and decadence he sought to eliminate, and through the constant creation and exhibition of these Ideal forms, he hoped to pave a way to return the soul to beauty and the innocence of Eden.
The following paintings are just some examples of several dozen works that appeared either at Péladan’s Salons, or that were painted by artists directly connected to them.
szeged_ppt_-_11Jean Delville’s School of Plato would appear at first to be a depiction of Jesus with a group of disciples, but in the context of Péladan’s influence, it is more an idealised vision of Plato surrounded by his Ideals of the human form, implying the perfection that could be reached through Platonic teachings.
szeged_ppt_-_13In the painting by Jan Toorop The Sphinx we see a fusion of the androgyne with the Sphinx, the second key recurrent motif. Just like the androgyne, the Sphinx was a popular motif among the Symbolists as well as the occultists of the day, at once mystagogue, guardian of occult secrets, a connection to our bestial – or mystical – nature, and androgynous feminine. Edouard Schuré succinctly explains the esoteric significance of the Sphinx, which he saw as the supreme symbol of ancient Egypt and the mystery of Nature. ‘For before Oedipus, they knew that the answer to the riddle of the Sphinx is man, the microcosm, the divine agent, who recapitulates all the elements and forces of nature within him.’[xx] This was an interpretation Péladan fully agreed with: ‘Esoterically it represents the initial condition of man, which is identical to his final condition. It teaches him the secret of evolution and the secret of bliss […] he knows that one day he will reconstitute his original unity.’[xxi] Therefore for both Péladan and several of the artists who worked with him, the Sphinx was at once receptacle of human potential and the hidden source of the mystery of nature, and the androgyne: the synthesis of mankind made whole once again. To gaze on the Sphinx was to contemplate one’s own initiatory journey, and the androgyne was there to remind one that it was possible to realise this potential. All of this is summarised in Toorop’s painting, of which the artist himself explains: ‘They who are completely caught under the sphinx’s claws, are unevolved beings. In the center of the painting man and woman, struggling toward ever higher evolution, are chained to earth… To the right are those who have freed themselves from the sphinx’s claws and who therefore constitute the driving force of all spiritual labour.’[xxii]
szeged_ppt_-_14These two paintings, both by Fernand Khnopff, who Péladan considered to have thoroughly grasped his aesthetic perspective, both demonstrate this almost archetypal interplay; the angel and androgyne at once represent human potential and the success of spiritual union; the sphinx is at once the mystagogue and the synthesis of Matter and Ideal, in what could be seen as an alternative articulation of the alchemical coniunctio oppositorum.
The Sphinx was of particular significance to Péladan, and came to embody a powerful and humbling experience that he underwent in Egypt in 1898; the year after the final Salon. Following a series of serious mishaps and accidents in Egypt, he experienced an ‘awakening’ and ‘realization’ that his approach and demeanor had been entirely misplaced, and that more humility and less flamboyance were needed for him to live up to his calling. According to his own account, when he finally stood before the Sphinx he cried out “Have I profaned the Rose Cross?” In his account of his experience he stated: ‘You are guilty because you didn’t find the true divine expression of your purpose. […] You took men for demons and operated according to pride. You have disobeyed Tradition.” Péladan’s mortifying realisation was that in his insistence on taking the world by storm and demanding, rather than commanding attention, he had transgressed against his own rules, and everything he stood for. His changed demeanour after this period was not enough to salvage his reputation, and though he continued to write, the autobiographical elements of his novels reveal his despair at having failed in his mission. He died a broken, and forgotten man.
Yet with the benefit of hindsight, it seems that Péladan had not failed as cataclysmically as he believed. His six Salons did indeed draw together those artists who would later be known as the Symbolists, and his philosophical influence on both art and esotericism travelled to Belgium through Jean Delville’s Salon d’Art Idéaliste. His novels enjoyed a newfound popularity in Germany after his death. Many of the artists who featured at his salons carried on his vision through their work, and trained their own students with similar ideals, while central Symbolist concepts that took shape in Péladan’s circle travelled as far afield as Great Britain, Russia, and Romania. His Rosicrucian lineage not only survived, but was taken up by Emile Dantinne, known as Sar Hieronymous, and Edouard Bertholet, known as Sar Alkmaion. Dantinne had been initiated by Péladan himself, and took the honorific title of Sar in honour of Péladan. He went on to establish FUDOSI, the federation of initiatory orders together with Harvey Spencer Lewis (1883-1939) and Victor Blanchard (1878-1953). Although various squabbles and intrigues ensued, Péladan’s Salons were eventually revived by AMORC, and exhibitions and events are still held in Paris, and elsewhere, to this day, even though Péladan’s original teachings and principles have been largely laid aside.
Having recently completed my exploration of Péladan’s work and esoteric-aesthetic curriculum as the topic of my doctoral dissertation, I would strongly recommend that researchers interested in this period revisit his work, particularly in relation to that of Papus and de Guaita. Péladan’s infamy and subsidence into oblivion has been largely a result of his own misplaced ostentation and defamation on the part of his contemporaries. His work not only stands up to scrutiny as a significant, and more importantly, cohesive and unique esoteric curriculum in its own right, but as a figure he also represents a nexus between a number of highly significant esoteric currents, including the specific brand of Rosicrucianism that emerged in Toulouse through viscount Edouard de Lapasse, mystical Catholicism, a form of French Traditionalism particular to Occitania, a revival of the Renaissance philosophia perennis interpreted and implemented through all of these influences, and a collection of teachings that form a clear alternative current to that advanced by Papus and his followers, as well as that of the Theosophical society. Overall, the paintings from the Rosicrucian Salons are perhaps the finest encapsulation of his philosophy, yet there is far more to them – and to Péladan, than meets the eye.
[i] Robert Pincus-Witten, Occult Symbolism in France (New York: Garland, 1976), p. 2
[ii] Joséphin Péladan, LaDecadence Esthetique Vol. I, L’Art Ochloratique, Salons de 1882 et 1883 (Paris : Dalou, 1888)
[iii] Péladan, ‘L’esthetique au salon de 1883,’ L’Artiste, vol. 1 (Paris : May 1883)
[iv] Josephin Péladan, L’art idéaliste et mystique, doctrine de l’Ordre et du salon annuel des Rose+Croix, (Paris : Chamuel 1894) p. 33.
[v] Josepin Péladan, La queste du Graal – Proses Lyriques De L’éthopée – La Décadence Latine (Paris : Au Salon de la Rose+Croix, 1892)
[vi] Dantinne, L’œuvre et la pensée de Péladan, p. 175
[vii] Dantinne, L’œuvre et la pensée de Péladan, p. 175
[viii] Dantinne, L’oeuvre et la Pensee, p.34-5
[ix] Dantinne, L’œuvre et la pensée de Péladan, p. 18, 63, 99, 101. According to Dantinne, Péladan was introduced to the Zohar by his brother Adrien, and first read Fabre d’Olivet’s Langue hébraïque restituée. He later studied the full translation by Jean de Pauly (1860-1903), which was a translation of Pico della Mirandola’s Latin version. Péladan neither read, nor had any interest, in reading Hebrew, being more interested in principles and ideas than permutations of letters or exegetical techniques. (Dantinne, p. 101)
[x] Péladan, Istar, vol 2 of 2, p. 266
For more on the introduction of ‘d(a)emons’ into Christian doctrine, also see John Dillon, The Middle Platonists (Ithaca: Cornell University Press, 1977), and John Dillon, The Great Tradition: Further Studies in the Development of Platonism and Christianity (Aldershot: Ashgate, 1997)
[xi] see note 66.
[xii] Berthelot, vol. III, p. 29
[xiii] Antoine Fabre d’Olivet, La langue hebraïque restituée, (1815-1816)
– F. Schlegel, Novalis, Athenaeum (1798-1800)
– Pierre-Simon Ballanche, Vision d’Hébal (1831) ; Orphée (1829)
[xiv]“’Qu’est-ce que le péché d’Adam?” C’est, dit Péladan, d’avoir détaché la branche Malchut [sic] de l’arbre sephirotique. ‘
Péladan, La Terre du Christ, (Paris: Flammarion 1901), p. 270 in Dantinne, L’œuvre et la pensée de Péladan, p. 155
[xv] Péladan, Comment on devient Fée, p. 30, in Dantinne, L’œuvre et la pensée de Péladan, pp. 49-50. Péladan’s use of this terminology also corroborates the fact that he was familiar with Zoharic ontological philosophy, as noted by Dantinne and as will be discussed later in this section. For an overview and useful commentary on the Zohar, see Gershom Scholem, Major Trends in Jewish Mysticism, (New York : Schocken, 1995) ; cf. Gershom Scholem, Zohar, the Book of Splendor : Basic Readings from the Kabbalah (New York : Schocken, 1949 ; 1963 ; 1977) ; Moshe Idel, Kabbalah : New Perspectives (Yale University Press, 1990)
[xvi] Bertholet, vol III, p. 31, quoting Péladan, L’art idealiste et mystique, V. Appendix, fig, 9
[xvii] Brendan Cole, ‘Khnopff’s Avec Verhaeren: Un Ange and Art, or the Caresses,’ Art Bulletin Vol. XCI no. 3 (September 2009), pp. 329-30
[xviii] Ibid., p. 332
[xix] Schopenhauer, The World as Will, vol. 2, p. 15-16
[xx] Schure, Les grands inities, p. 117
[xxi] Péladan, De l’Androgyne, 16-7
[xxii] Toorop, quoted in Auke van der Woud, ed., J. Th. Toorop de jaren 1885tot 1910, exh.cat. (Otterlo: Rijksmuseum Kroller-Muller, 1978), cited in Brendan Cole, ‘Khnopff’s Avec Verhaeren,’ p. 333, n. 55
Written by Sasha Chaitow
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Exoteric, Esoteric, and Levels of Reality

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By Alan Kazlev
The distinction between esoteric and exoteric allows us to see how different areas of knowledge pertain to the four basic metaphysical levels.  If we list general fields of inquiry and practice, we would have:


Realitymy cosmologyNeoplatonic paradigmKabbalistic paradigmHuston Smith (Forgotten Truth) by Huston SmithExotericEsoteric
Godhead or AbsoluteAbsolute RealityAbsolute- 
the One
En SofSpirit/Infiniten/aMonistic mysticism
Spiritual- Divine (God)Noetic
Noeric
NousAtzilut
Beriah
Soul/CelestialReligionTheistic mysticism
Psychic- IntermediatePsychicSoulYetzirahMind/IntermediatePsychology
naive Religion
Occultism
PhysicalPhysicalSense world (Hyle)AsiyahBody/PhysicalSciencen/a
Obviously, there is some overlap, in that some areas of knowledge (especially in the Mystical and Hermetic - Occult fields) pertain to more than one reality.  Confusion also arises through the fact that lower-order forms of knowledge (such as "born-again" Christianity - Psychic/Intermediate level) claim to represent higher realities (Divine and Absolute) than they actually pertain do.  Moreover, both Esoteric and Exoteric fields pertain to these various levels, the Esoteric fairly accurately, the Exoteric less so.
One could also observe that each of the three main metaphysical alternatives of Materialism, Dualism, and Monism are valid, but only inasmuch as they apply to their own particular "segment" of the spectrum of being. Materialism pertains to the Physical, or level one; Dualism to the Intermediate (psychic or psychological; level two) or the celestial (spiritual; level three) alongside the physical; and Monism to the Infinite (or the Absolute: level four, in contrast and in relation to the other three levels.
At level one, the Physical, the laws of science apply, but not the laws of magic, which belong to level two.  Hence the materialist or sceptic, who understands only level one, dismisses magic as "superstition" or "pseudo-science".
With each higher level, different laws, and a different way of experiencing Reality, apply.  And sometimes it happens that one of the higher levels can "break through" into one of the lower and manifest there, in so doing overriding the laws of that lower level.  When that happens we have what is generally called a "miracle", a Divine break-through.  Understood from the emanationist perspective it can be seen that there is nothing "supernatural" or "mysterious" about this at all; it is all a matter of metaphysics, even if it is not a matter of physics.



This book is much less about comparative religion and more about a hierarchical cosmology in which the renowned scholar of comparative religion Prof. Smith, inspired by the "Primordialist" School of Fritjof Schuon, Rene Gueneon, and co, posits four ontological grades as a means of integrating science, religion, mysticism, phenomenology, and folklore into one grand picture. I had already been thinking along these lines when I read this book many years ago, but his simple presentation really galvanised my own perspective, and helped give me a basic and uncluttered framework on which to build. There is no real mention of emanation in his book, and so his cosmology is curiously static, and in addition quite simplistic. One might also wonder if this ontological gradation is as universally held as he claims. But even so this is a very good introduction to the idea of an ontological gradation of reality










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Category:Conceptions of self

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The Dhillon factors in Religare

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With Rs 900-cr holding, Shabnam Dhillon, largest minority shareholder, is closely related to the Religare's promoters, the Singh brothers, and their guru


N Sundaresha Subramanian  |  New Delhi 
 
 

  

The Dhillon shadow over Religare

Religare Enterprises Ltd

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Radha Saomi Satsang Beas (RSSB) and people associated with it have shot back into the discourse of corporate India after Shivinder Mohan Singh, co-promoter of listed companies Religare and Fortis, recently said he would be closely associated with the sect.

Singh is related on the maternal side to RSSB’s current head, Gurinder Singh Dhillon. Dhillon’s predecessor, Charan Singh, was maternal grandfather of the Religare promoters. The spiritual connection had extended to the business, too. From the latest shareholding details, Religare’s largest minority shareholder is Shabnam Singh Dhillon, wife of the RSSB head. She has a direct holding of 8.5 per cent.

(the Blogger's key comment.... The RSSB also teaches a form of mysticism known as Surat Shabd Yoga in which the soul is connected to the Sound Current of Spirit, and uses It as means to achieve the Higher Plane for "God-Realization." However, it has been known for a long time too that the head of the organization has great interest in business. Many in the West notably may regard this as incompatible with spirituality. As to whether the leader, or rather guru is perfect, or not is something which is explained in earlier post by myself. See the link on this blog for more details  http://thoughtsandvisions-searle88.blogspot.co.uk/2013/10/gurinder-religare-and-beas-satsang-part.html  )

In addition to her direct holdings, two companies --SGGD Project Development and Bestest Developers -- owned 4.21 per cent and 4.8 per cent, respectively, in Religare as of June. SGGD Projects, according to latest filings with the registrar of companies (RoC), was fully owned by Shabnam Singh. Bestest is a fully owned subsidiary of SGGD Projects. In May 2014, Bestest acquired these Religare shares through a structured transaction, funded by a Rs 335-crore debenture issue of its parent, SGGD.

In a ratings report for the 2014 debenture issue by SGGD, Brickworks Ratings said, “The company plans to raise Rs 335 crore by way of proposed principal protected fully redeemable non-convertible listed debentures with a tenor of up to five years. Bestest Developers, a special purpose vehicle (SPV), wholly owned by SGGD, was formed in 2008. SGGD proposes to invest up to Rs 300 crore in this SPV for subscription to preferential allotment of equity shares by Religare Enterprises Ltd (REL). The SPV is expected to purchase about 90 lakh shares of REL at Rs 316.78 per share.”

The cumulative 17.5 per cent Religare stake held by Dhillon is now worth Rs 915 crore. Her son, Gurpreet Singh Dhillon, is chief executive officer (CEO) of Religare Health Trust, an affiliate of Religare Global. Religare says she is only an investor and does not have any role in the company, executive or otherwise.

The Dhillon factors in Religare
In December 2007, when Religare was first listed, the family’s shareholding was in the name of sons Gurpreet and Gurkeerat. In December 2010, the Dhillon family had approached the market regulator for exemption from open offer provisions, as it wanted to consolidate the holdings of various entities into a single holding company called Logos Holding. At this point, the sons held 9.73 per cent each in the company, the father had 0.02 per cent and one Nayantara Dhillon had 0.05 percent. The total holding thus sought to be consolidated was 19.53 per cent.

Though the Securities and Exchange Board of India cleared the proposal, the Logos plan did not seem to have gone through. Following this, Shabnam Dhillon emerged as the largest shareholder, with a stake of around 8.6 per cent in the filings in September 2012. She had taken over the shares of younger son Gurkeerat and part-shares of Gurpreet. By September 2013, Shabnam had 12.93 per cent and the sons did not figure in the prominent public shareholders list. In the subsequent quarters, her personal stake got reduced and settled around 8.5 per cent, while SGGD Projects and Bestest entered the shareholders list.

Brickworks also dwelt on the background of Shabnam Dhillon in its rating report of May 2014. “SGGD Projects Development Pvt Ltd was incorporated in 2010, as Mehta and Mehta Real Estate Pvt Ltd, with the principal objective being to provide consulting and advisory services in real estate projects, import and export of machinery, equipment, etc. In 2013-14, the company was bought by Shabnam Dhillon. She is a part of the Dhillon family, which has interests in the real estate business, and has a number of commercial real estate projects that have been implemented in Delhi, Noida, Gurgaon, Pune, Mumbai and Ahmedabad.”

The Brickwork report added that the Dhillon family owned and ran commercial real estate project ventures in and around Delhi and Mumbai. “Shabnam Dhillon’s sons, Gurpreet Singh Dhillon and Gurkirat Singh Dhillon, are currently the CEO of Religare Health Trust and operations manager at Fortis Healthcare International, respectively,” it said.

According to Roc records, 54-year old Dhillon is a director on at least 10 companies, other than SGGD. These include GYS Real Estate, TripleLess Realtors, Prius, Rapid Buildwell, Elegance Malls, Pawan IMpex, Verne Developers and Sharan Hospitality. The group is collectively referred to as the GYS group.

An e-mail seeking comments, sent to the company secretary of this group, remained unanswered. In an e-mail response, a Religare spokesperson said, “Ms Dhillon is an independent shareholder and doesn’t have any executive or non-executive role in Religare. Gurpreet Dhillon her son, as publicly disclosed, is the CEO for Religare Health Trust, anaffiliate of Religare Global Asset Management.”

The spokesperson added that Religare and its business matters were run by a professional, best-in- class management team, governed by an independent board.

In response to a query on whether Shivinder's move to renounce executive positions would result in Dhillon assuming a greater role in day to day affairs, the Religare spokesperson said, “This question is bizarre and has no correlation with your earlier questions. Seemingly speculative with a view to sensationalise and create a news angle when there isn’t any.”


Category:Esoteric schools of thought

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Esoteric schools of thought are schools, currents or movements which have an occult system of thought based on esoteric knowledge. They aid to prepare the individual toward spiritual evolution. It almost always deals with some system of esoteric cosmology and contain some common themes as rebirth, occult history of human evolution, planes of existence, and Initiation into those same planes or inner worlds.

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Archeosofica

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Archeosofica is a school of esoteric Christianity founded by Tommaso Palamidessi in 1968 in Rome. It offers a program of research and of experimental results, by supplying Booklets and other textbooks in which the most important subjects of Archeosophy, i. e. “Science of Principles”, are developed.[1]
The school requires neither a fee nor the subscription of any membership. The school of Archeosofica is free and offers a program of research and of experiments by supplying booklets and other texts. The foundation of Archeosofica is rooted in Palamidessi's spirit of collaboration on the spiritual realisation of man and woman. According to Tommaso Palamidessi, Archeosofica is
an esoteric school that prepares for Initiation: a free school for free scholars, who must not feel like pupils nor apprentices, but brothers who listen to the living voice of other brothers, or who wish to doctrinate themselves by their writings that present the results of serious studies and experiences: Brothers who have started out with a mentality free of prejudices and who have analyzed, chosen and accepted the best of all the other ancient and modern esoteric schools.[2]
It is a call addressed to all, and it does not matter if they belong to the different communities (Theosophists, Anthroposophists, Martinists, Rosicrucians, Catholics, Yoghists, etc.). The Brotherhood is only one, and it can have only one verb: Love one another; only one Master: Jesus the Christ.[2]
Tommaso Palamidessi's thought about co-operation and fraternal spirit and is repeated more than once in his works and reveals the idea which inspired the foundation of Archeosofica
...we are all brothers and we must unite, love each other and work together. The Ecumenical Council is not only of the religions, but also of the esoteric societies. The times require the co-operation of all, and we offer a Way which is safe, swift, direct, towards the overcoming of one's own moral, psychic, spiritual and biological state.[3]


Archeosofica and the integral Ascesis[edit]

Archeosofica proposes an integral Ascesis, composed, that is, of other integrative asceses which we enumerate as follows:[1]
  1. Physiological and Psychosomatic Ascesis, for the physical well being and the maximum balance and performability of the body, its energies, to the purpose of making it a temple of the spirit: a necessary basis for preparing a good karma (destiny) in view of the resurrection of the body, healthy and beautiful.
  2. Social Ascesis that is the effort, exercise, methodical and progressive action to become a perfect citizen and to make oneself a spokesman of a new society resting on the pillars of charity, non-violence, reciprocal economic, cultural and spiritual assistance.
  3. Mystical Ascesis, through an intense devotional life of dialogue with the Divinity; a process of inner transmutation leading to active ecstasy, to the vision of the Light. It is the Alchemist's Opus in White, the entrance into the Waters of Life, the sojourn of the Saints: prelude to a new state of superior ascent towards the Kingdom of God.
  4. Theurgical Ascesis, or progressing with the rites which attract the friendship and help of God, of the Christ, of the Mother, of the helpful Angelic Spirits, Archangelic and of the Universal Communion of the Adepts and the Saints.
  5. Magical Ascesis, effort and action to dominate the forces of Nature. Read the definition of Magic we have given in our Encyclopedic Dictionary of Archeosophy (40th Booklet - first part).
  6. Cosmic Ascesis, action and advance towards a syntony or cosmicization with the whole: stars, elements, skies, etc.
  7. Sapiential and Initiatic Ascesis, or the spiritual elevation of oneself through the Knowledge and particular practices leading to an inner transmutation and to the qualitative leap. It is the way to come out of the Waters of the phenomenic world, the going beyond the mystical state, it is the christic walking above the Waters. It is the perennial wakefulness and the Alchemist's Opus in Red, that is the royal state of who has finally exited from the game of creation.
All these forms of ascesis are explained as doctrine and as practice in special booklets called "Archeosophy Booklets".

Archeosophy Booklets[edit]

Subjects of Archeosophy are developed in special booklets called Archeosophy Booklets. There are about 50 Booklets which investigate various subjects as esoteric Christianity, Reincarnation, Out of Body Experience, Meditation, Clairvoyance, Esotericism, Alchemy, Symbolism, Mysticism, Pranotherapy, and so on.[4]

See also[edit]

References[edit]

  1. ^ Jump up to: abPalamidessi Tommaso, THE ARCHAIC TRADITION AND FOUNDATIONS OF ARCHEOSOPHICAL INITIATION, first Booklet, Archeosofica, 1968
  2. ^ Jump up to: abPalamidessi Tommaso, 3rd Booklet of Archeosophy, ed Archeosofica, 1968
  3. Jump up ^Palamidessi Tommaso, 1st Booklet of Archeosophy, ed Archeosofica, 1968
  4. Jump up ^A complete list of the booklets can be found on the Archeosophical Society site
  • Encyclopedia of New Religious Movements, the article on "Archeosophy" by P.L. Zoccatelli in Peter B. Clarke (ed.), Londra - New York: Routledge, 2006, p. 38-39.
  • Tommaso Palamidessi, The Archaic Tradition and Foundation of Archeosophical Initiation
  • M. Introvigne, Il Cappello del mago. I nuovi movimenti magici, dallo spiritismo al satanismo, Milano: Sugarco 1990, p. 330-332.
  • C. Gatto Trocchi, Magia ed esoterismo in Italia, Milano: Mondadori, 1990, p. 142-145.
  • Enciclopedia delle religioni in Italia, a cura di M. Introvigne, P.L. Zoccatelli, N.I. Macrina e Veronica Roldan, Torino: Elledici, 2001, p. 791-792 [nuova edizione: M. Introvigne - P.L. Zoccatelli (sotto la direzione di), Le religioni in Italia, Elledici - Velar, Leumann (Torino) - Gorle (Bergamo) 2006, pp. 842–844].

External links[edit]

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